all right smon uh I guess we can you
give me about 15 more minutes of your
time is that okay yeah excellent because
I really do want to ask you this about
the idea of subjective uh well why why
is haiger not a uh dogmatic subjectivist
on idealist and I just just for the vi I
think this is a really important except
you you claim in in this in this book on
heik is being a time in page 28 it's a
bit of a mouthful but you say tus
perceptual experience is rendered
intelligible through a process of
ideation general generaliz you know I'll
probably skip that part I'll probably
skip that part and the important bit is
uh you you speak about the universal and
particular and then you say uh the
important thing here is that uh this
move from the paricular to the universal
takes place at the level of intuition it
is not something seen in the object and
not a subjective construction oops I
think we lost someon there again
excellent so just just a last bit that I
wanted to read out from from that except
was you say here the categorical forms
are not the subjective constructs of
Acts but the objects that manifest
themselves in those acts that was such a
such an important little excer from the
from the book uh salmon so uh I I guess
my that's fromer book is it that's
correct from the from the from your
lecture introduction oh sorry from your
lecture Hader for beginers which is
about a a 30 page lecture and it's it's
excellent you speak about the a priori
phenomenology it's it's it's so good uh
but simply the question is yeah why is
hiiga not a dogmatic subjectivist or an
idealist what what differentiates him
from uh more of like a Buran
idealist oh uh well he's not a burking
idealist because you doesn't believe
that um you know things are things are
just perceptions which are in the head
so um he's not an empirical idealist
right so he um so that's that's easy
he's not um a dogmatic anything he's
taking the the
critical turn of of k um you can see
haider's heer's uh approach to say
something like
reality uh in paragraph 43 of being in
time as I think of it as an
existential deepening of transcendental
idealism so transcendental idealism in
in can is the idea that we live in an
empirically real world right there real
world full of real
stuff um that's in indisputable and that
wasn't the case for for for Barkley um
but that world is a world which is a
world which we which we give order to we
give shape to uh and that
uh what count thinks the the categories
of the understanding are what give uh
shape and order to that empirically real
world so K's claim is that uh an
empirical realist is also a
transcendental idealist that the uh the
world is indeed a really real world but
it's a world which is which is shaped
and ordered by by human activity or it's
observed dependent you could say and I
see that as um that that's that's true
uh what that KS
problem is that can
operates uh for heiger at the level of
what he calls The Presence at hand so
that uh K's K's uh K's Philosophy for
hidinger um is the the right intuition
with the
wrong um the wrong ontology
uh heidinger thinks that the present at
Hand by which he means the seeing the
world with Phil philosopher spectacles
seeing the world in intellectualist uh
terms theoretic terms uh seeing the
world and then asking questions like
well how do I know that you've got a
mind or you're a robot or or you know
how do you how do you know that I am who
I say I am and so on so forth all of
these questions arise with the wrong
ontology the ontology of the pres at
hand so what haiger tries to do in being
in time is to give us another onology
which is an onology of the ready the
ready to hand the handiness of the
availability of the world and this is
where and this is where draus is right
this is a kind of pragmatist
approach and um and hid's pragmatism in
quotation marks
um you know it's both it's both realist
and idealists right it's both committed
to the idea that there's a really real
world and that really real world is
something which is shaped uh and
apprehended by The Observers that
understand that world and so um and if
there's a if there's a um if there's a
philosopher that I think um is most
similar to um heiger in the certainly in
the American tradition it would be
William James
and James develops in his in his his
late work his unfinished work this idea
of what he calls radical
empiricism and I see heiger as being
pretty consistent with that and that's
an attempt how do
you and so haider's
question this is also what's wrong with
philosophy what's wrong with philosophy
is that
philosophy uh
reduces the flux of experience to
Concepts to these static abstract
Concepts like thinking substance or
monad or whatever it might be uh heiger
is is concerned with two
things uh he's concerned with uh uh
movement that whatever's going on is in
movement um everything is moving all the
time we live in a world of movement and
movement is time and time is movement
and all of that
and uh and how do but and how do we how
do we express movement how do we say
movement because if we say Movement we
fix it we reduce it to a kind of Still
Point how do we express movement as
movement very hard thing to do and
something which something of which
philosophy is is quite bad at doing with
the exception of heiger
and I think hegel's dialectic is is a
way of thinking about movement too and
the second thing it's about is meaning
right the the world is Meaningful Thea
and that meaning is not in the head that
meaning is out there in the
world uh it's it's a meaning that we we
apprehend the world just the world just
hangs together and is significant that's
just a fact then how do we describe that
is the question which he sets himself so
he's not so that's that's how I
understand hiding his position and then
um in division two of being in time he
takes all of that and just kind of spins
it into uh into
another dimension which is even more
exciting and uh does that help
absolutely it does in fact just the last
question on on how to go summon just
because of time constraints it's a so
why why is it again a very naive
question but you know for for for a
person who's a
neoi why is it that hiiga uses the
category of a design introduces a design
instead of a kajo or a subject what
what's unique about design for for for
hia hia is trying to invent a new
language because he thinks that the
language of the
tradition uh is a is a is a language
that blinds us because we think we
understand what it means so if I say uh
I'm a mind or I'm a person or I'm am a
spirit body you or I'm the brain or
whatever we think we know what those
things mean and haider's view is that
that um tradition has to be destroyed
that's his that's his has to be
destroyed so he is committed in the
larger project of which being in time is
a part to basically the destruction of
the history of philosophy he thinks that
modern philosophy in particular and the
criminal really is is always dayar for
him daycar has reduced the world to a
world of subjective experiences of uh a
reality which is understood as substance
and that is the wrong ontology for
thinking about being in the world for
him so he uses the word does the term
darine it's a term you can find in
German it just it's a it's a perfectly
ordinary term it just means existence
and he uses that to uh designate
us and then the question is well uh is
darine the human being well yeah yeah
we're darine but then could there be
design beyond the human and that's a
question which you know there's a lot of
debate and interpretation about that I
think um you could think about animal
design there's a there's a philosopher
called John hogland who talks about uh
you have a design of a city you do of a
whole place so there could be a way you
can get from heiger into so heiger
wants a name
for uh who we
are uh that is not just subjective right
because if we say subject we think we
understand so hi's hiiga strategy is to
defamiliarize us with what we think we
know and to actually get us to start
thinking and for that he thought we
needed a new a new vocabulary and the
first item in that vocabulary is the
idea of
darine so uh if you translate it as
person then you think oh well I know
what a person is you know and but then
you miss the point you've got to go with
the the kind of but thought experiment
the heidig is trying to get us to yeah
under to to dine is the is is us but as
something really quite strange I think
he describes da as The Happening of
strangeness and I quite like that and I
think uh it's probably why when reading
hiig gu as you described there is some
sort of conversion experience once you
start getting into the world of hiiga
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