"Will Durant's Fascination with Ancient Egypt"
Ancient Egypt established the foundational technologies, bureaucratic structures, artistic conventions, and religious concepts of Western civilization, only to collapse when theological dogmatism and an exploitative priesthood drained the state's resources and paralyzed its adaptability.
It demonstrates that historical progress is cyclical rather than linear, showing how an empire possessing peerless engineering, medicine, and administrative peace can decay from within when superstition usurps civic governance and external trade routes shift.
Section summaries
The journey begins in the Mediterranean harbor of Alexandria, tracking through unpaved alleys, mosques, and modern railways before opening out onto the fertile alluvial plain of the Delta. Durant highlights how the broad stream of the Nile built the arable soil of Egypt over millennia from a thousand miles of detritus. The entire economic survival of six million peasants rests on a narrow strip of water bordered by shifting sands, sustained by summer inundations lasting a hundred days. Peasant laborers continue using pivoted buckets on long poles, preserving five-thousand-year-old agricultural techniques and ancestral linguistic elements despite Arabization. The chapter concludes by passing ancient trade centers like Naucratis and Sais before reaching Cairo and approaching the edge of the Giza plateau.
- Civilization in Egypt emerged because the Nile was uniquely predictable and controllable compared to other world rivers.
- The agricultural methods and water-raising tools of the contemporary fellahin remain virtually identical to those used during the construction of the pyramids.
- Egyptian territory is precariously fragile, existing solely as a ribbon of silt threatened continually by surrounding deserts.
Establishes the fundamental geographic and environmental basis of Egyptian civilization and Durant's literary style.
Durant confronts the Great Pyramids and the Sphinx amidst tourist crowds, reflecting on how historical perspective shrinks millennia, placing figures like Caesar, Herodotus, and modern observers in shared proximity before tombs already ancient to antiquity. He examines the brutal, titanic scale of the Fourth Dynasty's construction projects, quoting Herodotus on the food rations of radishes, garlic, and onions consumed by the hundred thousand laborers. While acknowledging the engineering prowess required to transport massive stone blocks six hundred miles, Durant critiques the pyramids as primitive, vainglorious monuments driven by an excessive hunger for sheer size. Moving southward by steamer past the ancient capital of Memphis, the narrative traces the shrinking boundaries of human settlement along the desert belt toward Luxor.
- The sheer antiquity of the pyramids collapsed the perceived time gap between modern observers and classical figures like Herodotus and Caesar.
- The pyramids reflect a primitive obsession with scale and personal vanity rather than pure architectural elegance.
- Memphis, once an Old Kingdom capital of two million inhabitants, has been almost entirely obliterated by windblown desert sand.
Offers Durant's critical philosophical perspective on monumental architecture versus artistic refinement.
Arriving at Luxor (ancient Thebes), Durant explores the monuments of Egypt's imperial golden age, starting with Queen Hatshepsut's colonnaded mortuary temple at Deir el-Bahri, whose classical proportions suggest Egypt inspired Greek architecture. He surveys the seventy-foot, seven-hundred-ton Colossi of Memnon and the shattered, thousand-ton colossus of Ramses II, praising the pharaoh's sheer vitality and long rule. On the Nile's western bank lies the City of the Dead, where rock-cut royal tombs in the Valley of the Kings reveal decorated sarcophagi and the preserved footprints of ancient slaves. On the east bank, the hypostyle courts and papyriform columns of Luxor and Karnak demonstrate Egypt's transition from mere architectural bulk to sublime structural mastery.
- Hatshepsut's cliff temple at Deir el-Bahri directly presaged classical Greek colonnades, demonstrating the Mediterranean's architectural debt to Egypt.
- Ramses II's massive monuments and ninety-nine-year lifespan symbolize the zenith of personal dynastic projection.
- The papyriform and lotiform columns of Luxor synthesized functional load-bearing strength with organic plant forms.
Details the architectural shift from Old Kingdom mass to New Kingdom aesthetic maturity.
This section examines the colossal sixty-acre sanctuary of Karnak, built across successive dynasties, focusing on its avenue of sphinxes, its Great Hypostyle Hall containing 140 massive columns, and Hatshepsut's gold-capped obelisks. Durant recounts Jean-François Champollion's awed description of Karnak's superhuman scale before depicting modern archaeological struggles against soil salinity, wind erosion, and the corrosive saltpeter left by annual floods. The narrative then shifts to historiography, noting that medieval and Enlightenment Europe possessed virtually no genuine knowledge of Egypt until Napoleon's 1798 expedition. The scientific corps brought by Napoleon published the multi-volume Description de l'Égypte, inaugurating scientific Egyptology.
- Karnak represents the most sustained, collaborative religious building endeavor in antiquity, spanning dozens of pharaohs over sixty acres.
- Modern Egyptology was born as a direct byproduct of Napoleonic military imperialism.
- Efflorescence from saltpeter and the chemical action of floodwaters continuously threaten the stone foundations of exhumed temples.
Explains both the height of imperial Egyptian temple design and the origin story of modern Egyptology.
Durant recounts how Champollion spent over twenty years deciphering the Rosetta Stone and Bankes obelisk, matching Ptolemaic royal cartouches in Greek and demotic to isolate twenty-four phonetic signs and reconstruct the Egyptian script. Turning to prehistory, he tracks the transition from the Paleolithic to Neolithic Nile valley, citing flint hand axes and pottery uncovered by Jacques de Morgan and Flinders Petrie. Excavations at Badari reveal mummies from roughly 4000 BC containing undigested husks of barley, proving early cereal cultivation and swamp clearance before recorded dynasties. Durant analyzes the ethnic synthesis of indigenous North African populations with Semitic and Armanoid migrations that forged the dynastic Egyptian stock.
- Champollion proved hieroglyphics were not purely ideographic mystical symbols, but contained a functional phonetic alphabet.
- Barley remnants found inside prehistoric Badarian intestines provide the earliest physical proof of systematic farming along the Nile.
- Egyptian civilization arose from the racial and cultural mixing of native African populations and Asian migrants.
Crucial for understanding the linguistic breakthrough that unlocked Egyptian records and its prehistoric agricultural roots.
The political consolidation of prehistoric independent nomes into the Unified Kingdom under Menes at Memphis initiated dynastic history. Durant identifies Imhotep, chancellor and physician to King Djoser, as the first individual recorded in world history, creator of the Step Pyramid of Saqqara and stone architecture. Moving to the Fourth Dynasty, he discusses the despotic labor mobilizations under Khufu (Cheops) and Khafre, comparing their ruthless power to the quiet dignity preserved in Khafre's diorite museum bust. The motive for building pyramids is defined as purely religious: protecting the physical carcass so the deceased's double, or 'ka', would survive death, driving the mad patient accumulation of millions of stone blocks.
- Imhotep is the earliest named artist, architect, and physician documented in surviving human records.
- Pyramids were functional metaphysical machines built to ensure physical preservation for the spirit double (ka), not mere displays of art.
- The political structure of Egypt permanently oscillated between central dynastic rule and decentralized local control by provincial nomarchs.
Essential philosophical discussion on the origins of world biography, early engineering, and mortuary theology.
This section explores the material arrangements made for the deceased's ka, detailing how early human sacrifice was replaced by tomb reliefs and wooden servant models activated by magic formulas to feed the soul economically. Durant reads Herodotus's detailed forensic description of the seventy-day embalming process using natron, cedar oil, and cranial extraction hooks. He tracks the architectural decline from the massive stone pyramids of Khufu and Khafre to the smaller, mud-brick casing of Menkaure's pyramid. The Old Kingdom's zenith dissolved after the ninety-four-year reign of Pepi II, which ended in social dissolution, royal bankruptcy, and four centuries of feudal anarchy.
- Tomb reliefs and statuettes developed as an economical, humane alternative to slaughtering real wives and servants in royal burials.
- Mummification relied chemically on dehydration via natron (sodium carbonate and aluminum silicates) combined with fragrant resins.
- The extreme longevity of Pepi II's reign triggered institutional paralysis and civil collapse, ending the Old Kingdom.
Details the precise technical mechanics of mummification and the ideological roots of tomb art.
Out of four centuries of feudal chaos, Amenemhat I unified the state, shifting the capital to Thebes and establishing the Twelfth Dynasty, leaving behind a cynical scroll of administrative advice for absolute rulers. His successors, the Senusrets, drained the Faiyum marshes, built the first canal connecting the Nile to the Red Sea, and expanded frontiers into Nubia and Palestine. This renaissance ended around 1750 BC when the Hyksos, pastoral nomads from Asia equipped with horses and war chariots, invaded the Nile valley and ruled as the 'Shepherd Kings' for two centuries. Durant frames ancient civilizations as fragile outposts continually threatened and periodically refreshed by hungry surrounding pastoralists.
- Amenemhat I's testament provides one of history's earliest Machiavellian treatises on the cold pragmatism required for autocracy.
- Middle Kingdom engineering achieved regional canal networks connecting the Nile directly to the Red Sea.
- The Hyksos invasion violently interrupted Egyptian culture but modernized its military technology with horse-drawn chariotry.
Analyzes the cyclical nature of civilizational collapse and rebirth under foreign invasion.
Following the expulsion of the Hyksos, the Eighteenth Dynasty launched Egypt into an imperial expansion across Western Asia. Thutmose I and Queen Hatshepsut consolidated rule; Hatshepsut proclaimed herself divine and king, dressing in male regalia and funding trade expeditions to Punt while initiating lavish works at Karnak. Upon her death, Thutmose III launched fifteen relentless military campaigns across Palestine and Syria, beginning at the strategic crossroads of Megiddo. Thutmose III instituted permanent imperial garrisons, established naval sea power, and directed vast war spoils and annual tributary taxes into a booming Egyptian economic and artistic golden age.
- Hatshepsut navigated political patriarchy by adopting masculine royal iconography and inventing a divine virgin birth myth involving Amon.
- Thutmose III pioneered coordinated sea-and-land imperial logistics, turning Egypt into the dominant superpower of the Mediterranean world.
- The battle of Megiddo in the 15th century BC began a three-millennium history of warfare at the exact strategic pass where modern wars are still fought.
Examines the geopolitical mechanics and fiscal foundations of Egypt's imperial golden age.
Durant contrasts the fabulous luxury of Amenhotep III's imperial court with the grinding day-to-day realities of Egypt's seven million agrarian workers. While classical authors like Herodotus described farming along the Nile as effortless sowing after receding waters, Durant cites scribal papyri describing tax collectors beating peasants with palm ribs and throwing them bound into canals when grain tithes failed. The soil legally belonged entirely to the Pharaoh, and free peasants were perpetually subject to the corvée—state-mandated forced labor for canal dredging, monumental construction, and quarrying. Durant surveys standard dietary rations across social classes, noting the wide gap between scribal privilege and rural subjugation.
- All land was the legal monopoly of the Pharaoh, requiring annual tithes of 10 to 20 percent of agricultural produce in kind.
- The life of the fellahin was dominated by aggressive scribal extraction, bodily torture for tax default, and compulsory forced labor (corvée).
- Herodotus's romanticized vision of effortless Nile farming ignored the severe socio-political exploitation underpinning the agricultural surplus.
Provides an essential materialist corrective to imperial propaganda by analyzing class exploitation.
Key points
- Hydraulic Despotism and the Paradox of Egyptian Continuity — Egyptian civilization's exceptional durability derived from the predictable rhythms of the Nile inundation, which necessitated centralized hydraulic administration, state-directed canal engineering, and bureaucratic tax assessments while reducing peasant labor relative to other riverine cultures.
- The Evolution of Morality from Magic to Conscience — Egyptian thought progressed from primitive sympathetic magic and talismanic preservation of the corpse to sophisticated ethical self-evaluation in the Negative Confession, only to be systematically re-corrupted by a priesthood monetizing salvation through ritual charms.
- The Tragic Idealism of Akhenaten's Monotheistic Revolution — Akhenaten instituted history's first universal monotheism by stripping divinity of tribal chauvinism and anthropomorphism to worship the vitalizing solar force, yet his dogmatic intolerance and political pacifism shattered Egypt's imperial hegemony.
- The Inevitable Parasitism of Sacerdotal Power — By the Ramesside decline, the temple bureaucracy of Amon commanded one-seventh of all arable land, tens of thousands of tax-exempt slaves, and vast reserves of precious metals, effectively starving state workers and reducing the monarchy to an impotent theocracy.
“So the past with the quiet continuity of this River flows into the future lightly touching the present on its way only historians make divisions time does not.” — Will Durant
“In themselves they are little ridiculous vainglorious tombs in which the dead sought eternal life perhaps pictures have too much ennobled them photography can catch everything but dirt and enhances man-made objects with noble vistas of land and sky.” — Will Durant
AI-generated from the transcript. May contain errors.
Egypt won the gift of the Nile one in
the Delta Alexandria the Nile the
pyramids the Sphinx this is a perfect
Harbor outside the long breakwater the
waves topple over one another roughly
within it the sea is a silver mirror
there on the little island of Pharos
when Egypt was very old saw Stratos
built his great lighthouse of white
marble five hundred feet high as a
beacon to all ancient mariners of the
Mediterranean and as one of the seven
wonders of the world time and the
nagging waters have washed it away but a
new lighthouse has taken its place and
guides the steamer through the rocks to
the keys of Alexandria here that
astonishing boy statesman Alexander
founded the subtle polyglot metropolis
that was to inherit the culture of Egypt
Palestine and Greece in this harbor
Caesar received without gladness the
severed head of Pompey as the Train
glides through the city glimpses come of
unpaved alleys and streets heat waves
dancing in the air workmen naked to the
waist black garbed women bearing burdens
sturdily white robed and turbaned
moslems of regal dignity and in the
distance
spacious squares and shining palaces
perhaps as fair as those that the
ptolemies built when Alexandria was the
meeting place of the world then suddenly
it is open country and the city recedes
into the horizon of the Fertile Delta
that green triangle which looks on the
map like the leaves of a lofty palm tree
held up on the slender stalk of the Nile
once no doubt this Delta was a bay
patiently the broad stream filled it up
too slowly to be seen with detritus
carried down a thousand miles now from
this little corner of mud enclosed by
the many mouths of the river six million
peasants grow enough cotton to export a
hundred million dollars worth of it
every year they're bright and calm under
the glaring Sun fringed with slim palms
and grassy banks is the most famous of
all rivers we cannot see the desert that
lies so close beyond it or the great
empty wadis riverbeds
where once its fertile tributaries
flowed we cannot realize yet how
precariously narrow a thing this Egypt
is owing everything to the river and
harassed on either side with hostile
shifting sands
now the train passes amid the alluvial
plain the land is half covered with
water and crossed everywhere with
irrigation canals in the ditches and the
fields black fella he neighbor knowing
no garment but a cloth about the loins
the river has had one of its annual
inundations which begin at the summer
solstice and last for a hundred days
through that overflow the desert became
fertile and Egypt blossomed in Herodotus
phrase as the gift of the Nile it is
clear why civilization found here one of
its earliest homes nowhere else was a
river so generous in irrigation and so
controllable in its rise only
Mesopotamia could rival it for thousands
of years the peasants have watched this
rise with anxious eagerness to this day
public Criers announced its progress
each morning in the streets of Cairo so
the past with the quiet continuity of
this River flows into the future lightly
touching the present on its way only
historians make divisions time does not
but every gift must be paid for and the
peasant though he valued the rising
waters knew that without control they
could ruin as well as irrigate his
fields so from time beyond history he
built these ditches that cross and
re-cross the land he caught the surplus
in canals and when the river fell he
raised the water with buckets pivoted on
long poles singing as he worked the
songs that the Nile is heard for five
thousand years for as these peasants are
now somber and laughter lists even in
their singing so they have been in all
likelihood for 50 centuries this water
raising apparatus is as old as the
pyramids and the million of these fella
Hien despite the conquests of Arabic
still speak the language of the ancient
monuments here in the Delta of fifty
miles southeast of Alexandria is the
site of no Curtis once filled with
industrious scheming Greeks thirty miles
farther east the site of saia's where in
the centuries before the Persian and
Greek conquests the native civilization
of Egypt had its last revival and then
129 miles southeast of Alexandria is
Cairo a beautiful city but not Egyptian
the conquering Muslims founded it in AD
968 then the bright spirit of France
overcame the gloomy Arab and built here
a Paris in the desert
exotic and unreal one must pass through
it by motorcar
or leisurely theocritus a gypped at the
pyramids how small they appear from the
long road that approaches them did we
come so far to see so little but then
they grow larger as if they were being
lifted up into the air round the turn in
the road we surprised the edge of the
desert and there suddenly the pyramids
confront us bare and solitary in the
sand gigantic and morose against an
italian sky a motley crowd scrambles
about their base stout businessmen on
blinking donkeys stouter ladies secure
in carts young men prancing on horseback
young women sitting uncomfortably on
Camelback their silk knees glistening in
the Sun and everywhere grasping Arabs we
stand where Caesar and Napoleon stood
and remember that 50 centuries look down
upon us where the father of history came
400 years before Caesar and heard the
tales that were too startled Pericles a
new perspective of time comes to us two
millenniums
seemed to fall out of the picture and
Caesar Herodotus and ourselves appear
for a moment contemporary and modern
before these tombs that were more
ancient to them than the Greeks are to
us
nearby the Sphinx half lion and half
philosopher grimly closed the sand and
glares unmoved at the transient visitor
and the eternal plain it is a savage
monument as if designed to frighten old
Ledger's and make children retire early
the lion body passes into a human head
with prognathous jaws and cruel eyes the
civilization is the built at circa 29 90
BC and not quite forgotten barbarism
once the sand covered it and Herodotus
who saw so much that is not there says
not a word of it
nevertheless what wealth these old
Egyptians must have had what power and
skill even in the infancy of history to
bring these vast stones 600 miles to
raise some of them weighing many tons to
a height of half a thousand feet and to
pay or even to feed the hundred thousand
slaves who toiled for 20 years on these
pyramids Herodotus is preserved for us
an inscription that he found on one
pyramid recording the quantity of
radishes garlic and onions consumed by
the workmen who built it these things -
and to have their amour
despite these familiar friends we go
away disappointed
there is something barbarically
primitive or barbarically modern in this
brute hunger for size it is the memory
and imagination of the beholder that
swollen with history make these
monuments great in themselves they are
little ridiculous vainglorious tombs in
which the dead sought eternal life
perhaps pictures have too much ennoble
dem photography can catch everything but
dirt and enhances man-made objects with
noble vistas of land and sky the sunset
at Giza is greater than the pyramids to
upstream Memphis the masterpiece of
queen hatshepsut the colossi of memnon
Luxor and Karnak the grandeur of
Egyptian civilization from Cairo a
little steamer moves up the river that
is southward through six leisurely days
to Karnak and Luxor 20 miles below Cairo
it passes Memphis the most ancient of
Egypt's capitals here where the great
3rd and 4th dynasties lived in a city of
2 million souls nothing now greets the
eye but a row of small pyramids in the
grove of palms for the rest there is
only desert infinite villainess sand
slipping under the feet stinging the
eyes filling the pores covering
everything stretching from Morocco
across Sinai Arabia Turkestan Tibet to
Mongolia along that sandy belt across
two continents civilization once built
its seats and now is gone driven away as
the ice receded by increasing heat and
decreasing rain by the Nile for a dozen
miles on either side runs a ribbon of
fertile soil from the Mediterranean to
Nubia there is only this strip redeemed
from the desert this is the thread upon
which hung the life of Egypt and yet how
brief seems the life span of Greece or
the millennium of Rome beside the long
record from meanies to Cleopatra a week
later the steamer is at Luxor on this
side now covered with Arab Hamlet's or
drifting sand once stood the greatest of
Egypt's capitals the richest city of the
very ancient world known to the Greeks
as Thebes and to its own people
Wes e and nae on the eastern slope of
the Nile is the famous Winter Palace of
Luxor a flame with bougainvillea across
the river the Sun is setting over the
tombs of the Kings into a sea of sand
and the sky is flaked with gaudy tints
of purple and gold bar in the West the
pillars of queen hatshepsut's noble
temple gleam looking for all the world
like some classic colonnade in the
morning lazy sailboats very The Seeker
across the river so quiet and
unpretentious that no one would suspect
that it had been flowing here for
uncounted centuries then over mile after
mile of desert through dusty mountain
passes and by historic graves until the
masterpiece of the great Queen Rises
still and white and the trembling heat
here the artist decided to transform
nature and her hills into a beauty
greater than her own into the very face
of the granite cliff he built these
columns as stately as those that China's
made for Pericles it is impossible
seeing these to doubt that Greece took
our architecture perhaps through Crete
from this initiative race and on the
walls vast bar reliefs alive with motion
and thought tell the story of the first
great woman in history and not the least
of Queens on the road backs at two
giants in stone representing the most
luxurious of Egypt's monarchs I'm in
hotep the third but mistakenly called
the colossi of memnon by the bittakers
of Greece
each is 70 feet high weighs 700 tons and
is carved out of a single rock on the
base of one of them are the inscriptions
left by Greek tourists who visited these
ruins 2,000 years ago again the
centuries fall out of reckoning and
those Greeks seem strangely contemporary
with us in the presence of these ancient
things a mile to the north lie the stone
remains of ramasees the second one of
the most fascinating figures in history
beside whom Alexander is an immature
trifle alive for 99 years Emperor for 67
father of 150 children here he is a
statue once 56 feet high now 56 feet
long prostrate and ridiculous in the
sand Napoleon's servants measured him
zealously they found his ear 3 under
feet long his foot five feet wide his
weight a thousand tons for him Bonaparte
should have used his later salutation of
Goethe voila nom behold a man all around
now on the west bank of the Nile is the
City of the Dead at every turn some
burrowing Egyptologist has unearthed a
royal tomb the grave of Tutankhamun is
closed locked even in the faces of those
who thought that gold would open
anything but the tomb of Seti the first
is open and there in the cool earth one
may gaze at decorated ceilings and
passages and marvel at the wealth and
and skill that could build such
sarcophagi and surround them with such
art in one of these tombs the excavators
saw on the sand the footprints of the
slaves who had carried the mummy to its
place 3,000 years before but the best
remains adorn the eastern side of the
river here at Luxor the lordly Amenhotep
the third with the spoils of tutmes the
thirds victories began to build his most
pretentious edifice death came upon him
as he built then after the work had been
neglected for a century
ramasees the second finished it in regal
style at once the quality of Egyptian
architecture floods the spirit here our
scope and power not beauty merely but a
masculine sublimity a wide court now
waste with sand paved of old with marble
on three sides majestic colonnades
matched by karnak alone on every hand
carved stone in bar relief and royal
statues proud even in desolation imagine
eight long stems of the papyrus plant
nurse of letters and here the form of
art at the base of the fresh unopened
flowers bind the stems with five firm
bands that will give Beauty strength
then picture the whole stately stalk in
stone this is the Popeye reformed column
of luxor fancy a court of such columns
upholding massive and tablatures and
shade giving porticoes seen the whole as
the ravages of 30 centuries have left it
then estimate the men who in what we
once thought the childhood of
civilization could conceive and execute
such monuments through ancient ruins and
modern squalor a rough footpath leads to
what egypt keeps as its final offering
the temples of Karnak
half a hundred pharaohs took part in
building them from the last dynasties of
the old kingdom to the days of the
Ptolemies generation by generation the
structures grew until sixty acres were
covered with the Lord layest offerings
that architecture ever made to the gods
an avenue of sphinxes leads to the place
where Shambo Yong founder of Egyptology
stood in 1828 and wrote I went at last
in the palace or rather to the city of
monuments to Karnak there all the
magnificence of the pharaohs appeared to
me all that men have imagined and
executed on the grandest scale no people
ancient or modern has conceived the art
of architecture on a scale so sublime so
great so grandiose as the ancient
Egyptians they conceived like men a
hundred feet high to understand it would
require maps and plans and all an
architect's learning a spacious
enclosure of many courts one-third of a
mile on each side a population of once
eighty six thousand statues a main group
of buildings constituting the temple of
amman 1000 by 300 feet great pylons were
gates between one court and the next the
perfect heraldic pillars have tutmes the
third broken off rudely at the top but
still of astonishingly delicate carving
and design the festival hall of the same
formidable monarch its fluted shafts
here and there anticipating all the
power of the Doric column in Greece the
little temple of ptah
with graceful pillars rivaling the
living palms beside them the prom in a
began the work of tut mrs. builders with
bare and massive colonnades symbol of
Egypt's Napoleon above all the hypostyle
Hall a very forest of 140 gigantic
columns crowded closed to keep out the
exhausting Sun flowering out at their
tops into spreading palms of stone and
holding up with impressive strength a
roof of mammoth slabs stretched in solid
granite from capital to capital nearby
two slender obelisks monoliths complete
in symmetry and grace rise like pillars
of light amid the ruins of statues and
temples and announce in their
inscriptions the proud message of queen
hatshepsut to the world these obelisks
the carving says are of hard granite
from the quarries of the south there
cops are a Finegold chosen from the best
in all foreign lands they can be seen
from afar on the river the splendor of
their radiance fills the two lands and
when the solar disk appears between them
it is truly as if he rose up into the
horizon of the sky you who after long
years shall see these monuments who
shall speak of what I have done you will
say we do not know we do not know how
they can have made a whole mountain of
gold to Gilda my have given gold
measured by the bushel as though it were
sacks of grain for I knew that Karnak is
the celestial horizon of the earth what
a queen and what kings perhaps this
first great civilization was the finest
of all and we have but begun to uncover
its glory
near the sacred lake at Karnak men are
digging carrying away the soil patiently
in little paired baskets slung over the
shoulder on a pole an Egyptologist is
bending absorbed over hieroglyphics on
two stones just rescued from the earth
he is one of a thousand such men
Carter's and breasted sand masts
Burroughs Petrie's and cap ours and
bagels living simply here in the heat
and dust trying to read for us the
riddle of the Sphinx to snatch from the
secretive soil the art and literature
the history and wisdom of Egypt every
day the earth and the elements fight
against them superstition curses and
hampers them moisture and corrosion
attacked the very monuments they have
exhumed and the same Nile that gives
food to Egypt creeps in its overflow
into the ruins of Karnak loosens the
pillars tumbles them down and leaves
upon them when it subsides a deposit of
saltpeter that eats like a leprosy into
the stone let us contemplate the glory
of Egypt once more in her history and
her civilization before her last
monuments crumble into the sand to the
master-builders one the discovery of
Egypt shampoo yo and the rosetta stone
the recovery of Egypt is one of the most
brilliant chapters in archaeology the
Middle Ages knew of Egypt as a Roman
colony and a Christian settlement the
Renaissance presumed that civilization
had begun with Greece even the
Enlightenment though it concerned itself
intelligently with China and India knew
nothing of Egypt beyond the pyramids
Egyptology was a byproduct of Napoleonic
imperialism when the great Corsican led
a French expedition to Egypt in 1798 he
took with him a number of draftsman and
engineers to explore and map the terrain
and made place also for certain scholars
absurdly interested in Egypt for the
sake of a better understanding of
history it was this Corps of men who
first revealed the temples of Luxor and
Karnak to the modern world and the
elaborate description delhi seeped 1809
to 1813 which they prepared for the
french academy was the first milestone
in the scientific study of this
forgotten civilization for many years
however they were unable to read the
inscriptions surviving on the monuments
typical of the scientific temperament
was the patient devotion with which
sample young one of these savants
applied himself to the decipherment of
the hieroglyphics he found at last an
obelisk covered with such sacred
carvings in egyptian but bearing at the
base a greek inscription which indicated
that the writing concerned Ptolemy and
Cleopatra guessing the two hieroglyphics
often repeated with the Royal cartouche
attached with the names of these rulers
he made out tentatively 1822 eleven
Egyptian letters this was the first
proof that Egypt had had an alphabet
then he applied this alphabet to a great
black stone slab that Napoleon's troops
had stumbled upon near the Rosetta mouth
of the Nile
this rosetta stone contained an
inscription in three languages first in
hieroglyphics second in demotic the
popular script of the Egyptians and
third in Greek with his knowledge of
Greek and the eleven letters made out
from the obelisk champignon
after more than twenty years of labour
deciphered the whole inscription
discovered the entire Egyptian alphabet
and opened the way to the recovery of a
lost world it was one of the peaks in
the history of history - prehistoric
Egypt Paleolithic Neolithic the mad
Aryans pre-dynastic race since the
radicals of one age are the
reactionaries of the next it was not to
be expected that
men who created Egyptology should be the
first to accept as authentic the remains
of Egypt's Old Stone Age after 40 they
serve all Nishant bacteria when the
first Flint's were unearthed in the
valley of the Nile
sir Flinders Petrie not usually hesitant
with figures class them is the work of
post dynastic generations and Maspero
whose lordly area Edition did know her
to his urbane and polished style
ascribed Neolithic Egyptian pottery to
the Middle Kingdom nevertheless in 1895
DeMorgan revealed an almost continuous
gradation of Paleolithic cultures
corresponding substantially with their
succession in Europe in the flint hand
axes harpoons arrowheads and hammers
exhumed all along the Nile imperceptibly
the Paleolithic remains graduating to
Neolithic at depths indicating an age
10,000 to 4,000 BC the stone tools
became more refined and reach indeed a
level of sharpness finish and precision
unequaled by any other Neolithic culture
known towards the end of the period
metalwork enters in the form of Oz's
chisels and pins of copper and ornaments
of silver and gold finally as a
transition to history agriculture
appears in the year 1901 near the little
town of bhaduri halfway between Cairo
and Karnak bodies were excavated Amman
implements indicating a date
approximating to 40 centuries before
Christ in the intestines of these bodies
preserved through six millenniums by the
dry heat of the sand were husks of
unconsumed barley since barley does not
grow wild in Egypt it is presumed that
the bad Aryans had learned to cultivate
cereals from that early age the
inhabitants of the Nile Valley began the
work of irrigation cleared the jungles
and the swamps one the river from the
crocodile and the hippopotamus and
slowly laid the groundwork of
civilization these and other remains
give us some inkling of Egyptian life
before the first of the historic
dynasties it was a culture midway
between hunting and agriculture and just
beginning to replace stone with metal
tools the people made boats ground corn
wove linen and carpets had jewels and
perfumes barbers and domesticated
animals and delighted to draw pictures
chiefly of the prey they
soon they painted upon their simple
pottery figures of mourning women
representations of animals and men and
geometrical designs and they carved such
excellent products as the gable alaric
knife
they had pictographic writing and
Sumerian like cylinder seals
no one knows whence these early
Egyptians came learned at guesses
inclined to the view that they were a
cross between Nubian Ethiopian and
Libyan natives on one side and Semitic
or our monoid immigrants on the other
even at that date there were no pure
races on the earth probably the invaders
or immigrants from Western Asia brought
a higher culture with them and their
intermarriage with the vigorous native
stocks provided that ethnic blend which
is often the prelude to a new
civilization slowly from 4000 to 3000 BC
these mingling groups became a people
and created the Egypt of history 3 the
Old Kingdom the gnomes the first
historic individual Cheops Chephren the
purpose of the pyramids art of the tombs
mummification already by 4000 BC these
peoples of the Nile had forged a form of
government the population along the
river was divided into gnomes in each of
which the inhabitants were essentially
of one stock acknowledged the same totem
obeyed the same chief and worshipped the
same gods by the same rights throughout
the history of ancient Egypt these
gnomes persisted there no marks or
rulers having more or less power and
autonomy according to the weakness or
strength of the reigning Pharaoh as all
developing structures tend toward an
increasing interdependence of the parts
so in this case the growth of trade and
the rising costliness of war forced the
gnomes to organize themselves into two
kingdoms one in the south one in the
north a division probably reflecting the
conflict between African natives and
Asiatic immigrants this dangerous
accentuation of geographic and ethnic
differences was resolved for a time when
meanies a half legendary figure brought
the two lands under his united power
promulgated a body of laws given him by
the god Thoth established the first
historic dynasty built a new Capitol at
Memphis taught the people in the words
of an ancient Greek historian to use
Able's and couches and introduced luxury
and an extravagant manner of life the
first real person in known history is
not a conqueror or a king but an artist
and a scientist in hotel physician
architect and chief advisor of Kings Oh
sir
circa 3150 BC he did so much for
Egyptian medicine but later generations
worshipped him as a god of knowledge
author of their sciences and their arts
and at the same time he appears to have
founded the school of architecture which
provided the next dynasty with the first
great builders in history it was under
his administration according to Egyptian
tradition that the first stone house was
built it was he who planned the oldest
Egyptian structure extant the Step
Pyramid of Saqqara a terraced structure
of stone which for centuries set the
style in tombs and apparently was he who
designed the funerary temple of zoser
with its lovely lotus columns and its
limestone paneled walls in these old
remains at saqqara at what is almost the
beginning of historic Egyptian art we
find fluted shafts as fair as any the
Greece would build reliefs full of
realism and vitality green fails richly
colored glazed earthenware rivaling the
products of medieval Italy and a
powerful stone figure of King Djoser
himself
obscured in its details by the blows of
time but still revealing an
astonishingly subtle and sophisticated
phase we do not know what concourse of
circumstances made the Fourth Dynasty
the most important in Egyptian history
before the 18th perhaps it was the
lucrative mining operations in the last
reign of the third perhaps the
ascendancy of Egyptian merchants in
Mediterranean trade perhaps the brutal
energy of Khufu the key ops of Herodotus
who reigned from 30 98 to 30 75 BC first
Pharaoh of the new house Herodotus has
passed on to us the traditions of the
Egyptian priests concerning this builder
of the first of Jesus pyramids now they
tell me that to the reign of Ramzan itis
there was a perfect distribution of
justice and that all Egypt was in a high
state of prosperity but that after him
Cheops coming to reign over them plunged
into every kind of wickedness for that
having shut up all the temples he
ordered all the Egyptians to work for
himself Salma
accordingly were appointed to draw
stones from the quarries in the Arabian
Mountains down the Nile others he
ordered to receive the stones when
transported in vessels across the river
and they were to the number of a hundred
thousand men at a time each party during
three months the time during which the
people were thus harassed by toil lasted
ten years on the road which they
constructed and along which they drew
the stones a work in my opinion not much
less than the pyramid of his successor
and rival builder Khafre the Kathryn of
Herodotus who ruled from thirty sixty
seven to thirty eleven BC we know
something almost at first hand for the
diorite portrait which is among the
treasures of the Cairo Museum pictures
him if not as he looked certainly as we
might conceive this Pharaoh of the
second pyramid who ruled Egypt for 56
years on his head is the Falken symbol
of the royal power but even without that
sign we should know that he was every
inch a king proud direct fearless
piercing eyes a powerful nose and a
frame of reserved and quiet strength it
is evident that nature
had long since learned how to make men
and art had long since learned how to
represent them why did these men build
pyramids their purpose was not
architectural but religious the pyramids
were tombs lineally descended from the
most primitive of burial mounds
apparently the Pharaoh believed like any
commoner among his people that every
living body was inhabited by a double or
cow which need not die with the breath
and that the car would survive all the
more completely if the flesh were
preserved against hunger violence and
decay the pyramid by its height its form
and its position sort stability as a
means to deathlessness and except for
its square corners it took the natural
form that any homogeneous group of
solids would take if allowed to fall
unimpeded to earth again it was to have
permanence and strength therefore stones
were piled up here with mad patience as
if they had grown by the wayside and had
not been carried from quarries hundreds
of miles away in Khufu's pyramid there
are two and a half million blocks some
of them weighing 150 tons all of them
averaging two and a half tons they cover
half a million square feet and rise 481
feet into the air
and the mass is solid only a few blocks
were emitted to leave a secret
passageway for the carcass of the king a
guide leads the trembling visitor on all
fours into the cavernous mausoleum up a
hundred crouching steps to the very
heart of the pyramid there in the damp
still center buried in darkness and
secrecy once rested the bones of Khufu
and his queen the marble sarcophagus of
the Pharaoh is still in place but broken
and empty even these stones could not
deter human thievery nor all the curses
of the gods since the car was conceived
as the minut image of the body it had to
be fed clothed and served after the
death of the frame lavatories were
provided in some royal tombs for the
convenience of the departed soul and a
funerary text expresses some anxiety
lest the car for want of food should
feed upon its own excreta one expects
the Egyptian burial customs if traced to
their source would lead to the primitive
interment of a warrior's weapons with
his corpse or some institution like the
Hindu sati the burial of a man's wives
and slaves with him that they may attend
to his needs this having proved accent
to the wives and slaves painters and
sculptors were engaged to draw pictures
carved bar reliefs and make statuettes
resembling these aids by a magic formula
usually inscribed upon them the carving
or painted objects would be quite as
effective as the real ones
a man's descendants were inclined to be
lazy and economical and even if he had
left an endowment to cover the costs
they were apt to neglect the rule that
religion originally put upon them of
supplying the dead with probe and
hence pictorial substitutes were in any
case a wise precaution they could
provide the car of the deceased with
fertile fields plump oxen innumerable
servants and busy artisans at an
attractively reduced rate having
discovered this principle the artists
accomplished marbles with it
one tomb picture shows a field being
plowed the next shows the grain being
reaped or thrashed another the bread
being baked one shows the bull
copulating with the cow another the calf
being born another the grown cattle
being slaughtered another the meat
served hot on the dish a fine limestone
bar relief in the tomb of Prince Rojo
death portrays the dead man enjoying the
varied vittles on the table before him
never since has art done so much for men
fine
the cow was a short long life not only
by burying the cadaver in a sarcophagus
of the hardest stone but by treating it
to the most painstaking mummification so
well was this done that to this day bits
of hair and flesh cling to the Royal
skeletons Herodotus vividly describes
the Egyptian embalmers art first they
draw out the brains through the nostrils
with an iron hook raking part of it out
in this manner the rest by the infusion
of drugs then with a sharp stone they
make an incision in the side and take
out all the bowels and having cleansed
the abdomen and rinsed it with palm wine
they next sprinkle it with pounded
perfume then having filled the belly
with pure myrrh cassia and other
perfumes they sew it up again and when
they have done this they steep it in
Natron leaving it under for 70 days for
a longer time than this it is not lawful
to steep it Natron is a silicate of
sodium and aluminum at the expiration of
70 days they wash the corpse and wrap
the whole body in bandages of wax and
cloth smearing it with gum which the
Egyptians commonly use instead of blue
after this the relations having taken
the body back again make a wooden case
in the shape of a man and having made it
they enclose the body and then having
fastened it up they store it in a
support role chamber setting it up right
against the wall in this manner they
prepare the bodies that are embalmed in
the most expensive way all the world
fears times as an Arab proverb but time
fears the pyramids
however the Pyramid of Khufu has lost
twenty feet of its height and all its
ancient marble casing is gone perhaps
time is only leisurely with it beside it
stands khafre's pyramid a trifle smaller
but still capped with the granite casing
that once covered at all humbly beyond
this squats the pyramid of cafes
successor man Cowley the macaronis of
Herodotus who reigned from thirty eleven
to twenty 988 BC covered not with
granite but with shamefaced brick as if
to announce that when men raised it the
zenith of the old kingdom had passed the
statues of men carried that have come
down to us show him as a man more
refined and less forceful than Caffrey
civilization like life destroys what it
has perfected them
already it may be the growth of comforts
and luxuries the progress of manners and
morals had made men lovers of peace and
haters of war suddenly a new figure
appeared usurped men calories thrown and
put an end to the pyramid builders
dynasty for the Middle Kingdom the
feudal age the 12th dynasty the Hyksos
domination kings were never so plentiful
as in Egypt history lumps them into
dynasties monarchs of one line or family
but even then they burden the memory in
tolerably one of these early pharaohs
pipi ii ruled egypt for 94 years 2738 -
26 44 bc the longest reign in history
when he died anarchy and dissolution
ensued the pharaohs lost control and
feudal barons ruled the gnomes
independently this alternation between
centralized and decentralized power is
one of the cyclical rhythms of history
as if men tired alternately of a
moderate liberty and excessive order
after a dark age of four chaotic
centuries a strong-willed Charlemagne
arose set things severely in order
changed the capital from Memphis to
Thebes and under the title of Amon
Emmett the first inaugurated that 12th
dynasty during which all the arts
excepting perhaps architecture reached a
height of excellence never equaled in
known Egypt before or again through an
old inscription Amun Emmet speaks to us
I was one who cultivated grain and loved
the harvest God the Nile greeted me in
every Valley none was hungry in my years
none thirsted then men dwelt in peace
through that which I wrought and
conversed of me his reward was a
conspiracy among the talleyrand's and
Fouchet whom he had raised a high office
he put it down with a mighty hand but
left for his son Polonius like a scroll
of bitter counsel an admirable formula
for despotism but a heavy price to pay
for royalty talkin to that which I say
to thee that thou mayest be king of the
earth the Dow mayest increased good
harden myself against all sabor
that's the people give heed to him who
terrorizes them approach them not alone
Phil not thy heart with a brother no not
a friend when thou sleepest guard for
thyself thine own heart for a man hath
no friend in the day of evil this Stern
ruler who seems to us so human across
4000 years
established a system of administration
that held for half a millennium wealth
grew again and then art Sena stret the
first to built a great canal from the
Nile to the Red Sea repelled Nubian
invaders and directed great temples at
Heliopolis Abydos and Karnak 10 colossal
seated figures of him have cheated time
and litter the Cairo Museum another
sinister at the third began the
subjugation of Palestine drove back the
recurrent Nubians and raised a steely or
slab at the southern frontier not from
any desire that ye should worship it but
that he should fight for it Amun Emmet
the third a great administrator builder
of canals and irrigation put an end
perhaps to effectively to the power of
the Barons and replaced them with
appointees of the King thirteen years
after his death Egypt was plunged into
disorder by dispute among rival
claimants to the throne and the Middle
Kingdom ended in two centuries of
turmoil and disruption then the Hyksos
nomads from Asia invaded disunited Egypt
set fire to the cities razed the temples
squandered the accumulated wealth
destroyed much of the accumulated art
and for 200 years subjected the Nile
Valley to the rule of the Shepherd Kings
ancient civilizations were little isles
in a sea of barbarism
prosperous settlements surrounded by
hungry envious and warlike hunters and
herders at any moment the wall of
defense might be broken down so the
kassitus rated Babylonia the Gauls
attacked Greece and Rome the Huns over
ran Italy the Mongols came down upon
Peking soon however the conquerors in
their turn grew fat and prosperous and
lost control
the Egyptians rose in a war of
liberation expelled the Hyksos and
established the eighteenth dynasty which
was to lift Egypt a greater power wealth
and glory than ever before five the
Empire the great queen taught most the
third
the zenith of Egypt perhaps the invasion
had brought another rejuvenation by the
infusion of fresh blood but at the same
time the new age marked the beginning of
a thousand-year struggle between Egypt
and Western Asia
Thutmose the first not only consolidated
the power of the new Empire but on the
ground that Western Asia must be
controlled to prevent further
interruptions invaded Syria subjugated
it from the coast to car kamesh put it
under guard and tribute and returned to
Thebes laden with spoils and the glory
that always comes from the killing of
men at the end of his 30-year reign he
raised his daughter
Hatshepsut to partnership with him on
the throne for a time her husband and
stepbrother ruled as thomas ii and dying
named as his successor thomas the third
son of toughness the first by a
concubine but hatshepsut set this high
destined youngster aside assumed full
royal powers and proved herself a king
in everything but gender even this
exception was not conceded by her since
sacred tradition required that every
Egyptian ruler should be a son of the
Great God Ammon Hotch Epps had arranged
to be made at once male and divine a
biography was invented for her by which
Ammon had descended upon hot chef suits
mother a Maasai in a flood of perfume
and light his attentions had been
gratefully received and on his departure
he had announced that a Masai would give
birth to a daughter in whom all the
valor and strength of the God would be
made manifest on earth to satisfy the
prejudices of her people and perhaps the
secret desire of her heart the great
Queen had herself represented on the
monuments as a bearded and breast 'lest
warrior and though the inscriptions
referred to her with the feminine
pronoun they did not hesitate to speak
of her as son of the son and Lord of the
two lands when she appeared in public
she dressed in male garb and wore a
beard she had a right to determine her
own sex for she became one of the most
successful and beneficent of Egypt's
many rulers she maintained internal
order without undue tyranny and external
peace without laws she organized a great
expedition to punt presumably the
eastern coast of Africa giving new
markets to her merchants and new
delicacies to her people she helped to
beautify Karnak
raised their two majestic obelisks built
at Deir el-bahri
the stately temple which her father had
designed and repaired some of the damage
that had been done to older temples by
the Hyksos Kings I have restored that
which was in ruins one of her proud
inscriptions tells us I have raised up
that which was unfinished
since the Asiatics were in the midst of
the Northland overthrowing that which
had been made finally she built for
herself a secret and ornate tomb among
the sand swept mountains on the western
side of the Nile in what came to be
called the valley of the kings tombs her
successors followed her example until
some sixty royal simple curves had been
cut into the hills and the City of the
Dead began to rival living thieves in
population the west end in Egyptian
cities was the abode of dead aristocrats
to go west and to die for 22 years the
Queen ruled in wisdom and peace
Thutmose the third followed with the
reign of many wars Syria took advantage
of hatshepsut its death to revolt it did
not seem likely to the Syrians that Tut
knows a lad of twenty-two would be able
to maintain the empire created by his
father but Thomas set off in the very
year of his accession marched his army
through contra and Gaza twenty miles a
day and confronted the rebel forces at
har Megiddo that is Mount Megiddo a
little town so strategically placed
between the rival Lebanon ranges on the
road from Egypt to the Euphrates that it
has been the Armageddon of countless
Wars from that day to general allenbys
in the same past where in 1918 the
British defeated the Turks Thutmose the
third 3390 seven years before defeated
the Syrians and their allies then Chuck
nos marched victorious through Western
Asia subdue entak Singh and levying
tribute and returned to Thebes in
triumph six months after his departure
this was the first of fifteen campaigns
in which the irresistible toughness made
Egypt master of the Mediterranean world
not only did he conquer but he organized
everywhere he left doubt he Garrison's
and capable governors the first man in
known history to recognize the
importance of sea power he built a fleet
that kept the Near East effectively in
leash the spoils that he seized
became the foundation of Egyptian art in
the period of the Empire the tribute
that he drained from Syria gave his
people an epicurean ease and created a
new class of artists who filled all
Egypt with precious things we may
vaguely estimate the wealth of the new
Imperial government when we learned that
on one occasion the Treasury was able to
measure up nine thousand pounds of gold
and silver alloy trade flourished in
Thebes as never before the temples
groaned with offerings and that Carnac
the lordly promenade and Festival Hall
rose to the greater glory of King and
God then the King retired from the
battlefield designed exquisite vases and
gave himself to internal administration
his Vizier or Prime Minister said of him
as tired secretaries were to save
Napoleon lo his majesty was one who knew
what happened there was nothing of which
he was ignorant he was the God of
knowledge and everything
there was no matter that he did not
carry out he passed away after a rule of
thirty-two some say 54 years having made
Egyptian leadership in the Mediterranean
world complete after him another
conqueror amenhotep ii subdued again
certain idolaters of liberty in syria
and returned to thebes with seven
captive kings still alive
hanging head downward from the prow of
the imperial galley six of them he
sacrificed to amman with his own hand
then another tut most who does not count
and in 1412 Amenhotep the third began a
long reign in which the accumulated
wealth of a century of mastery brought
Egypt to the Acne of her splendor a fine
bust in the British Museum shows him as
a man at once of refinement and of
strength able to hold firmly together
the Empire bequeathed to him and yet
living in an atmosphere of comfort and
elegance that might have been envied by
Petronius or the Medici only the
exhuming of Tutankhamun's relics could
make us credit the traditions and
records of Amenhotep riches and luxury
in his reign Thebes was as majestic as
any city in history her streets crowded
with merchants her markets filled with
the goods of the world her buildings
surpassing and magnificence all those of
ancient or modern capitals they're
imposing palaces receiving tribute from
an endless chain of vassal states their
massive temples and
stall over with gold and adorned with
every art her spacious villas and costly
chateaus her shaded promenade sand
artificial Lakes providing the scene for
sumptuous displays of fashion that
anticipated Imperial Rome such was a
gypsy a pedal in the days of her glory
in the rain before her fall 3 the
civilization of Egypt one agriculture
behind these kings and queens were pawns
behind these temples palaces and
pyramids were the workers of the cities
and the peasants of the fields
the population of Egypt in the fourth
century before Christ is estimated at
some 7 million souls Herodotus describes
them optimistically as he found them
about 450 BC they gather in the fruits
of the earth with less labour than any
other people for they have not the toil
of breaking up the furrow with the plow
nor of hoeing nor of any other work
which all other men must labor at to
obtain a crop of corn but when the river
has come of its own accord and irrigated
their fields and having irrigated them
has subsided then each man shows his own
land and turns his swine into it and
when the seed has been trodden into it
by the swine he waits for harvest time
then he gathers it in as the swine trod
in the seed so Apes were tamed and
taught to pluck fruit from the trees and
the same Nile that irrigated the fields
deposited upon the minutes inundation
thousands of fish in shallow pools even
the same net with which the peasant fish
during the day was used around his head
at night as a double protection against
mosquitos nevertheless it was not he who
profited by the bounty of the river
every acre of the soil belonged to the
Pharaoh and other men could use it only
by his kind indulgence every tiller of
the earth and to pay him an annual tax
of 10 or 20% in kind large tracts were
owned by the feudal barons or other
wealthy men the size of some of these
estates may be judged from the
circumstance that one of them had 1500
cows cereals fish and meat were the
chief items of diet one fragment tells
the schoolboy what he is permitted to
eat it includes 33 forms of flesh 48
baked meats and 24 varieties of drink
the rich washed down there
deals with wine the poor with barley
beer the lot of the peasant was hard the
free farmer was subject only to the
middleman in the tax collector who dealt
with him on the most time-honoured of
economic principles taking all that the
traffic would bear out of the produce of
the land here is how a complacent
contemporary scribe conceived the life
of the men who fed ancient Egypt dust
I'll not recall the picture of the
farmer when the tenth of his grain is
levied worms have destroyed half the
wheat and the hippopotami I've eaten the
rest
there are swarms of rats in the fields
the grasshoppers alight there the cattle
devour the little birds pilfer and if
the farmer loses sight for an instant of
what remains on the ground it is carried
off by robbers moreover the thongs which
bind the iron and the hoe are worn out
and the team has died at the plough it
is then that the scribe steps out of the
boat at the landing place to levy the
tithe and there come the keepers of the
doors of the Kings granary with cudgels
and Negroes with ribs of palm leaves
crying come now come there is none and
they throw the cultivator full-length
upon the ground find him drag him to the
canal and fling him in headfirst his
wife is bound with him his children are
put into Chains the neighbors in the
meantime leave him and fly to save their
grain it is a characteristic bit of
literary exaggeration but the author
might have added that the peasant was
subject at anytime to the corvée doing
forced labor for the king
dredging the canals building roads
tilling the royal lands or dragging
great stones and obelisks for pyramids
temples and palaces probably a majority
of the laborers in the field were
moderately content accepting their
poverty patiently many of them were
slaves captured in the wars or bonded
for debt sometimes slave raids were
organized and women and children from
abroad were sold to the highest bidder
at home an old relief in the Leyden
Museum pictures a long procession of
Asiatic captives passing gloomily into
the land of bondage one sees them still
alive on that vivid stone their hands
tied behind their backs with their heads
or thrust through rude hand cups of wood
their faces empty with the apathy that
has known the last despair - industry
miners manufacturers workers engineers
transport postal
service Commerce and Finance scribes
slowly as the peasants toiled an
economic surplus grew and food was laid
aside for workers in industry and trade
having no minerals Egypt sought them in
Arabia and Nubia the great distances
offered no temptation to private
initiative and for many centuries mining
was a government monopoly copper was
mined in small quantities iron was
imported from the Hittites gold mines
were found along the eastern coast in
Nubia and in every vassal Treasury
Diodorus Siculus 56 BC describes
Egyptian miners following with lamp and
picked the veins of gold in the earth
children carrying up the heavy or stone
mortars pounding at the bits old men and
women washing the dirt away we cannot
tell to what extent nationalistic
exaggeration distorts the famous passage
the kings of Egypt collect condemned
prisoners prisoners of war and others
who beset by false accusations have been
in a fit of anger thrown into prison
these sometimes alone sometimes with
their entire family they send to the
gold mines partly to exact adjust
vengeance for crimes committed by the
condemned partly to secure for
themselves a big revenue through their
toil as these workers can take no care
of their bodies and have not even a
garment to hide their nakedness there is
no one who seeing these luckless people
would not pity them because of the
excess of their misery for there is no
forgiveness or relaxation at all for the
sick or the main door the old or for
woman's weakness but all with blows are
compelled to stick to their labor until
worn out they die in their servitude
thus the poor wretches even account the
future more dreadful than the present
because of the excess of their
punishment and look to death is more
desirable than life in its earliest
dynasties Egypt learned the art of
fusing copper with tin to make bronze
first bronze weapons swords helmets and
shields then bronze tools wheels rollers
levers pulleys windlass 'iz wedges
lathes screws drills that bore the
toughest diorite stone saws that cut the
massive slabs of the sarcophagi Egyptian
workers made brick cement and plaster of
Paris
they glazed pottery blue glass and
glorified both with color they were
masters in the
carving of wood they made everything
from boats and carriages chairs and beds
to handsome coffins that almost invited
men to die out of animal skins they made
clothing Quivers shields and seats all
the arts of the tenor are pictured on
the walls of the tombs and the curved
knives represented there in the Tanners
hand are used by cobblers to this day
from the papyrus plant Egyptian artisans
made ropes mats sandals and paper other
workmen developed the arts of enameling
and varnishing and applied chemistry to
industry still others will tissues of
the subtlest weave in the history of the
textile art specimens of linen woven
4,000 years ago show today despite times
corrosion a weave so fine that it
requires a magnifying glass to
distinguish it from silk the best work
of the modern machine Loomis course in
comparison with this fabric of the
ancient Egyptian hand loom if says
special we compare the technical
inventory of the Egyptians with our own
it is evident that before the invention
of the steam mentioned we scarcely
excelled them in anything
the workers were mostly Freeman partly
slaves in general every trade was a
caste as in modern India and sons were
expected to follow and take over the
occupations of their fathers the great
Wars brought in thousands of captives
making possible the large estates and
the triumphs of engineering ramasees the
third presented 113 thousand slaves to
the temples during the course of his
reign the free artisans were usually
organized for the specific undertaking
by a chief workman or overseer who sold
their labor as a group and paid them
individually a chalk tablet in the
British Museum contains a chief
workman's record of 43 workers listing
their absences and their causes ill or
sacrificing to the gods or just plain
lazy strikes were frequent once their
pay being long overdue the workmen
besieged the overseer and threatened him
we have been driven here by hunger and
thirst they told him we have no clothes
we have no oil we have no food right to
our Lord the Pharaoh on the subject and
right to the governor of the gnome who
is over us that they may give us
something for our sustenance a Greek
tradition reports a great revolt in
Egypt in which the slaves captured a
province and held it so long that time
which sanctions everything gave them
legal
ship of it but of this revolt there is
no record in Egyptian inscriptions it is
surprising that a civilization so
ruthless in its exploitation of labor
should have known or recorded so few
revolutions Egyptian engineering was
superior to anything known to the Greeks
or Romans or to Europe before the
Industrial Revolution only our time has
excelled it and we may be mistaken
senator at the third for example built a
wall 27 miles long to gather into Lake
nearest the waters of the farm basin
thereby reclaiming 25,000 acres of
marshland for cultivation and providing
a vast reservoir for irrigation great
canals were constructed some from the
Nile to the Red Sea the caisson was used
for digging and obelisks weighing a
thousand tons were transported over
great distances if we make creditor
auditors or judge from later
undertakings of the same kind
represented in the release of the 18th
dynasty these immense stones were drawn
on greased beams by thousands of slaves
and raised to the desired level on
inclined approaches beginning faraway
machinery was rare because muscle was
cheap see and one relief 800 rowers in
27 boats dragging a barge laden with two
obelisks this is the Eden to which our
romantic machine records would return
ships a hundred feet long by half a
hundred feet wide plied the Nile in the
Red Sea and finally sailed the
Mediterranean on land goods were
transported by human muscle later by
donkeys later by the horse which
probably the Hyksos brought to Egypt the
camel did not appear till Ptolemaic days
the poor man walked or paddled his
simple boat the rich man rode in sedan
chairs carried by slaves or later in
chariots clumsily made with the weight
placed entirely in front of the axle
there was a regular postal service an
ancient papyrus says write to me by the
letter carrier communication however was
difficult roads were few and bad except
for the military highway through Gaza to
the Euphrates and the serpentine form of
the Nile which was the main high road of
Egypt doubled the distance from town to
town trade was comparatively primitive
most of it was by barter and village
bazaars foreign commerce grew slowly
restricted severely
most up-to-date tariff walls the various
kingdoms of the Near East believed
strongly in the protective principle for
customs Jews were a mainstay of their
royal Treasuries nevertheless Egypt grew
rich by importing raw materials and
exporting finished products Syrian
and Cypriot merchants crowded the
markets of Egypt and Phoenician galleys
sailed up the Nile to the busy wharves
of Thebes coinage had not yet developed
payments even of the highest salaries
were made in goods corn bread yeast beer
etc taxes were collected in kind and the
Pharaohs Treasuries were not a mint of
money but storehouses of a thousand
products from the fields and shops after
the influx of precious metals that
followed the conquests of Thomas the
third merchants began to pay for goods
with rings or ingots of gold measured by
weight at every transaction but no coins
of definite value guaranteed by the
state arose to facilitate exchange
credit however was highly developed
written transfers frequently took the
place of barter or payment scribes were
busy everywhere accelerating business
with legal documents of exchange
accounting and finance every visitor to
the Louvre has seen the statue of the
Egyptian scribe squatting on his
haunches almost completely nude dressed
with a pen behind the ears reserved for
the one he holds in his hand he keeps
record of work done in goods paid of
prices and costs of profits and laws he
counts the capital as they moved to the
slaughter or corn as it is measured out
in sale he draws up contracts and wills
and makes out his masters income tax
verily there is nothing new Under the
Sun he essentially attentive and
mechanically industrious he has just
enough intelligence not to be dangerous
his life is monotonous but he Consol's
himself by writing essays and the
hardships of the manual workers
existence and the princely dignity of
those whose food is paper and whose
blood is ink three government the
bureaucrats law the Vizier the pharaoh
with these scribes is a clerical
bureaucracy the pharaoh and the
provincial nobles maintained law and
order in the state ancient slabs show
such clerks taking the census and
examining income tax returns through
Nayla meters that measured the rise of
the river the scribe officials forecast
of the harvest and estimated the
government's future revenue they
allotted appropriations in advance to
governmental departments supervise
industry and trade and in some measure
achieved almost at the outset of history
a planned economy regulated by the state
civil and criminal legislation were
highly developed and already in the
fifth dynasty the law of private
property and the quest was intricate and
precise as in our own days there was
absolute equality before the law
whenever the contesting parties had
equal resources and influence the oldest
legal document in the world is a brief
in the British Museum presenting to the
court a complex case in inheritance
judges required cases to be pled and
answered re argued and rebutted not an
oratory but in writing which compares
favorably with our windy litigation
perjury was punished with death there
were regular courts rising from local
judgment seats in the nomes to supreme
courts at Memphis Thebes or Heliopolis
torture was used occasionally as a
midwife to truth beating with the rod
was a frequent punishment mutilation by
cutting off nose or ears hand or tongue
was sometimes resorted to or exiled to
the mines or death by strangling and
paling beheading or burning at the stake
the extreme penalty was to be embalmed
alive to be eaten slowly by an
inescapable coating of corrosive Natron
criminals of high rank received the
shame of public execution by being
permitted to kill themselves and seen
Samurai Japan we find no signs of any
system of police even the standing army
always small because of Egypt's
protected isolation between deserts and
seas was seldom used for internal
discipline security of life and property
in the continuity of law and government
rested almost entirely on the prestige
of the Pharaoh maintained by the schools
in the church no other nation except
China has ever dared to depend so
largely upon psychological discipline it
was a well-organized government with a
better record of duration than any other
in history at the head of the
administration was the Vizier who served
at once as Prime Minister Chief Justice
and head of the Treasury he was the
court of last resort under the Pharaoh
himself a tomb relief shows us the
Vizier leaving his house early in the
morning to hear the petitions of the
poor to hear as the inscription reads
what the people say in their demand
and to make no distinction between small
and great a remarkable papyrus roll
which comes down to us from the days of
the empire purports to be the form of a
dress perhaps it is but a literary
invention with which the Pharaoh
installed the new Vizier look to the
office of the busier be watchful over
all that is done therein behold it is
the established support of the whole and
the Vizier it is not sweet in his bitter
behold it is not to show respect of
persons to princes and counsellors it is
not to make for himself slaves of any
people behold when a petitioner comes
from upper or lower egypt see thou to it
that everything is done in accordance
with law that everything is done
according to the custom thereof giving
to every man his right it is an
abomination of the God to show
partiality look upon him who is known to
thee like him who is unknown to thee and
him who is near the king like him who is
far from his house behold the prince who
does this he shall endure here in this
place the dread of a prince is that he
does justice behold the regulation that
is laid upon thee the Pharaoh himself
was the supreme court any case might
under certain circumstances be brought
to him if the plaintiff was careless of
expense ancient carvings show us the
great house from which he ruled and in
which the offices of the government were
gathered from this great house which the
Egyptians called pero in which the Jews
translated Pharaoh came the title of the
Emperor here he carried on an arduous
routine of executive work sometimes with
a schedule as rigorous as chandragupta's
louis xiv or napoleon's when he traveled
the nobles met him at the feudal
frontiers escorted and entertained him
and gave him presents proportionate to
their expectations one Lord says a proud
inscription gave to amenhotep ii
carriages of silver and gold statues of
ivory and ebony jewels weapons and works
of art 680 shields 140 bronze daggers
and many vows of precious metal the
Pharaoh reciprocated by taking one of
the Barons sons to live with him at
court a subtle way of exacting a hostage
of fidelity the oldest of the courtiers
constituted a council of elders called
Saru or the great ones who served as an
advisory cabin
to the king such council was in a sense
superfluous for the Pharaoh with the
help of the priests assumed divine
descent powers and wisdom this alliance
with the gods was the secret of his
prestige consequently he was greeted
with forms of address always flattering
sometimes astonishing as when in the
story of sinew Hey a good citizen hails
him Oh long living King may the golden
one Hathor the goddess give life to thy
nose as became so godlike a person the
Pharaoh was waited upon by a variety of
aides including generals launderers
bleachers guardians of the Imperial
wardrobe and other men of high degree 20
officials collaborated to take care of
his toilet barbers who were permitted
only to shave him and cut his hair
hairdressers who adjusted the Royal cowl
and diadem to his head manicurists who
cut and polished his nails perfumers who
deodorized his body blackened his
eyelids with coal and reddened his
cheeks and lips with Rouge one tomb in
scription describes its occupant as
overseer of the cosmetic box overseer of
the cosmetic pencil sandal Bearer to the
king doing in the matter of the Kings
sandals to the satisfaction of his law
so pampered he tended to degenerate and
sometimes brightened his boredom by
Manning the imperial barge with young
women clad only in network of a large
mesh the luxury of Amenhotep the third
prepared for the debacle of it not on 4
morals royal incest the harem marriage
the position of woman the matriarch --it
in egypt sexual morality the government
of the pharaohs resembled that of
Napoleon even to the incest very often
the King married his own sister
occasionally his own daughter to
preserve the purity of the royal blood
it is difficult to say whether this
weakened the stock certainly Egypt did
not think so
after several thousand years of
experiment the institution of sister
marriage spread among the people and as
late as the 2nd century after Christ 2/3
of the citizens of Arsena we were found
to be practicing the custom the words
brother and sister and Egyptian poetry
have the same significance as
lover and beloved among ourselves in
addition to his sisters the Pharaoh had
an abundant harem recruited not only
from captive women but from the
daughters of the nobles and the gifts of
foreign potentates so Amenhotep the
third received from a prince of nahor
inna his eldest daughter in 300 select
maidens some of the nobility imitated
this tiresome extravagance on a small
scale adjusting their morals to their
resources for the most part the common
people like persons of moderate income
everywhere contented themselves with
monogamy family life was apparently as
well ordered as wholesome in moral tone
and influence as in the highest
civilizations of our time divorce was
rare until the decadent dynasties the
husband could dismiss his wife without
compensation if he detected her in
adultery if he divorced her for other
reasons he was required to turn over to
her a substantial share of the family
property the fidelity of the husband so
far as we can fathom such Arcana was as
painstaking as in any later culture and
the position of woman was more advanced
than in most countries today no people
ancient or modern said max Muller has
given women so high a legal status as
did the inhabitants of the Nile Valley
the monuments picture them eating and
drinking in public going about their
affairs in the streets unattended and
unharmed and freely engaging in industry
and trade Greek travelers accustomed to
confine their Xanthippe ease narrowly
were amazed at this Liberty they jogged
at the henpecked husbands of Egypt and
Diodorus Siculus perhaps with a twinkle
in his eye reported that along the Nile
obedience of the husband to the wife was
required in the marriage bond a
stipulation not necessary in America
women held in bequeathed property in
their own names one of the most ancient
documents in history is the 3rd dynasty
will in which the lady Neb sent
transmits her lands to her children
Hatshepsut and cleopatra rose to be
queens and ruled and ruined like kings
sometimes a cynical note is heard in the
literature
one ancient moralist warns his readers
beware of a woman from abroad who was
not known in her City look not upon her
when she comes and know her not she is
like the vortex of deep waters whose
whirling is unfathomable
the woman whose husband is far away she
writes to the everyday if there is no
witness with her she arises and spreads
her net Oh deadly crime if one hearkens
but the more characteristically Egyptian
tone sounds in betar hotels instructions
to his son if thou art successful and
has furnished thy house and lovest the
wife of thy bosom then fill her stomach
and clothe her back make glad her heart
during the time thou hast her for she is
a field profitable to its owner if thou
oppose her it will mean I ruin and the
bhulok papyrus admonishes that the child
with touching wisdom thou shalt never
forget thy mother for she carried the
long beneath her breast as a heavy
burden and after thy months were
accomplished she bore thee three long
years she carried the upon her shoulder
and gave thee her breast to thy mouth
she nurtured the and took no offence
from thy uncleanliness and when out
didst enter school and was instructed in
the writings daily she stood by the
master with bread and beer from the
house it is likely that this high status
of woman arose from the mildly
matriarchal character of Egyptian
society not only was was woman ful
mistress in the house but all estates
descended in the female line even in
late Times says Petrie the husband made
over all his property and future
earnings to his wife in his marriage
settlement men married their sisters not
because familiarity had bred romance but
because they wished to enjoy the family
inheritance which passed down from
mother to daughter and they did not care
to see this wealth give aid and comfort
to strangers the powers of the wife
underwent a slow diminution in the
course of time perhaps through contact
with the patriarchal customs of the
Hyksos and through the transit of egypt
from agricultural isolation and peace to
imperialism and war under the Ptolemies
the influence of the greeks was so great
that freedom of divorce claimed in
earlier times by the wife became the
exclusive privilege of the husband even
then however the change was accepted
only by the upper classes the Egyptian
commoner adhered to matriarchal waves
possibly because of the mastery of woman
over her own affairs infanticide was
rare
Theodorus thought it the peculiarity of
the Egyptians that every child born to
them was reared and tells us that
parents guilty of infanticide were
required
I'll ought to hold the dead child in
their arms for three days and nights
families were large and children swarmed
in both hubble's and palaces the
well-to-do were hard put to it to keep
count of their offspring even in
courtship the woman usually took the
initiative the love poems and letters
that have come down to us are generally
addressed by the lady to the man she
begs for assignation --zz she presses
her suit directly she formally proposes
marriage oh my beautiful friend says one
letter my desire is to become as thy
wife the mistress of all thy possessions
hence modesty as distinct from fidelity
was not prominent among the Egyptians
they spoke of sexual affairs with a
directness alien to our late morality
adorned their very temples with pictures
and bar reliefs of startling anatomical
candor and supplied their dead with
obscene literature to amuse them in the
grave blood ran warm along the Nile
girls were nubile at 10 and premarital
morals were free and easy one courtesan
and Ptolemaic days was reputed to have
built a pyramid with her savings even
sodomy had its clientele dancing girls
in the manner of Japan were accepted
into the best male society as providers
of entertainment and physical
edification they dressed in diaphanous
robes or contented themselves with
anklets bracelets and rings evidence is
a cur of religious prostitution on a
small scale as late as the Roman
occupation the most beautiful girl among
the noble families of Thebes was chosen
to be consecrated to Amman when she was
too old to satisfy the gods she received
an honorable discharge married and moved
in the highest circles it was a
civilization with different prejudices
from our own five manners character
games appearance cosmetics costume
jewelry if we try to visualize the
Egyptian character we find it difficult
to distinguish between the ethics of the
literature and the actual practices of
life very frequently noble sentiments
occur a poet for example counsels his
countrymen give bread to him who has no
field and create for thyself a good name
forevermore and some of the elders give
very laudable advice to their children a
papyrus in the British Museum known to
scholars as the wisdom of a Menem Opie
circa 950 BC
prepares a student for public office
with admonitions that probably influence
the author or authors of the Proverbs of
Solomon be not greedy for a cubit of
land and trespass not in the boundary of
the widow plough the fields that thou
mayest find thy needs and receive thy
bread from thine own threshing floor
better is a bushel which God giveth to
thee than 5000 gained by transgression
better is poverty in the hand of God
than riches in the storehouse and better
are loaves when the heart is joyous than
riches in unhappiness such pious
literature did not prevent the normal
operation of human greed Plato described
the Athenians as loving knowledge the
Egyptians is loving wealth perhaps he
was too patriotic in general the
Egyptians were the Americans of
antiquity enamoured of size given two
gigantic engineering and majestic
building industrious and accumulative
practical even in the midst of many
ultra mundane superstitions
they were the arch conservatives of
history the more they changed the more
they remained the same through 40
centuries their artists copied the old
conventions religiously they appeared to
us from their monuments to have been a
matter-of-fact people not given to non
theological nonsense
they had no sentimental regard for human
life and killed with the clear
conscience of nature Egyptian soldiers
cut off the right hand or the phallus of
a slain enemy and brought it to the
proper scribe that it might be put into
the record to their credit in the later
dynasties the people long accustomed to
internal peace and to none but distant
Wars lost all military habits and
qualities until at last a few Roman
soldiers suffice to master all Egypt the
accident that we know them chiefly from
the remains in their tombs or the
inscriptions on their temples has
mislead us into exaggerating their
solemnity we perceived from some of
their sculptures and reliefs and from
their burlesque stories of the gods that
they had a jolly turn for humour they
played many public and private games
such as checkers and dice they gave many
modern toys to their children like
marbles bouncing balls ten pins and tops
they enjoyed wrestling contests boxing
matches and bullfights at feasts and
recreations they were anointed by
attendants were wreathed with flowers
with wines and presented with gifts from
the painting and the statuary we
pictured them as a physically vigorous
people muscular broad shouldered thin
wasted full lipped and flat-footed from
going unshod the upper classes are
represented as fashionably slender
imperiously tall with oval face sloping
forehead regular features along straight
nose and magnificent eyes their skin was
white at Birth indicating an Asiatic
rather than an African origin but
rapidly darkened under the Egyptian Sun
their artists idealized them in painting
the men red the women yellow perhaps
these colors were merely cosmetic styles
the man of the people however is
pictured as short and squat like the
sheikh el Ballad formed by heavy toil
and an unbalanced ration his features
are rough his nose blunt and wide he is
intelligent but coarse perhaps as in so
many other instances the people and
their rulers were of different races the
rulers of Asiatic the people of African
derivation the hair was dark
sometimes curly but never woolly women
bobbed their hair in the most modern
mode men shaved lips and chin but
consoled themselves with magnificent
wigs often in order to wear these more
comfortably they shaved the head even
the Queen consort for example it Natanz
mother
Tia cut off all her hair to wear more
easily the royal wig and crown it was a
matter of rigid etiquette that the king
should have the biggest wig according to
their means they repaired the handiwork
of nature with subtle cosmetic art faces
were ruched lips were painted nails were
colored hair and limbs were oiled even
in the sculptures the Egyptian women
have painted eyes those who could afford
it had 7 creams and 2 kinds of Rouge put
into their tombs when they died the
remains abound in toilet sets mirrors
razors hair curlers hairpins combs
cosmetic boxes dishes and spoons made of
wood ivory alabaster or bronze and
designed in delightful and appropriate
forms I think still survives in some of
the tubes the coal that women used today
for painting the eyebrows in the face is
a lineal descendant of the oil used by
the Egyptians it has come down to us
through the Arabs whose word for it our
coal has given us our word alcohol
all perfumes of all sorts were used on
the body and the clothes and homes were
made fragrant with incense and myrrh
their clothing ran through every
gradation from primitive nudity to the
gorgeous dress of empire days children
of both sexes went about till their
teens naked except for earrings and
necklaces the girls however showed Abby
seeming modesty by wearing a string of
beads around the middle servants and
peasants limited their everyday wardrobe
to a loincloth under the old kingdom
free men and women went naked to the
navel and covered themselves from waist
to knees with a short tight skirt of
white linen since shame is a child of
custom rather than of nature these
simple garments contented the conscience
as completely as Victorian petticoats
and corsets or the evening dress of the
contemporary American male our virtues
lie in the interpretation of the time
even the priests in the first dynasties
were nothing but loin cloths as we see
from the statue of Ron Ophir when wealth
increased clothing increased the Middle
Kingdom added a second and larger skirt
of the first and the empire added a
covering for the breasts with now and
then a cape coachman and grooms took on
formidable costumes and ran through the
streets in full livery to clear away for
the chariots of their masters women in
the prosperous dynasties abandoned the
tight skirt for a loose robe that passed
over the shoulder and was joined in a
clasp under the right breast flounces
embroideries and a thousand frills
appeared and fashion entered like a
serpent to disturb the paradise of
primitive nudity both sexes loved
ornament and covered neck breasts arms
wrists and ankles with jewelry as the
nation fattened on the tribute of Asia
and the commerce of the Mediterranean
world jewelry ceased to be restricted to
the aristocracy and became a passion
with all classes every scribe and
merchant had his seal of silver or gold
every man had a ring every woman had an
ornamental chain these chains as we see
them in the museum's today are of
infinite variety some of them two to
three inches some of them five feet in
length some thick and heavy some as
slight and flexible as the finest
Venetian lace about the time of the 18th
dynasty earrings became de rigueur
everyone had to have the ears pierced
for them not only girls and women but
boys and men men as well as women
decorated their persons with
bracelets and rings pendants and beads
of costly stone the women of ancient
Egypt could learn very little from us in
the matter of cosmetics and jewelry if
they were reincarnated among us today
six letters education schools of
government paper and ink stages in the
development of writing forms of Egyptian
writing the priests imparted rudimentary
instruction to the children of the
well-to-do when schools attached to the
temples as in the Roman Catholic
parishes of our age one high priest who
was what we should term Minister or
Secretary of Education calls himself
chief of the royal stable of instruction
in the ruins of a school which was
apparently part of the Ramesseum a large
number of shells has been found still
bearing the lessons of the ancient
pedagogue the teachers function was to
produce scribes for the clerical work of
the state to stimulate his pupils he
wrote eloquent essays on the advantages
of education give thy heart to learning
and love her like a mother's is one
edifying papyrus for there is nothing so
precious as learning behold says another
there is no profession that is not
governed it is only the learned man who
rules himself it is a misfortune to be a
soldier writes an early bookworm it is a
weariness to till the earth the only
happiness is to turn the heart to books
during the daytime and to read during
the night copy books survive from the
days of the Empire with the corrections
of the Masters still adorning the
margins the abundance of errors would
console the modern schoolboy the chief
method of instruction was the dictation
or copying of texts which were written
upon potsherds or limestone flakes the
subjects were largely commercial for the
Egyptians were the first and greatest
utilitarians but the chief topic of
pedagogics is course was virtue and the
chief problem as ever was discipline do
not spend our time in wishing or thou
wilt come to a bad end we read in one of
the coffee books
let thy mouth read the book in thy hand
take advice from those who know more
than thou dust this last is probably one
of the oldest phrases in any language
discipline was vigorous and based upon
the simplest principles the youth has a
back says a euphemistic manuscript and
attends when he is beaten for the ears
of the young are placed on the back
a pupil writes to his former teacher
thou didst beat my back and thy
instructions went into my ear that this
animal training did not always succeed
appears from a papyrus in which a
teacher laments that his former pupils
love books much less than beer
nevertheless a large number of the
temple students were graduated from the
hands of the priests to high schools
attached to the offices of the state
treasury there and the first known
school of government
the young scribes were instructed in
public administration on graduating they
were apprenticed to officials who taught
them through plenty of work perhaps it
was a better way of securing and
training public servants than our modern
selection of them by popularity and
subservience II and the noise of the
hustings in this manner Egypt and
Babylonia developed more or less
simultaneously the earliest school
systems in history not till the 19th
century of our era was the public
instruction of the young to be so well
organized again in the higher grades the
student was allowed to use paper one of
the main items of Egyptian trade and one
of the permanent gifts of Egypt to the
world the stem of the papyrus plant was
cut into strips other strips were placed
crosswise upon these the sheet was
pressed and paper the very stuff and
nonsense of civilization was made how
well they made it may be judged from the
fact that manuscripts written by them
5,000 years ago are still intact and
legible sheets were combined into books
by gumming the right edge of one sheet
to the left edge of the next in this way
rolls were produced which were sometimes
40 yards in length they were seldom
longer for there were no verbose
historians in Egypt ink blackened
indestructible was made by mixing water
with soot and vegetable gums on a wooden
pallet the pen was a simple read
fashioned at the tip into a tiny brush
with these modern instruments the
Egyptians wrote the most ancient of
literature's their language had probably
come in from Asia the oldest specimens
of it show many Semitic affinities the
earliest writing was apparently
pictographic an object was represented
by drawing a picture of it for example
the word for house Egyptian pear was
indicated by a small rectangle with an
opening on one of the long sides as some
ideas were too abstract to be literally
pictured picked ography passed into
geography certain pictures were by
custom and convention used to represent
not the object pictured but the ideas
suggested by them so the four part of
alignment supremacy as in the Sphinx a
wasp meant royalty and a tadpole stood
for thousands as a further development
along this line abstract ideas which had
at first resisted representation were
indicated by picturing objects whose
names happen to resemble the spoken
words that correspondent to the ideas so
the picture of a lute came to me not
only lute but good because the Egyptian
word sound for lute Mayfair resembled
the word sound for good no fair queer
rebus combinations grew out of these
homonyms words of like sound but
different meanings since the verb to be
was expressed in spoken language by the
sound Co Peru described being puzzled to
find a picture for so intangible a
conception split the word in two parts
Co P Roo expressed these by picturing in
succession a sieve called in the spoken
language cow a mat P and a mouth rule
use and want would sanctify so many
absurdities soon made this strange
assortment of characters suggests the
idea of being in this way the Egyptian
arrived at the syllable the syllabic
sign and thus elaborate that is a
collection of syllabic signs and by
dividing difficult words into syllables
finding homonyms for these and drawing
in combination the objects suggested by
these syllabic sounds he was able in the
course of time to make the hieroglyphic
signs convey almost any idea only one
step remained to invent letters the sign
for a house meant at first the word for
house pair then it meant the sound pair
or p r with any vowel in between as a
syllable in any word then the picture
was shortened and used to represent the
sound puh-puh-puh pay or p in any word
and since vowels were never written this
was equivalent to having a character for
the letter P by a light development the
sign for a hand Egyptian dote came to
mean Dada etcetera
and finally the letter
the sign for mouth row or rule came to
mean the letter R the sign for snake Z T
it became the letter Z the sign for Lake
she SH Y became SH the result was an
alphabet of 24 consonants which passed
the Egyptian and Phoenician trade to all
quarters of the Mediterranean and came
down via Greece and Rome as one of the
most precious parts of our oriental
heritage hieroglyphics are as old as the
earliest dynasties alphabetic characters
appear first in inscriptions left by the
Egyptians in the mines of the Sinai
Peninsula variously dated at 2500 and
1500 BC whether wisely or not the
Egyptians never adopted a completely
alphabetic writing like modern
stenographers they mingled pictographs
ideographs and syllabic signs with their
letters to the very end of their
civilization this has made it difficult
for scholars to read Egyptian but it is
quite conceivable that such a medley of
longhand and shorthand facilitated the
business of writing for those Egyptians
who could spare the time to learn it
since English speech is no honourable
guide to English spelling it is probably
as difficult for a contemporary lad to
learn the devious ways of English
orthography as it was for the Egyptian
scribe to memorize by use the 500
hieroglyphs there's secondary syllabic
meanings and their tertiary alphabetic
uses in the course of time a more rapid
and sketchy form of writing was
developed for manuscripts as
distinguished from the careful sacred
carvings of the monuments since this
corruption of hieroglyphic was first
made by the priests and the temple
scribes it was called by the Greeks
higher attic but it soon passed into
common use for public commercial and
private documents a still more
abbreviated in careless form of this
script was developed by the common
people and therefore came to be known as
demotic on the monuments however the
Egyptian insisted on having his lordly
and lovely hieroglyphic perhaps the most
picturesque form of writing ever made
seven literature texts and libraries the
Egyptian Sinbad the story of sinew a
fiction an amorous fragment love poems
history a literary revolution most of
the literature that survives from me
Egypt is written in higher attic script
little of it remains and we are forced
to estimate it from the fragments that
do it only the blind justice of chance
perhaps time destroyed the shakespeare's
of Egypt and preserved only the Poets
Laureate a great official of the Fourth
Dynasty is called on his tomb scribe of
the house of books we cannot tell
whether this primeval library was a
repository of literature or only a dusty
storehouse of public records and
documents the oldest extant Egyptian
literature consists of the Pyramid Texts
pious matter engraved on the walls in
five pyramids of the 5th and 6th
dynasties libraries have come down to us
from as far back as 2000 BC papyri
rolled and packed in jars labeled and
ranged on shelves in one such jar was
found the oldest form of the story of
Sinbad the sailor or as we might rather
call it Robinson Crusoe the story of the
shipwrecked sailor is a simple
autobiographical fragment full of life
and feeling how glad is he says this
Ancient Mariner and a line reminiscent
of Dante that related what he had
experienced when the calamity has passed
I will relate to these something that
was experienced by me myself when I had
set out for the mines of the sovereign
and had gone down to the sea in a ship
of 180 feet in length and 60 feet in
breadth and therein were 120 sailors of
the Pick of Egypt they scanned the sky
they scanned the earth and their hearts
were more than those of lions they
foretold a storm
wherever it came and a tempest when as
yet it was not a storm burst while we
were yet at sea we flew before the wind
and it made a wave eight cubits high
then the ship perished and of them that
were in it not one survived and I was
cast onto an island by a wave of the sea
and I spent three days alone with mine
heart as my companion
I slept under the shelter of a tree and
embraced the shade then I stretched
forth my feet in order to find out what
I could put into my mouth I found figs
and vines there and all manner of fine
leeks they were fished there and fowl
and there was nothing that was not in it
when I had made me a fire drill I
kindled the fire and made a burnt
offering for the gods
another tale recounts the adventures of
sinawe a public official who flees from
Egypt at the death of Ammon Emmet the
first wanders from country to country of
the Near East and despite prosperity and
honors there suffers unbearably from
lonesomeness for his native land at last
he gives up riches and makes his way
through many hardships back to Egypt o
God whosoever thou art that didst ordain
this flight bring you again to the house
that is the pharaoh peradventure thou
wilt suffer me to see the place where in
mine heart dwelleth what is a greater
matter than that my corpse should be
buried in the land where and I was born
come to mine aid may good before may God
show me mercy in the sequel we find him
home again weary and dusty with many
miles of desert travel and fearful lest
the Pharaoh reprove him for his long
absence from a land which like all
others looked upon itself as the only
civilized country in the world but the
Pharaoh forgives him and extends to him
every cosmetic courtesy I was placed in
the house of a king's son in which there
was noble equipment and a bath was there
in years were made to pass away from my
body I was shaved and my hair was combed
a load of dirt was given over to the
desert and the filthy clothes to the
sand ferrars and I was arrayed in finest
linen and anointed with the best oil
short stories are diverse and plentiful
in the fragments that have come down to
us of Egyptian literature there are
marvellous tales of ghosts miracles and
other fascinating concoctions as
credible as the detective stories that
satisfy modern statesmen there are high
sounding romances of princes and
princesses kings and queens including
the oldest known form of the tale of
Cinderella her exquisite foot there
wandering slipper and her royal Himani
old a new mall there are fables of
animals illustrating by their conduct
the foibles and passions of humanity and
pointing morals sagely a kind of
premonitory plagiarism from ESOP and
Lafon 10 typical of the egyptian
mingling of natural and supernatural is
the tale of a new pool and vtu
older and younger brothers who live
happily on their farm until a new Pooh's
wife falls in love with BTU is repulsed
by him and revenge's herself by accusing
him to his brother of having offered her
violence
gods and crocodiles come to BTUs aid
against a new poo but BTU disgusted with
mankind mutilates himself to prove his
innocence retires time and light to the
woods and places his heart unreachable
high on the topmost flower of a tree the
gods pitying his loneliness create for
him a wife of such beauty that the nile
falls in love with her and steals a lock
of her hair drifting down the stream the
lock is found by the Pharaoh who
intoxicated by its scent commands his
henchmen to find the owner she is found
and brought to him and he marries her
jealous of Btu he sends men to cut down
the tree on which Beatty has placed his
heart the tree is cut down and as the
flower touches the earth Beatty dies how
little the taste of our ancestors
different from our own the early
literature of the Egyptians is largely
religious and the oldest Egyptian poems
are the hymns of the Pyramid Texts their
form is also the most ancient poetic
form known to us that parallelism of
members or repetition of the thought in
different phrase which the Hebrew poets
adopted from the Egyptians and
Babylonians and immortalized in the
Psalms as the old passes into the Middle
Kingdom the literature tends to become
secular and profane we catch some
glimpse of a lost body of amorous
literature and a fragment preserved to
us through the laziness of a Middle
Kingdom scribe who did not complete his
task of wiping clear and old papyrus but
left legible some 25 lines the
television portions encounter with the
goddess this goddess says the story met
with him as he wended his way to the
pool and she had stripped off her
clothes and disarrayed her hair the
Shepherd reports the matter cautiously
behold ye when I went down to the swamp
I saw a woman therein and she looked not
like a mortal being my hair stood on end
when I saw her tresses because her
colour was so bright never will I do
what she said all of her is in my body
the love songs abound in number and
beauty but as they celebrate chiefly the
amours of brothers and sisters they will
shock or amuse the modern year one
collection is called the beautiful
joyous songs of thy sister whom thy
heart loves who walks in the fields an
austere Khan or shel dating back to the
19th or 20th dynasty plays a modern
theme on the ancient chords of desire
the love of my beloved leaps on the bank
of the stream
a crocodile lies in the shadows yet I go
down into the water and breasts the wave
my courage is high on the stream and the
water is as land to my feet
it is her love that makes me strong she
is a book of spells to me when I behold
my beloved coming my heart is glad my
arms are spread apart to embrace her my
heart rejoices forever since my beloved
came when I embrace her I am as one who
is an incensed land as one who carries
perfumes when I kiss her her lips are
opened and I am made merry without beer
would that I were her slave who
is an attendance on her so should i
behold the hue of all her limbs the
lines have been arbitrarily divided here
we cannot tell from the external form of
the original that it is verse the
Egyptians knew that music and feeling
are the twin essences of poetry if these
were present the outward shape did not
matter often however the rhythm was
accentuated as we have seen by
parallelism of members sometimes the
poet used the device of beginning every
sentence or stanza with the same word
sometimes he played like a punster with
like sounds meaning unlike or
incongruous things it is clear from the
texts that the trick of alliteration is
as old as the pyramids these simple
forms were enough with them the Egyptian
poet could express almost every shade of
that romantic love which Nietzsche
supposed was an invention of the
troubadours the harris papyrus shows
that such sentiments could be expressed
by a woman as well as by a man I am my
first sister and thou art to me is the
garden which I have planted with flowers
and all sweet-smelling herbs I directed
the canal into it that thou mightst if
thy hand into it when the north wind
blows cool the beautiful place where we
take a walk when thy hand rests within
mine with thoughtful mind and joyous
heart because we walk together it is
intoxicating to me to hear thy voice and
my life depends upon hearing thee
whenever I see thee it is better to me
than food or drink all in all it is
astonishing how varied the fragments are
formal letters legal documents
historical narratives magic formulas
laborious hymns book
devotion songs of love and war romantic
novelettes moral exhortations
philosophical treatises everything is
represented here except epic and drama
and even of these one might by
stretching a point find instances the
story of Rama sees the seconds dashing
victories engraved patiently and verse
upon brick after brick of the great
pylon at Luxor is epic at least in
length and dullness in another
inscription Rama sees the fourth boasts
that in a play he had defended a Cyrus
from set and had recalled Osiris to life
our knowledge does not allow us to
amplify this hint historiography in
Egypt is as old as history even the
kings of the pre-dynastic period kept
historical records proudly official
historians accompanied the pharaohs on
their expeditions never saw their
defeats and recorded or invented the
details of their victories already the
writing of history had become a cosmetic
art as far back as 2500 BC Egyptian
scholars made lists of their kings named
the years from them and chronicled the
outstanding events of each year and
reign by the time of tutmes the third
these documents became full-fledged
histories eloquent with patriotic
emotion Egyptian philosophers of the
Middle Kingdom thought both man and
history old and defeat and mourn the
lusty youth of their race Kika Paris and
boo a savant of the reign of cenis rat
ii about 21 150 bc complained that all
things had long since been said and
nothing remained for literature except
repetition would he cried unhappily that
i had words that are unknown utterances
and sayings a new language that has not
yet passed away and without that which
have been said repeatedly not an
utterance that if grown stale what the
ancestors have already said distance
blurs for us the variety and
changefulness of egyptian literature as
it blurs the individual differences of
unfamiliar peoples nevertheless in the
course of its long development Egyptian
letters passed through movements and
moods as varied as those that have
disturbed the history of European
literature as in Europe so in Egypt the
language of everyday speech diverged
gradually at last almost completely from
that in which the books of the Old
Kingdom had been written for a long time
authors continued to compose in the
ancient tongue scholars acquired it in
school and students were compelled to
translate the classics with the help of
grammars and vocabularies and with the
occasional assistance of interlinear x'
in the 14th century BC Egyptian authors
rebelled against this bondage to
tradition and like Dante and Chaucer
dared to write in the language of the
people
hick Natanz famous hymn to the Sun is
itself composed in the popular speech
the new literature was realistic
youthful buoyant it took delight in
flouting the old forms and describing
the new life in time this language also
became literary informal refined and
precise rigid and impeccable with
conventions of word and phrase once
again the language of letters separated
from the language of speech and
scholasticism flourished the schools of
say it-- Egypt spent half their time
studying and translating the classics of
ignite on stay similar transformations
of the native tongue went on under the
Greeks under the Romans under the Arabs
another is going on today font array all
things flow only scholars never change
eight science origins of Egyptian
science mathematics astronomy and the
calendar anatomy and physiology medicine
surgery and hygiene the scholars of
Egypt were mostly priests enjoying far
from the turmoil of life the comfort and
security of the temples and it was these
priests who despite all their
superstitions laid the foundations of
Egyptian science according to their own
legends the sciences had been invented
some eighteen thousand BC by Thoth the
Egyptian god of wisdom during his 3,000
year long reign on earth and the most
ancient books in each science were among
the twenty thousand volumes composed by
this learner deity our knowledge does
not permit us to improve substantially
upon this theory of the origins of
science in Egypt at the very outset of
recorded Egyptian history we find
mathematics highly developed the design
and construction of the pyramids
involved a precision of measurement
impossible without considerable
mathematical lore the dependence of
Egyptian life upon the fluctuations of
the Nile led to careful records and
calculations of the rise and recession
of the river surveyors and scribes were
continually remeasuring the land whose
boundaries had been a
obliterated by the inundation and this
measuring of the land was evidently the
origin of geometry nearly all the
ancients agreed in ascribing the
invention of this science to the
Egyptians Josephus however thought that
Abraham had brought arithmetic from
Chaldea that is Mesopotamia to Egypt and
it is not impossible that this and other
arts came to Egypt from war of the Col
deze or some other center of Western
Asia the figures used were cumbersome
one stroke for one two strokes four to
nine strokes for nine with a new sign
for ten to ten signs stood for twenty
three ten signs for thirty nine for
ninety with a new sign for one hundred
to one hundred signs stood for two
hundred three 100 signs for three
hundred nine for nine hundred with the
new sign for a thousand the sign for a
million was a picture of a man striking
his hands above his head as if to
express amazement that such a number
should exist the Egyptians felt just
short of the decimal system they had no
zero and never reached the idea of
expressing all numbers with ten digits
for example they used twenty seven signs
to write 999
they had fractions but always with the
numerator one to express three-quarters
they wrote 1/2 plus 1/4 multiplication
and division tables are as old as the
pyramids the oldest mathematical
treatise known as the Army's papyrus
dating back to 2,000 to 1700 BC but this
in turn refers to mathematical writings
500 years more ancient than itself
it illustrates by examples the
computation of the capacity of a barn or
the area of a field and passes to
algebraic equations of the first degree
Egyptian geometry measured not only the
area of squares circles and cubes but
also the cubic content of cylinders and
spheres and it arrived at 3.16 as the
value of pi we enjoy the honor of having
advanced from 3.16 to 3.1416 in 4,000
years of egyptian physics and chemistry
we know nothing and almost as little of
Egyptian astronomers
the stargazers of the temples seem to
have conceived the earth as a
rectangular box with mountains at the
corners upholding the sky they made no
note of eclipses and were in general
less advanced in their Mesopotamian
contemporaries nevertheless they knew
enough to predict the day on which the
Nile would rise and to orient their
temples toward that point on the horizon
where the Sun would appear on the
morning of the summer solstice perhaps
they knew more than they cared to
publish among a people whose
superstitions were so precious to their
rulers the priests regarded their
astronomical studies as an esoteric and
mysterious science which they were
reluctant to disclose to the common
world for century after century they
kept track of the position and movements
of the planets until their records
stretched back for thousands of years
they distinguished between planets and
fixed stars noted in their catalogues
stars of the 5th magnitude practically
invisible to the unaided eye and charted
what they thought were the astral
influences of the heavens on the
fortunes of men from these observations
they built the calendar which was to be
another of Egypt's greatest gifts to
mankind they began by dividing the year
into three seasons of four months each
first the rise overflow and recession of
the Nile second the period of
cultivation and third the period of
harvesting to each of these months they
assigned 30 days as being the most
convenient approximation to the lunar
month of 29 and a half days their word
for month like ours was derived from
their symbol for the moon at the end of
the 12th month they added five days to
bring the year into harmony with the
river and the Sun as the beginning of
their year they chose the day on which
the Nile usually reached its height and
on which originally the great star
Sirius which they called Sothis Rhodes
simultaneously with the Sun since their
calendar allowed only 365 instead of 365
and a quarter days to a year this
Haleakala Sirius that is its appearance
just before sunrise after having been
invisible for a number of days came a
day later every four years and in this
way the Egyptian calendar diverged by
six hours annually from the actual
calendar of the sky the Egyptians never
corrected this error
many years later 46 BC the Greek
astronomers of Alexandria by direction
of Julius Caesar improved this calendar
by adding an
extra day every fourth year this was the
Julian calendar under Pope Gregory the
thirteenth 1582 a more accurate
correction was made by omitting this
extra day february 29th in century years
not divisible by 400 this is the
Gregorian calendar that we use today our
calendar is essentially the creation of
the ancient Near East since the Alaia
coryza of Sirius occurred one day later
every four years than the Egyptian
calendar demanded the error amounted to
365 days in 1460 years on the completion
of this so thick cycle as the Egyptians
called it the paper calendar and the
celestial calendar again agreed since we
know from the Latin authors censorious
that the Alaia coryza of sirius
coincided in 139 ad with the beginning
of the Egyptian calendar year we may
presume that a similar coincidence
occurred every fourteen hundred sixty
years previously that is in 1321 BC 2781
BC 4241 BC etc and since the Egyptian
calendar was apparently established in a
year when the Hylian of Sirius took
place on the first day of the first
month we conclude that that calendar
came into operation in a year that
opened the so thick cycle the earliest
mention of the Egyptian calendar is in
the religious texts inscribed in the
pyramids of the Fourth Dynasty since
this dynasty is unquestionably earlier
than 1321 BC the calender must have been
established in 27 81 BC or 40 241 BC or
still earlier the older date once
acclaimed as the first definite date in
history has been disputed by professor
sharp and it is possible that we shall
have to accept 27 81 bc as the
approximate birth year of the egyptian
calendar this would require a
foreshortening by three or four hundred
years of the dates assigned above for
the early dynasties and the great
pyramids as the matter is very much in
dispute the chronology of the Cambridge
ancient history has been adopted in
these pages
despite the opportunities offered by
embalming the Egyptians made relatively
poor progress in the study of the human
body they thought that the blood vessels
carried air what
and excretory fluids and they believed
the heart and bowels to be the seed of
the mind perhaps if we knew what they
meant by these terms we should find them
not so divergent from our own ephemeral
certainties they described with general
accuracy the larger bones and viscera
and recognized the function of the heart
as the driving power of the organism in
the center of the circulatory system its
vessels says the Ebers papyrus lead to
all the members whether the doctor lays
his finger on the forehead on the back
of the head on their hands or on the
feet everywhere he meets with the heart
from this to Leonardo and harvey was but
a step which took three thousand years
the glory of Egyptian science was
medicine like almost everything else in
the cultural life of Egypt it began with
the priests and dripped with evidences
of its magical origins among the people
amulets were more popular than pills as
preventive or curative of disease
disease was to them a possession by
Devils and was to be treated with
incantations a cold for instance could
be exercised by such magic words as
depart cold Sun of a cold thou who break
us the bones destroy us the skull make
us still the seven openings of the head
go out on the floor stink stink stink a
cure probably as effective as
contemporary remedies for this ancient
disease from such depths we rise in
Egypt two great physicians surgeons and
specialists who acknowledged an ethical
code that passed down into the famous
Hippocratic oath some of them
specialized in obstetrics or gynecology
some treated only gastric disorders some
were oculist's so internationally famous
that cyrus sent for one of them to come
to persia the general practitioner was
left to gather the crumbs and heal the
poor in addition to which he was
expected to provide cosmetics hair dyes
skin culture limb beautification and
flea exterminators several papyri
devoted to medicine have come down to us
the most valuable of them named from the
edwin smith who discovered it is a roll
fifteen feet long dating about 1600 bc
and going back for its sources to much
earlier works even in its extant form it
is the oldest scientific document known
to history
it describes 48
in clinical surgery from cranial
fractures to injuries of the spine each
case is treated in logical order under
the heads of provisional diagnosis
examination see my ology diagnosis
prognosis treatment and glosses on the
terms used the author notes with the
clarity unrivaled to the 18th century of
our era that control of the lower limbs
is localized in the brain a word which
here appears for the first time in
literature the Egyptians enjoyed a great
variety of diseases though they had to
dive them without knowing their Greek
names the mummies and papyri tell of
spinal tuberculosis arteriosclerosis
gall stones smallpox infantile paralysis
anemia rheumatic arthritis epilepsy gout
mastoid itis appendicitis and such
marvelous affections as spondylitis
deform ins and achondroplasia there are
no signs of syphilis or cancer but
pyuria and dental caries absent in the
oldest mummies become frequent in the
later ones indicating the progress of
civilization the atrophy infusion of the
bones of the small toe often ascribed to
the modern shoe was common in ancient
Egypt where nearly all ages and ranks
went barefoot against these diseases the
Egyptian doctors were armed with an
abundant pharmacopoeia the Ebers papyrus
lists 700 remedies for everything from
snakebite to peripheral fever the Cahoon
virus circa 1850 BC prescribes
suppositories apparently used for
contraception the tomb of an eleventh
dynasty Queen revealed a medicine chest
containing Voss's spoons dried drugs and
roots prescriptions hovered between
medicine and magic and relied for their
effectiveness in great part on the
repulsiveness of the concoction lizard's
blood swine's ears and teeth putrid meat
and fat a tortoises brains an old book
boiled in oil the milk of a lying-in
woman the water of a chaste woman
the excreta of men donkeys dogs lions
cats and lice all these are found in the
prescriptions baldness was treated by
rubbing the head with animal fat some of
these cures passed from the egyptians to
the greeks
the Greeks to the Romans and from the
Romans to us we still swallow trustfully
the strange mixtures that were brewed
4000 years ago on the banks of the Nile
the Egyptians tried to promote health by
public sanitation excavations reveal
arrangements for the collection of
rainwater and the disposal of sewage by
a system of copper pipes by circumcision
of males even the earliest tombs give
evidence of this practice and by
teaching the people the frequent use of
the enema dye odorous Siculus tells us
in order to prevent sicknesses they look
after the health of their body by means
of drenches fastings and emetics
sometimes everyday and sometimes at
intervals of three or four days for they
say that the larger part of the food
taken into the body is superfluous and
that it is from this superfluous part
that diseases are engendered so old is
the modern saw that we live on
one-fourth of what we eat and the
doctors live on the rest plen'y believed
that this habit of taking enemas was
learned by the Egyptians from observing
the Ibis a bird that counteracts the
constipation character of its food by
using its long bill is a rectal syringe
Herodotus reports that the Egyptians
purge themselves every month three days
successively seeking to preserve health
by emetics and enemas for they suppose
that all diseases to which men are
subject proceed from the food they use
and this first historian of civilization
ranks the Egyptians as next to the
Libyans the healthiest people in the
world nine art architecture Old Kingdom
Middle Kingdom Empire and say I'd
sculpture bar relief painting minor arts
music the artists the greatest element
in the civilization was its art here
almost at the threshold of history we
find an art powerful and mature superior
to that of any modern nation and equaled
only by that of Greece at first the
luxury of isolation in peace and then
undertook most the third and ramasees
the second the spoils of oppression and
war gave to Egypt the opportunity in the
means for massive architecture masculine
statuary and a hundred minor arts that
so early touched perfection the whole
theory
Progress hesitates before Egyptian art
architecture was the noblest of the
ancient arts because it combined an
imposing form mass and duration beauty
and use it began humbly in the adornment
of tombs and the external decoration of
homes dwellings were mostly of mud and
here and there some pretty woodwork a
Japanese lattice a well carved portal
and a roof strengthened with the tough
and pliable trunks of the palm around
the house normally was a wall enclosing
a court from the court steps led to the
roof from this the tenants passed down
into the rooms the well-to-do had
private gardens carefully landscaped the
cities provided public gardens for the
poor and hardly a home but had its
ornament of flowers inside the house the
walls were hung with colored matting's
and the floors if the master could
afford it were covered with rugs people
sat on these rugs rather than on chairs
the Egyptians of the old kingdoms
squatted for their meals at tables 6
inches high in the fashion of the
Japanese and ate with their fingers like
Shakespeare under the Empire when slaves
were cheap the upper classes sat on high
cushioned chairs and had their servants
hand them course after course stone for
building was too costly for homes it was
a luxury reserved for priests and kings
even the nobles ambitious though they
were left the greatest wealth and the
best building materials to the temples
in consequence the palaces that
overlooked almost every mile of the
river in the days of Amenhotep the third
crumbled into oblivion
while the abodes of the gods and the
tombs of the dead remained by the 12th
dynasty the pyramid it ceased to be the
fashionable form of sepulture kinoma
hotel circa 21 80 BC shows at Beni Hasan
the quieter form of a colonnade built
into the mountainside and this theme
once established played a thousand
variations among the hills on the
western slope of the Nile from the time
of the pyramids to the temple of hathor
at Dendera that is for some 3,000 years
there rose out of the sands of Egypt
such a succession of architectural
achievements as no civilisation has ever
surpassed at Karnak and Luxor a riot of
columns raised by Tut most the 1st and
3rd Amenhotep the 3rd SETI the first
Brahma seized the second and other
monarchs from the 12th to the 22nd
dynasty
at medinet habu circa 1300 BC a vast but
less distinguished edifice on whose
columns an Arab village rested for
centuries at Abydos the temple of seti
the first dark and somber in its massive
ruins at elephant tiny the little Temple
of Doom circa 1400 BC positively greeked
in its precision and elegance at Deir
el-bahri the stately colonnades of queen
hatshepsut near at the Ramesseum another
forest of colossal columns and statues
reared by the architects and slaves of
ramses ii at philae the lovely temple of
isis circa 240 BC desolate and abandoned
now that the damming of the Nile at
Aswan has submerged the basis of its
perfect columns these are sample
fragments of the many monuments that
still adorn the valley of the Nile and
attest even in their ruins the strength
and courage of the race that reared them
here perhaps is a nexus of pillars a
crowding of columns against the tyranny
of the Sun a far-eastern aversion to
symmetry a lack of unity a barbaric
modern adoration of Sighs but here to
our grandeur sublimity majesty and power
here are the arch and the vault used
sparingly because not needed but ready
to pass on their principles to Greece
and Rome and modern Europe here are
decorative designs never surpassed here
are the PI reformed columns low deform
columns
proto Doric columns Caryatid columns
Hathor capitals palm capitals Clare
stories and magnificent architraves full
of the strength and stability that are
the very soul of architectures powerful
appeal the Egyptians were the greatest
builders in history some would add that
they were also the greatest sculptors
here at the outset is the Sphynx
conveying by its symbolism the leonine
quality of some masterful Pharaoh
perhaps calf for a Catherine it has not
only size as some of thought but
character the cannon shot of the mammal
ooks have broken the nose and showing
the beard but nevertheless those
gigantic features portray with
impressive skill the force and dignity
the calm and skeptic
maturity of a natural king across those
motionless features a subtle smile is
hovered for five thousand years as if
already the unknown artist or monarch
had understood all that men would ever
understand about men it is a Mona Lisa
in stone
there is nothing finer in the history of
sculpture than the diorite statue of
Khafre in the Cairo Museum as ancient to
prax italy's as prax italy's to us it
nevertheless comes down across 50
centuries almost unhurt by times rough
usages cut in the most intractable of
stones it passes on to us completely the
strength and authority the willfulness
and courage the sensitivity and
intelligence of the artist or the king
near it and even older ferrozzo sir sits
pouting in limestone farther on the
guide with lighted match reveals the
transparency of an alabaster mint
calorie quite as perfect in artistry as
these portraits of royalty are the
figures of the Sheikh El Bella din the
scribe the scribe has come down to us in
many forms all of uncertain antiquity
the most illustrious is the squatting
scribe of the Louvre the Sheikh is no
Sheikh but only an overseer of labour
armed with the staff of authority and
stepping forward as if in supervision or
command his name apparently was scar
Peru but the Arab workmen who rescued
him from his tomb at saqqara were struck
with his resemblance to the sheikh el
ballad that is the mayor of the village
under whom they lived and this title
which their good humour gave him is now
inseparable from his fame he is carved
only in mortal wood but time has not
seriously reduced his portly figure or
his chubby legs his waistline has all
the amplitude of the comfortable
bourgeois in every civilization his
rotund face beams with the content of a
man who knows his place and glories in
it the bald head and carelessly loosened
robe display the realism of an art
already old enough to rebel against
idealization but here too is a fine
simplicity a complete humanity expressed
without bitterness and with the ease and
grace of a practiced and confident hand
if says ma sparrows some exhibition of
the world's masterpiece
were to be inaugurated I should choose
this work to uphold the honor of
Egyptian art or would that honor arrest
more securely on the head of Khafre
these are the chef's d'oeuvre of Old
Kingdom statuary but lesser masterpieces
abound the seated portraits of rah hotep
and his wife nor it the powerful figure
of rah no fair the priests the copper
statues of King Phi ups and his son a
falcon head in gold the humorous figures
of the beer brewer and the dwarf can M
hotep all but one in the Cairo Museum
all without exception instinct with
character it is true that the earlier
pieces are coarse and crude that by a
strange convention running throughout
Egyptian art figures are shown with the
body and eyes facing forward but the
hands and feet in profile that not much
attention was given to the body which
was left in most cases stereotyped and
unreal
all female bodies young or royal bodies
strong and that individualization though
masterly was generally reserved for the
head there are important exceptions to
this
for example the sheikh el Belen and the
scribe obviously the convention was not
due to incapacity or ignorant but with
all the stiffness and sameness that
priestly conventions in control forced
upon statuary paintings and reliefs
these works were fully redeemed by the
power and depth of the conception the
vigor and precision of the execution the
character line and finish of the product
never was sculpture more alive the
Sheikh exudes Authority the woman
grinding grain gives every sense and
muscle to her work the scribe is on the
very verge of writing and the thousand
little puppets placed in the tombs to
carry on essential industries for the
dead were molded with a like vivacity so
that we can almost believe with the
pious Egyptian that the deceased could
not be unhappy
while these minister ants were there not
for many centuries to the Egyptian
sculpture equal again the achievements
of the early dynasties because most of
the statuary was made for the temples of
the tombs the priests determined to a
great degree what forms the artists
should follow and the natural
conservatism of religion crept into art
slowly stifled
sculpture into a conventional stylistic
degeneration under the powerful monarchs
of the 12th dynasty the secular spirit
reasserted itself and art recaptured
something of its old vigor and more than
its old skill ahead of a man Emmet the
third in black diorite suggests at once
the recovery of character and the
recovery of art here is the quiet
hardness of an able King carved with the
competence of a master a colossal statue
of sinister at the third is crowned with
a head and face equal and conception and
execution to any portrait in the history
of sculpture and the ruined torso of
sinners right the first in the Cairo
Museum ranks with the torso of Hercules
in the Louvre animal figures abound in
the Egyptian sculpture of every age and
are always full of humor and life here
is a mouse chewing a nut an ape
devotedly strumming a harp a porcupine
with every spine on the key vivre
then came the Shepherd Kings and for 300
years Egyptian art almost ceased to be
in the Age of hatshepsut the Thomases
the Amenhotep s-- and the ramasees art
underwent a second resurrection along
the Nile wealth poured in from subject
Syria passed into the temples and the
courts and trickled through them to
nourish every art colossi of thomas the
third and ramasees ii began to challenge
the sky statuary crowded every corner of
the temples masterpieces were flung
forth with unprecedented abundance by a
race exhilarated with what they thought
was world supremacy the fine granite
bust of the great Queen in the
Metropolitan Museum of Art at New York
the basalt statue of toughness the third
in the Cairo Museum the Lions Fink's
serve Amenhotep the third in the British
Museum the limestone seated Ignat on in
the Louvre the granite statue of Ramses
the second in Turin the perfect
crouching figure of the same incredible
monarch making an offering to the gods
the meditative cow of Deir el-bahri
which ma Sparrow considered equal if not
superior to the best achievements of
Greece and Rome in this genre the two
lions of Amenhotep the third which
Ruskin ranked is the best animal
statuary surviving from antiquity the
sigh cut into the rocks at Abu Simbel by
the sculptors of
ramasees ii the amazing remains found
among the ruins of the artists Thomas's
studio at tell el-amarna a plaster model
of Ethne Tom's head full of the
mysticism and poetry of that tragic king
the lovely limestone bust of if not
dance Queen Nefertiti and the even finer
sandstone head of the same fair lady
these scattered examples may illustrate
the sculptural accomplishments of this
abounding Empire age amid all these
lofty masterpieces humour continues to
find place Egyptian sculptors frolic
with jolly caricatures of men and
animals and even the kings and queens in
it Natanz iconoclastic age are made to
smile and play after ramasees ii this
magnificence passed rapidly away for
many centuries after him art contented
itself with repeating traditional works
and forms under the say eyed kings it
sought to rejuvenate itself by returning
to the simplicity and sincerity of the
old kingdom masters sculptors attacked
bravely the hardest stones basalt
breccia serpentine diorite and carved
them into such realistic portraits as
that of one Touma height and the green
basalt head of a bald unknown now
looking out blackly upon the walls of
the State Museum at Berlin in bronze
they cast the lovely figure of the lady
Tycho shet again they delighted in
catching the actual features and
movements of men and beasts they moulded
laughable figures of quaint animals
slaves and gods and they formed in
bronze a cat and a goat's head which are
among the trophies of Berlin then the
Persians came down like a wolf on the
fold conquered Egypt desecrated its
temples broke its spirit and put an end
to its art these architecture and
sculpture are the major Egyptian arts
but if abundance counted bar relief
would have to be added to them no other
people so tirelessly carved its history
or legends upon its walls at first we
are shocked by the dull similarity of
these glyph dick narratives the crowded
confusion the absence of proportion and
perspective or the
Gailey attempt to achieve this by
representing the far above the near we
are surprised to see how tall the Faro
is and how small are his enemies and as
in the sculpture we find it hard to
adjust our pictorial habits to eyes and
breasts that face us boldly while noses
chins and feet turned coldly away but
then we find ourselves caught by the
perfect line and grace of the fall
cannon serpent carved on King Rena
fesses tomb by the limestone reliefs of
King Djoser on the Step Pyramid at
Saqqara by the wood relief of princess
IRA from his grave in the same locality
and by the wounded Libyan on a 5th
dynasty tomb at aboo-seer a patient
study of muscles taught in pain
at last we bear with equanimity the long
reliefs that tell how tough must the
third and ramasees the second carried
all before them we recognised the
perfection of flowing line in the
reliefs carved for SETI the first at
Abydos and Karnak and we follow with
interest the picturesque engravings were
in the sculptors of hatshepsut tell on
the walls of deir el-bahri the story of
the expedition sent by her to the
mysterious Land of Punt Somaliland we
see the long ships with full spread sail
and Sarah doors heading south amid
waters alive with octopi Crustacea and
other toilers of the sea
we watched the fleet arriving on the
shores of punt welcomed by a startled
but fascinated people and King we see
the sailors carrying on board a thousand
loads of native delicacies we read the
jest of the front workmen be careful of
your feet you over there look out then
we accompany the heavy laden vessels as
they return northward filled the
inscription tells us with the marvels of
the Land of Punt
all the odoriferous trees of the lands
of the gods incensed
evany ivory gold woods of divers kinds
cosmetics for the eyes monkeys dogs
Panther skins never have like things
been brought back for any king from the
beginning of the world the ships come
through the great canal between the Red
Sea and the Nile we see the expedition
landing at the docks of Thebes
depositing it's buried cargo at the very
feet of the Queen and lastly we are
shown as if after the lapse of time all
these imported
goods beautifying Egypt on every side
ornaments of gold and ebony boxes of
perfumes and unguent elephants tusks and
animals hides while the trees brought
back from Flint are flourishing so well
on the soil of Thebes that under their
branches oxen enjoy the shade it is one
of the supreme reliefs in the history of
art bar relief is a liaison between
sculpture and painting in Egypt except
during the reign of the Ptolemies and
under the influence of Greece painting
never rose to the status of an
independent art it remained an accessory
to architecture sculpture and relief the
painter filled in the outlines carved by
the cutting tool but their subordinate
it was ubiquitous most statues were
painted all surfaces were colored it is
an art perilously subject to time and
lacking the persistence of statuary and
building very little remains to us of
Old Kingdom painting beyond a remarkable
picture of six keys from a tomb at may
doom but from this alone we are
justified in believing that already in
the early dynasties this r2 had come
near to perfection in the Middle Kingdom
we find distemper painting of a
delightful decorative effect in the
tombs of hominid and kinome hotep at
Beni Hasan and such excellent examples
of the art as the gazelles and the
peasants and the cat watching the fray
here again the artist is caught the main
point that his creations must move and
live under the Empire the tombs become a
riot of painting the Egyptian artists
have now developed every color in the
rainbow and was anxious to display his
skill on the walls and ceilings of homes
temples palaces and graves he tried to
portray refreshingly the life of the
Sonny fields birds in flight through the
air fishes swimming in the sea beasts of
the jungle in their native haunts floors
were painted to look like transparent
pools and ceilings sought to rival the
jewelry of the sky around these pictures
were borders of geometric or floral
design ranging from acquired simplicity
to the most fascinating complexity the
dancing girl so full of originality and
Esprit the bird hunt in a boat the slim
naked beauty and ochre mingling with
other musicians in the tomb of knocked
at Thebes these are stray samples of the
painted population of the graves
here as in the bar reliefs the line is
good and the composition for the
participants in an action whom we should
portray as intermingled are represented
separately in succession superposition
is again preferred to perspective the
stiff formalism and conventions of
Egyptian sculpture are the order of the
day and do not reveal that enlivening
humor and realism which distinguished
the later statuary but through these
pictures runs a freshness of conception
a flow of line and execution a fidelity
to the life and movement of natural
things and the joyous exuberance of
color and ornament which make them a
delight to the eye and the spirit with
all its shortcomings Egyptian painting
would never be surpassed by any oriental
civilization until the middle dynasties
of China the minor arts were the major
art of Egypt the same skill and energy
that had built Carnac and the pyramids
and had crowded the temples with a
populace of stone devoted itself also to
the internal beautification of the home
the adornment of the body and the
development of all the graces of life
weavers made rugs tapestries and
cushions rich in color and incredibly
fine in texture the designs which they
create and passed down into Syria and
are used there to this day the relics of
Tutankhamun's tomb have revealed the
astonishing luxury of Egyptian furniture
the exquisite finish of every decent
part chairs covered gordly with silver
and gold beds of sumptuous workmanship
and design jewel boxes and perfume
baskets of minut artistry and baz is
that only china would excel tables for
costly vessels of silver gold and bronze
crystal goblets and sparkling bowls of
diorite so finely ground that the light
shone through their stone walls the
alabaster vessels of Tutankhamun and the
perfect Lotus cups and drinking bowls
unearthed amid the ruins of Amenhotep
the Third's villa at Thebes indicate to
what a high level the ceramic art was
raised
finally the jewellers of the Middle
Kingdom and the Empire brought forth a
profusion of freshest ornaments seldom
surpassed in design and workmanship
necklaces crowns rings bracelets mirrors
pectorals chains medallions gold and
silver carnelian and felspar lapis
lazuli and amethyst everything is here
the rich Egyptian
took the same pleasure as the Japanese
and the beauty of the little things that
surrounded them every square of ivory on
their jewel boxes had to be carved in
relief and refined in precise detail
they dressed simply but they lived
completely and when their day's work was
done they refreshed themselves with
music softly played on lutes harps
sistrums flutes and Liars the lute was
made by stretching a few strings along a
narrow sounding board the system was a
group of small disks shaken on wires
temples and palaces had orchestras and
choirs and on the Pharaohs staff was a
superintendent of singing who organized
players and musicians for the
entertainment of the king there is no
trace of a musical notation in Egypt but
this may be merely a lacuna in the
remains sniff renault fur and ray marie
Fatah were the Caruso's and duress keys
of their day and across the centuries we
hear their boasts that they fulfill
every wish of the King by their
beautiful singing it is exceptional that
their names survive for in most cases
the artists whose labors preserve the
features or memory of princes priests
and kings had no means of transmitting
their own names to posterity we hear of
Imhotep the almost mythical architect of
Joseph's reign of enemy who designed
great buildings like Deir el-bahri for
toughness the first of wimmer II and
Capuchin M and Senmut who carried on the
architectural enterprises of queen
hatshepsut of the artists tutmes
in whose studio so many masterpieces
have been found and of beck the proud
sculptor who tells us in Gautier strain
that he has saved
Ignat on from oblivion Amenhotep the
third had as his chief architect another
Amenhotep son of Hoffa the Pharaoh
placed almost limitless wealth at the
disposal of his talents and this favored
artists became so famous that later
Egypt worshipped him as a God for the
most part however the artist worked in
obscurity and poverty and was ranked no
higher than other artisans or
handicraftsmen by the priests and
potentates who engaged him Egyptian
religion cooperated with Egyptian wealth
to inspire and foster art and cooperated
with Egypt's loss of Empire and
affluence to ruin it
religion offered motives ideas and the
inspiration but it imposed conventions
and restraints which bound art so
completely to the church that when
sincere religion died among the artists
the arts that had lived on it died to
this is the tragedy of almost every
civilization that its soul is in its
faith and seldom survives philosophy 10
philosophy the instructions of pata
hotep the admonitions of you where the
dialog of a misanthrope the Egyptian
Ecclesiastes historians of philosophy
have been want to begin their story with
the Greeks the Hindus who believe that
they invented philosophy and the Chinese
who believe that they perfected it smile
at our provincial ISM it may be that we
are all mistaken for among the most
ancient fragments left to us by the
Egyptians our writings that belong
however loosely and done technically
under the rubric of moral philosophy the
wisdom of the Egyptians was a proverb
with the Greeks who felt themselves
children beside this ancient race the
oldest work of philosophy known to us is
the instructions of pita hotep which
apparently goes back to 2880 BC 2300
years before Confucius Socrates and
Buddha but aho temp was governor of
Memphis and prime minister to the king
under the 5th dynasty retiring from
office he decided to leave to his son a
manual of everlasting wisdom it was
transcribed as an antique classic by
some scholars prior to the 18th dynasty
the Vizier begins oh prince my lord the
end of life is at hand
old age descendeth upon me feebleness
cometh and childishness is renewed he
that is old lieth down in misery every
day the eyes are small the ears are deaf
energy is diminished the heart hath no
rest command thy servant therefore to
make over my princely authority to my
son let me speak unto him the words of
them that hearkened to the counsel of
the men of old time those that once
heard the gods I pray thee let this
thing be done his gracious Majesty
grants the permission advising him
however to discourse without causing
weariness advise not yet superfluous for
philosophers
whereupon ptah-hotep instructs his son
be not proud because thou art learned
but discourse with the ignorant man is
with the sage for no limit can be set to
skill neither is there any craftsman
that possesses full advantages fair
speech is more rare than the emerald
that is found by slave maidens among the
pebbles live therefore in the house of
kind Lina sand men shall come and give
gifts of themselves
beware of making enmity by thy words
overstep not the truth neither repeat
that which any man be he Prince or
peasant saith in opening the heart it is
abhorrent to the soul if thou wouldst be
a wise man beget a son for the pleasing
of the God if he make straight his
course after thine example if the
arranged thine affairs in due order do
all unto him that is good if he be
heedless and trespass thy rules of
conduct and is violent if every speech
that cometh from his mouth is a vile
word then be foul him that his talk may
be fitting precious to a man is the
virtue of his son and good character is
a thing remembered wheresoever thou
goest beware of consorting with women if
thou wouldst be wise provide for thine
house and love thy wife that is in 9
arms silence is more profitable to thee
than abundance of speech consider how
thou mayst be opposed by an expert that
speaketh in counsel it is a foolish
thing to speak on every kind of work if
thou be powerful make thyself to be
honored for knowledge and for gentleness
beware of interruption and of answering
words with heat put it from the control
thyself and patta hotep concludes with
her a she and pride nor shall any word
that hath he have been set down cease
out of this land forever but shall be
made a pattern whereby princes shall
speak well my words shall instruct a man
how he shall speak yeh he shall become
as one skilful in obeying excellent in
speaking good fortune shall befall him
he shall be gracious until the end of
his life he shall be contented always
this note of good cheer does not persist
in egyptian thought age comes upon it
quickly and sours it another sage it
beware bemoans the disorder
violence famine and decay that attended
the passing of the old Kingdom he tells
of skeptics who would make offerings if
they knew where the God is he comments
upon increasing suicide and adds like
another Schopenhauer would that there
might be an end of men that there might
be no conception no birth if the land
would but cease from noise and strife be
no more it is clear that it where was
tired and old in the end he dreams of a
philosopher king who will redeem men
from chaos and injustice he brings
cooling to the flame of the social
conflagration it is said he is the
shepherd of all men there is no evil in
his heart when his herds are few he
passes the day to gather them together
their hearts being fevered would that he
had discerned their character in the
first generation then would he have
smitten evil he would have stretched
forth his arm against it he would have
smitten the seed thereof and their
inheritance where is he today Duthie
sleep perchance behold his might is not
seen this already is the voice of the
prophets the lines are cast into
strophic form like the prophetic
writings of the Jews and breasted
properly acclaims these admonitions as
the earliest emergence of a social
idealism which among the Hebrews we call
messianism another scroll from the
Middle Kingdom denounces the corruption
of the age in words that almost every
generation hears to whom do I speak
today brothers our evil friends of today
are not of love to whom do I speak today
hearts or thievish every man seizes his
neighbor's goods to whom do I speak
today the gentle man perishes the
bold-faced goes everywhere to whom do I
speak today when a man should arouse
wrath by his evil conduct he stirs all
men to mirth although his iniquity is
wicked and then this Egyptian Swinburne
pours out a lovely eulogy of death death
is before me today like the recovery of
a sick man like going forth into a
garden after sickness death is before me
today like the odour of myrrh like
sitting under the sail on a windy day
death is before me today like the odor
of lotus flowers like sitting on the
shore of drunkenness
death is before me today like the course
of a freshened like the return of a man
from the war galley to his house
death is before me today as a man longs
to see his home when he had spent years
of captivity saddest of all is a poem
engraved upon a slab now in the Leiden
Museum dating back to 2200 BC carpe diem
it sings snatched the day I have heard
the words of M hotep and hard to deaf
words greatly celebrated as their
utterances behold the places there of
their walls are dismantled their places
are no more as if they had never been
done cometh from thence that he may tell
us how they fare that he may content our
hearts until we to depart to the place
whither they have gone encouraged thy
heart to forget it may make it pleasant
for thee to follow thy desire while thou
live east but murder upon thy head and
garments upon the affine linen imbued
with marvellous luxuries the genuine
things of the Gods increase yet more thy
delights and let not thy heart languish
follow thy desire and thy good fashion
thy affairs on earth after the mandates
of thine own heart till that day of
lamentation come to thee when the silent
hearted Dead hears not their lamentation
nor he that is in the tomb attends the
morning celebrate the glad day be not
weary therein lo no man taketh his Goods
with him yeh none returneth again that
is gone liver this pessimism and
skepticism were the result it may be of
the broken spirit of a nation humiliated
and subjected by the Hyksos invaders
they bear the same relation to Egypt
that stoicism and Epicureanism bear to a
defeated and enslaved Greece in part
such literature represents one of those
interludes like our own moral
interregnum in which thought has for a
time overcome belief and men no longer
know how or why they should live such
periods do not endure hope soon wins the
victory over thought the intellect is
put down to its customary menial place
and religion is born again giving two
men the imaginative stimulus apparently
indispensable to life and work we need
not suppose that such poems express the
views of any large number of Egyptians
behind and around the small but vital
minority that pondered the
of life and death in secular and
naturalistic terms were millions of
simple men and women who remained
faithful to the gods and never doubted
that right would triumph that every
earthly pain and grief would be atoned
for bountifully in a haven of happiness
and peace 11 religion sky gods the Sun
God plant God's animal God's sex God's
human God's Osiris Isis and Horus minor
deities the priests immortality the Book
of the Dead the negative confession
magic corruption for beneath and above
everything in Egypt was religion we find
it there in every stage and form from
totemism to theology we see its
influence in literature in government in
art in everything except morality and it
is not only varied it is tropically
abundant only in Rome and India shall
refine so plentiful a pantheon we cannot
understand the Egyptian or man until we
study his God's in the beginning said
the Egyptian was the sky and to the end
this and denial remained his chief
divinities all these marvelous heavenly
bodies were not mere bodies they were
the external forms of mighty spirits
gods whose wills not always concordant
ordained their complex and buried
movements the sky itself was a vault
across whose vastness a great cow stood
who was the goddess Hathor the earth lay
beneath her feet and her belly was clad
in the beauty of ten thousand stars or
for the gods and myths differed from
Nome to Nome the sky was the god cebu
lying tenderly upon the earth which was
the goddess knew it from their gigantic
copulation all things had been born
constellations and stars might be gods
for example sajo and sucked it Oh Ryan
and Sirius were tremendous deities shahu
eight gods three times a day regularly
occasionally some such monster ate the
moon but only for a moment
soon the prayers of men and the anger of
the other gods forced the greedy Sal to
vomit it up again in this manner the
Egyptian populace explained in the
of the moon the moon was a god perhaps
the oldest of all that were worshiped in
Egypt but in the official theology the
greatest of the gods was the Sun
sometimes it was worshipped as the
supreme deity Roth or Rey the bright
father who fertilized mother earth with
rays of penetrating heat and light
sometimes it was a divine calf born in
you at every dawn sailing the sky slowly
in a celestial boat and descending into
the West at evening like an old man
tottering to his grave or the Sun was
the god Horus taking the graceful form
of a falcon flying majestically across
the heavens day after day as if in
supervision of his realm and becoming
one of the recurrent symbols of Egyptian
religion and royalty always raah or the
Sun was the Creator at his first rising
seeing the earth desert and bear he had
flooded it with his energizing rays and
all living things vegetable animal and
human had sprung pell-mell from his eyes
and been scattered over the world
the earliest men and women being direct
children of raaah had been perfect and
happy by degrees their descendants had
taken to evil ways and had forfeited
this perfection and happiness whereupon
rod is satisfied with his creatures had
destroyed a large part of the human race
learn and Egyptians questioned this
popular belief and asserted on the
contrary like certain Sumerian scholars
that the first men had been like brutes
without articulate speech or any of the
arts of life all in all it was an
intelligent mythology expressing piously
man's gratitude to earth and sun so
exuberant was this piety that the
Egyptians worshiped not merely the
source but almost every form of life
many plants were sacred to them the palm
tree that shaded them amid the desert
the spring that gave them drink in the
Oasis the grove where they could meet
and rest the Sycamore flourishing
miraculously in the sand
these were with excellent reason holy
things and to the end of his
civilization the simple Egyptian brought
them offerings of cucumbers grapes and
figs even the lowly vegetable found its
devotees and ten amused himself by
showing how the onion and so displeased
both way had been a divinity on the
banks of the Nile more popular were the
animal gods they were so numerous that
they filled the Egyptian pantheon like a
chattering menagerie in one gnome or
another in one period or another
Egyptians worshipped the bull the
crocodile the hawk the cow the goose the
goat the RAM the cat the dog the chicken
the swallow the jackal the serpent and
allowed some of these creatures to roam
in the temples with the same freedom
that is accorded to the sacred cow in
India today when the gods became human
they still retained animal doubles and
cymbals Ammon was represented as a goose
or a ram raw as a grasshopper or a bull
Osiris as a bull or a ram Sebek as a
crocodile Horus as a hawk or falcon
Hathor as a cow and Thoth the god of
wisdom as a baboon sometimes women were
offered to certain of these animals as
sexual mates the bull in particular as
the incarnation of Osiris received this
honor and at Mendis says Plutarch the
most beautiful women were offered in
coitus to the divine goat from beginning
to end this totemism remained as an
essential and native element in Egyptian
religion human gods came to Egypt much
later and probably as gifts from Western
Asia the goat and the bull were
especially sacred to the Egyptians as
representing sexual creative power they
were not merely symbols of Osiris but
incarnations of him orphan Osiris was
depicted with large and prominent organs
as a mark of his supreme power and
models of him in this form or with a
triple phallus were born in religious
processions by the Egyptians on certain
occasions the women carried such phallic
images and operated them mechanically
with strings signs of sex worship appear
not only in the many cases in which
figures are depicted on temple reliefs
with erect organs but in the frequent
appearance in Egyptian symbolism of the
crooks ansata
a cross with a handle as a sign of
sexual union and vigorous life at last
the gods became human or rather men
became gods like the deities of Greece
the personal gods of Egypt were merely
superior men and women made in heroic
mold but composed a bone and muscle
flesh and blood
they hungered and ate
stood and drank loved and mated hated
and killed grew old and died there was a
cyrus for example god of the beneficent
Nile whose death and resurrection were
celebrated yearly as symbolizing the
fall and rise of the river and perhaps
the decay and growth of the soil every
Egyptian of the later dynasties could
tell the story of how set or sit the
wicked god of desiccation who shriveled
up harvests with his burning breath was
angered at Osiris the Nile for extending
with his overflow the fertility of the
earth slew him and reigned in dry
Majesty over Osiris's Kingdom that is
the river once failed to rise until
Horus brave son of Isis overcame set and
banished him we're after Osiris brought
back to life by the warmth of Isis's
love ruled benevolently over Egypt
suppressed cannibalism established
civilization and then ascended to heaven
to reign there endlessly as a god it was
a profound myth for history like
oriental religion is dualistic a record
of the conflict between creation and
destruction fertility and desiccation
rejuvenation and exhaustion good and
evil life and death profound - was the
myth of Isis the Great Mother she was
not only the loyal sister and wife of
Osiris in a sense she was greater than
he for like woman in general she had
conquered death through love nor was she
merely the black soil of the Delta
fertilized by the touch of Osiris Nile
and making all Egypt rich with her
fecundity she was above all the symbol
of that mysterious creative power which
had produced the earth and every living
thing and of that maternal tenderness
whereby at whatever cost to the mother
the young new life is nurtured to
maturity she represented in Egypt as
Kali Ishtar and Sybil II represented in
Asia Demeter in Greece and Ceres in Rome
the original priority and independence
of the female principal in creation and
the inheritance and the originated
leadership of woman in tilling the earth
for it was Isis said the myth who had
discovered wheat and barley growing wild
in Egypt and had revealed them to Osiris
man
the Egyptians worshipped her with
special fondness and
and raised up jeweled images to her as
the mother of God
her tonsured priests praised her in
sonorous Matins and Vespers and in
midwinter of each year coincident with
the annual rebirth of the Sun towards
the end of our December the temples of
her divine child Horus god of the Sun
showed her in holy effigy in a stable
the babe that she had miraculously
conceived these poetic philosophic
legends and symbols profoundly affected
Christian ritual and theology early
Christians sometimes worshipped before
the statues of Isis suckling the infant
Horus seeing in them another form of the
ancient and noble myth by which woman
that is the female principle creating
all things becomes at last the mother of
God these rah or as he was called in the
South Ammon Osiris Isis and Horus were
the greater gods of Egypt in later days
rah Ammon and another God Fatah were
combined as three embodiments or aspects
of one supreme and triune deity there
were countless lesser divinities Anubis
the jackal
Tefnut Nephthys cat Newt but we must not
make these pages of Museum of dead gods
even Pharaoh was a god always the son of
Amon raah ruling not merely by divine
right but by divine birth as a deity
transiently tolerating the earth as his
home on his head was the Falken symbol
of Horus and totem of the tribe from his
forehead Rose the yuria sore serpent
symbol of wisdom and life and
communicating magic virtues to the crown
the king was chief priests of the faith
and led the great processions and
ceremonies that celebrated the festivals
of the gods it was through this
assumption of divine lineage and powers
that he was able to rule so long with so
little force
hence the priests of Egypt with the
necessary props of the throne and the
secret police of the social order given
a faith of such complexity a class had
to arise adept in magic and ritual whose
skill would make it indispensable in
approaching the gods in effect though
not in law the office of priest passed
down from father to son and the class
grew up which through the piety of the
people and the politic generosity of the
Kings became in time richer and stronger
than the feudal aristocracy or the
royal family itself the sacrifice is
offered to the gods supplied the priests
with food and drink the temple buildings
gave them spacious homes the revenues of
temple lands and services furnished them
with ample incomes and their exemption
from forced labor military service and
ordinary taxation left them in an envy
of prestige and power they deserved not
a little of this power for they
accumulated and preserved the learning
of Egypt
educated the youth and disciplined
themselves with rigour and zeal
Herodotus describes them almost with all
they are of all men the most excessively
attentive to the worship of the gods and
observed the following ceremonies they
wear linen garments constantly fresh
washed they are circumcised for the sake
of cleanliness thinking it better to be
clean than handsome they shaved their
whole body every third day that neither
license or any other impurity may be
found upon them they wash themselves in
cold water twice every day and twice
every night what distinguished this
religion above everything else was its
emphasis on immortality
if Osiris the Nile and all vegetation
might rise again so might man the
amazing preservation of the dead body in
the dry soil of Egypt lent some
encouragement to this belief which was
to dominate Egyptian faith for thousands
of years and to pass from it by its own
resurrection into Christianity the body
Egypt believed was inhabited by a small
replica of itself called the car and
also by a soul that dwelt in the body
like a bird flitting among trees all of
these body car and soul survived the
appearance of death they could escape
mortality for a time in proportion as
the flesh was preserved from decay but
if they came to Osiris clean of all sin
they would be permitted to live forever
in the happy field of food those
heavenly Gardens where there would
always be abundance and security judged
the harassed penury that spoke in this
consoling dream these Elysian Fields
however could be reached only through
the services of a ferryman an Egyptian
prototype of Charon and this old
gentleman would receive into his boat
only such men and women as had done no
evil in their lives or Osiris would
question the dead weighing each
candidates heart in the scale against a
feather to test his truthfulness though
who failed in this final examination
would be condemned to lie forever in
their tombs Hungary and thirsting fed
upon by hideous crocodiles and never
coming forth to see the Sun according to
the priests there were clever ways of
passing these tests and they offered to
reveal these ways for a consideration
one was to fit up the tomb with food
drink and servants to nourish and help
the dead another was to fill the tomb
with talismans pleasing to the gods fish
vultures snakes above all the Scarab a
beetle which because it reproduced
itself apparently with fertilization to
provide the resurrected soul if these
were properly blessed by a priest they
would frighten away every assailant and
annihilate every evil a still better way
was to buy the Book of the Dead scrolls
for which the priests had written
prayers formulas and charms calculated
to appease even to deceive Osiris when
after a hundred vicissitudes and perils
the dead soul at last reached Osiris it
was to address the great judge in some
such manner as this o thou who speed
esteems advancing winged thou dweller in
all mysteries of life thou guardian of
every word I speak behold thou art
ashamed of me thy son thy heart is full
of sorrow and of shame for that my sins
were Grievous in the world and proud my
wickedness and my transgression o be at
peace with me o be at peace and break
the barriers that loom between us let
all my sins be washed away and fall
forgotten to the right and left of thee
yeh do away with all my wickedness and
put away the shame that fills thy heart
that thou and I henceforth may be at
peace or the soul was to declare its
innocence of all major sins in a
negative confession that represents for
us one of the earliest and noblest
expressions of the moral sense in man
hail to the Great God Lord of truth and
justice I have come before thee my
master I have been brought to see thy
beauties I bring unto you truth I have
not committed iniquity against men I
have not oppressed the poor
I have not laid labor upon any free man
beyond that which he wrought for himself
I have not defaulted I have not
committed that which is an abomination
to the gods
I have not caused the slave to be
ill-treated of his
Master I've not starved any man I have
not made any to weep I have not
assassinated any man I have not
committed treason against any I have not
in aught diminished the supplies of the
temple I have not spoiled the showbread
of the gods I have done no carnal act
within the sacred enclosure of the
temple I have not blaspheme
I have not falsified the balance I have
not taken away milk from the mouths of
sucklings I have not taken with Nets the
birds of the gods I am pure I am pure I
am pure for the most part however
Egyptian religion had little to say
about morality the priests were busier
selling charms
mumbling incantations and performing
magic rights than inculcating ethical
precepts even The Book of the Dead
teaches the faithful the charms blessed
by the clergy will overcome all the
obstacles that the deceased soul may
encounter on its way to salvation and
the emphasis is rather unresting the
good life says one role if this can be
known by the deceased he shall come
forth by day that is rise to eternal
life amulets and incantations were
designed and sold to cover a multitude
of sins and secure the entrance of the
devil himself into paradise at every
step the pious Egyptian had to mutter
strange formulas to avert evil and
attract the good here for example an
anxious mother trying to drive out
demons from her child run out Val Luke
immersed in darkness who interest in
stealth comest out who kissed this child
I will not let thee kiss him come a
spell to take him away I will not let me
take him away from me I have made his
protection against the out of effort
herb which makes pain out of onions
which harm thee out of honey which is
sweet to the living and bitter to the
dead out of the evil parts of the Abdo
fish out of the backbone of the perch
the gods themselves used magic and
charms against one another the
literature of Egypt is full of magicians
of wizards who dry up lakes with the
word or cause severed limbs to jump back
into place or raise the dead the King
had magicians to help or guide him and
he himself was believed to have a
magical power to make the rain fall or
the river rise life was full of
talismans spells divinations every door
had to have a God to frighten away evil
spirits or fortuitous strokes of bad
luck children born on the 23rd of the
month of Thoth would surely die soon
those born on the 20th of Troy Hawk
would go blind each day and month says
Herodotus is assigned to some particular
God and according to the day on which
each person is born they determine what
will befall him how he will die and what
kind of person he will be in the end the
connection between morality and religion
tended to be forgotten
the road to eternal bliss led not
through a good life but through magic
ritual and generosity to the priests let
a great Egyptologist express the matter
the dangers of the hereafter were now
greatly multiplied and for every
critical situation the priest was able
to furnish the dead with an effective
charm which would infallibly cure him
besides many charms which enabled the
dead to reach the world of the hereafter
there were those which prevented him
from losing his mouth his head his heart
others which enabled him to remember his
name to breathe eat drink avoid eating
his own foul honest to prevent his
drinking water from turning into flame
to turn darkness into light to ward off
all serpents and other hostile monsters
and many others thus the earliest moral
development which we can trace in the
ancient East was suddenly arrested or at
least checked by the detestable devices
of a corrupt priesthood eager for gain
such was the state of religion in Egypt
when if not on poet and heretic came to
the throne and inaugurated the religious
revolution that destroyed the Empire of
Egypt for the heretic King the character
of Ignat on the new religion him to the
son monotheism the new Dogma the Nuart
reaction nefra Teti breakup of the
empire death of Ignat on in the year 13
80 BC Amenhotep the third who had
succeeded Tut most the third died after
a life of worldly luxury and display and
was followed by his son Amnon hotep the
fourth destined to be known as Ignat on
a profoundly revealing portrait bust of
him discovered at tell el-amarna shows a
profile of incredible delicacy a face
feminine in softness and poetic in its
sensitivity
large eyelids like a dreamers a long
misshapen skull a frame slender and weak
here was a shelley called to be a king
he had hardly come to power when he
began to revolt against the religion of
Ammon and the practices of Hammonds
priests in the great temple at Karnak
there was now a large harem supposedly
the concubines of Ammon but in reality
serving to amuse the clergy the young
Emperor whose private life was a model
of fidelity did not approve of this
sacred harlotry the blood of the RAM
slaughtered in sacrifice to Ammon stank
in his nostrils and the traffic of the
priests in magic and charms and their
use of the Oracle of Ammon to support
religious obscurantism and political
corruption disgusted him to the point of
violent protests more evil are the words
of the priests he said than those which
I heard until the year 4 of his reign
more evil are they than those which King
Amenhotep the third heard his youthful
spirit rebelled against the sordidness
into which the religion of his people
had fallen he abominated the indecent
wealth and lavish ritual of the temples
and the growing hold of a mercenary
hierarchy on the nation's life with the
poet's audacity he through compromise to
the winds and announced bravely that all
these gods and ceremonies were a vulgar
idolatry that there was but one God Aten
like Akbar in India 30 centuries later
it gnihton saw divinity above all in the
Sun in the source of all earthly life
and light we cannot tell whether he had
adopted his theory from Syria and
whether at dawn was merely a form of
Adonis of whatever origin the new God
filled the Kings soul with delight he
changed his own name from Amenhotep
which contained the name of Ammon to
ignite on meaning Aten is satisfied and
helping himself with old hymns and
certainly monotheistic poems published
in the preceding reign he composed
passionate songs to a tongue of which
this the longest and the best is the
fairest surviving remnant of Egyptian
literature by dawning is beautiful in
the horizon of the sky Oh living at on
beginning of life when thou risest in
the eastern horizon Alf illest every
lamp with our beauty thou art beautiful
great glittering high above every land
the
raise they encompassed the land even all
that thou has made thou art ray and thou
carries them all away captive thou bind
this them by thy love though thou art
far away thy razor upon earth though
thou art on high thy footprints are the
day when thou settest in the western
horizon of the sky the earth is in
darkness like the dead they sleep in
their chambers their heads are wrapped
up their nostrils are stopped and none
see if the other all their things are
stolen which are under their heads and
they know it not every lion cometh forth
from his den all serpents they sting the
world is in silence he that made them
rested in his horizon fright as the
earth will now rise as din the horizon
well now shyness as a town by day thou
drive us away the darkness when thou
sendest forth I raise the two lands are
in daily festivity awake and standing
upon their feet when now has to raise
them up their limbs bathed they take
their clothing their arms uplifted in
adoration to thy dawning in all the
world they do their work all cattle rest
upon their pasture äj-- the trees and
the plants flourish the birds flutter in
their marshes their wings uplifted in
adoration to thee all the sheep dance
upon their feet all wing and things fly
they live when now has shone upon them
the barks sail upstream and downstream
every highway is open because they
honest the fish in the river leap up
before thee thy Ray's are in the midst
of the great green sea creator of the
German woman maker of seed in man giving
life to the Sun in the body of his
mother soothing him that he may not weep
nurse even in the womb giver of breath
to animate everyone that he maketh when
he cometh forth from the body on the day
of his birth thou o penis to his mouth
in speech thou supplies his necessities
when the fledgling and the egg chirps in
the egg thou give us him breath therein
to preserve him alive when thou hast
brought him together to the point of
bursting the egg he cometh forth from
the egg to chirp with all his might he
goeth about upon his two feet when he
hath come forth therefrom how many fold
are thy works they are hidden from
before us so so God whose powers no
other possesses
thou didst create the earth according to
thy heart while thou wast alone men all
cattle large and small all that are upon
the earth that go about upon their feet
all that are on high that fly with their
wings the foreign countries Syria and
cush the land of Egypt thou settest
every man into his place thou supplies
their necessities thou makest the Nile
in the nether world thou bringest as
thou desirous to preserve alive the
people how excellent are thy designs our
Lord of eternity there is a Nile in the
sky for the strangers and for the cattle
of every country that go upon their feet
thy rays nourish every garden when thou
risest they live they grow by thee thou
make us the seasons in order to create
all thy work winter to bring them
coolness and heat that they may taste
thee thou didst make the distant sky to
rise therein in order to behold all that
thou has made thou a lone shining in the
form as living at on dawning glittering
going afar and returning thou makest
millions of forms through thyself alone
cities towns and tribes highways and
rivers all eyes see thee before them for
thou art a town of the day over the
earth thou art in my heart there is no
other that knoweth thee say thy son
Ignat on thou has made him wise in my
designs and in thy might the world is in
thy hand even as thou has made them when
thou hast risen they live when thou
settest they die for thou art length of
life of thyself men lived through thee
while their eyes are upon thy beauty
until thou settest all labourers put
away when thou settest in the West thou
didst establish the world and raised
them up for thy son if not on whose life
is long and for the chief royal wife his
beloved mistress of the two lands Nefer
and nephew art on nefra teddy living and
flourishing for ever and ever
this is not only one of the great poems
of history it is the first outstanding
expression of monotheism 700 years
before Isaiah perhaps says breasted
suggests this conception of one soul God
was a reflex of the unification of the
Mediterranean world under Egypt by
Thomas the third dick Newton conceives
his God is belonging to all nations
equally
and even names other countries before
his own as in Athens care this was an
astounding advance upon the old tribal
deities
note the vitalistic conception Atanas to
be found not in battles and victories
but in flowers and trees in all forms of
life and growth Atanas the joy that
causes the young sheep to dance upon
their legs and the birds to flutter in
their marshes nor is the God a person
limited to human form the real divinity
is the creative and nourishing heat of
the Sun the flaming glory of the rising
or setting orb is but an emblem of that
ultimate power nevertheless because of
its omnipresent fertilizing beneficence
the Sun becomes to ignite on also the
Lord of love the tender nurse that
creates the manchild and woman and fills
the two lands of Egypt with love so at
last a town grows by symbolism into a
solicitous father compassionate and
tender not like Yahweh a Lord of Hosts
but the god of gentleness and peace it
is one of the tragedies of history that
it not on having achieved his elevating
vision of universal unity was not
satisfied to let the noble quality of
his new religion slowly win the hearts
of men he was unable to think of his
truth in relative terms the thought came
to him that other forms of belief and
worship were indecent and intolerable
suddenly he gave orders that the names
of all gods but Adan should be erased
and chiseled from every public
inscription in Egypt he mutilated his
father's name from a hundred monuments
to cut from at the word Amman he
declared all Creed's but his own illegal
and commanded that all the old temples
should be closed
he abandoned Thebes is unclean and built
for himself a beautiful new capital at
akkad atong city of the horizon of a
tongue rapidly Thebes decayed as the
offices and the monuments of government
were taken from it and Akhenaten became
a rich metropolis busy with fresh
building and the Renaissance of Arts
liberated from the priestly bondage of
tradition the joyous spirit expressed in
the new religion passed over into its
art at tell el-amarna a modern village
on the side of Akhenaten Sir William
Flinders Petrie unearthed the beautiful
pavement adorned with birds fishes and
other animals painted with the most
delicate grace
Ignat on forbad the artists to make
images of
down on the lofty ground that the true
God has no form for the rest he left art
free merely asking his favorite artists
back Utah and nut Mo's to describe
things as they saw them and to forget
the conventions of the priests they took
him at his word and represented him as a
youth of gentle almost timid face and
strangely de la cosa phallic head taking
their lead from his vitalistic
conception of deity they painted every
form of plant and animal life with
loving detail and with a perfection
hardly surpassed in any other place or
time for a while art which in every
generation knows the pangs of hunger and
obscurity flourished in abundance and
happiness had it not on been a mature
mind he would have realized that the
change which he had proposed from a
superstitious polytheism deeply rooted
in the needs and habits of the people to
a naturalistic monotheism that subjected
imagination to intelligence was too
profound to be affected in a little time
he would have made haste slowly and
softened the transition with
intermediate steps but he was a poet
rather than a philosopher like Shelley
announcing the demise of yaver to the
bishops of Oxford he grasped for the
absolute and brought the whole structure
of Egypt down upon his head at one blow
he had dispossessed and alienated a
wealthy and powerful priesthood and had
forbidden the worship of deities made
dear by long tradition and belief when
he had a Manhattan is father's name had
seemed to his people a blasphemous
impiety nothing could be more vital to
them than the honouring of the ancestral
dead he had underestimated the strength
and pertinacity of the priests and he
had exaggerated the capacity of the
people to understand a natural religion
behind the scenes the priests plotted
and prepared and in the seclusion of
their homes the populace continued to
worship their ancient and innumerable
gods a hundred crafts that had depended
upon the temples muttered in secret
against the heretic even in his palace
his ministers and Generals hated him and
prayed for his death for was he not
allowing the Empire to fall to pieces in
his hands meanwhile the young poet lived
in simplicity and Trust he had seven
daughters but no son and though by law
he might have sought an heir by his
secondary wives he would not but
preferred to remain faithful to
no Fratelli a little ornament has come
down to us that shows him embracing the
Queen
he allowed artists to depict him riding
in a chariot through the streets engaged
in pleasantries with his wife and
children on ceremonial occasions the
Queen sat beside him and held his hand
while their daughters frolicked at the
foot of the throne he spoke of his wife
as mistress of his happiness and hearing
whose voice the king rejoices and for an
oath he used the phrase as my heart is
happy in the Queen and her children it
was a tender interlude in Egypt's epic
of power into this simple happiness came
alarming messages from Syria the
dependencies of Egypt in the near East
were being invaded by Hittites and other
neighbouring tribes the governor's
appointed by Egypt pleaded for immediate
reinforcements it Knapton hesitated he
was not quite sure that the right of
conquest warranted him in keeping these
states in subjection to Egypt and he was
loathe to send Egyptians to die on
distant fields for so uncertain a cause
when the dependencies saw that they were
dealing with the saint they deposed
their Egyptian governors quietly stopped
all payment of tribute and became to all
effects free almost in a moment Egypt
ceased to be a vast empire and shrank
back into a little state soon the
Egyptian treasury which had for a
century dependent upon foreign tribute
as its mainstay was empty
domestic taxation had fallen to a
minimum and the working of the gold
mines had stopped internal
administration was in chaos
Ignat on found himself penniless and
friendless in a world that had seemed
all his own every colony was in revolt
and every power in Egypt was arrayed
against him waiting for his fall he was
hardly 30 when in 1362 BC he died broken
with the realization of his failure as a
ruler and the unworthiness of his race 5
decline and fall Tutankhamun the labors
of ramses ii the wealth of the clergy
the poverty of the people the conquest
of egypt summary of egyptian
contributions to civilization 2 years
after his death his son-in-law to Dan
Kammen a favorite of the priests
ascended the throne he changed the name
of to tank Aten which his father-in-law
had given him returned the capital to
Thebes made his peace with the powers of
the
Church and announced to a rejoicing
people the restoration of the ancient
gods the words Aten and ignite on were
effaced from all the monuments the
priests forbad the name of the heretic
King to pass any man's lips and the
people referred to him as the great
criminal the names that Ignat on had
removed for recarved upon the monuments
and the feast days that he had abolished
were renewed everything was as before
for the rest Tutankhamun reigned without
distinction the world would hardly have
heard of him had not unprecedented
treasures been found in his grave after
him a Doughty general ham hob marched
his armies up and down the coast
restoring Egypt's external power and
internal peace setting the first wisely
reap the fruits of renewed order and
wealth built the hypostyle Hall at
Karnak began to cut a mighty temple into
the cliffs at Abu Simbel commemorated
his grandeur and magnificent reliefs and
had the pleasure of lying for thousands
of years and one of the most ornate of
Egypt's tombs at this point the romantic
Rama seized the second last of the great
Pharaoh's mounted the throne seldom is
history known so picturesque a monarch
handsome and brave he added to his
charms by his boyish consciousness of
them and his exploits in war which he
never tired of recording were equaled
only by his achievements in love after
brushing aside a brother who had
inopportune rights to the throne he sent
an expedition to Nubia to tap the gold
mines there and replenish the treasury
of Egypt and with the resultant funds he
undertook the reconquest of the Asiatic
provinces which had again rebelled three
years he gave to recovering Palestine
then he pushed on met a great army of
the Asiatic Allies at Kadesh 1288 BC and
turned to defeat into victory by his
courage and leadership it may have been
as a result of these campaigns that a
considerable number of Jews were brought
into Egypt as slaves or as immigrants
and Rama seized the second is believed
to have been the Pharaoh of the Exodus
he had his victories commemorated
without undue impartiality on half a
hundred walls commissioned a poet to
celebrate him in epic verse and rewarded
himself with several hundred wives when
he died he left one hundred sons and
fifty daughters to testify to his
quality by their number and their
proportion he married several of his
daughters so that they too might have
splendid children
his offspring were so numerous that they
constituted for 400 years a special
class in Egypt from which for over a
century her rulers were chosen
he deserved these consolations for he
seems to have ruled Egypt well he built
so lavishly that half the surviving
edifices of Egypt are ascribed to his
reign he completed the main hall at
Karnak added to the temple of Luxor
raised his own vast shrine the Ramesseum
west of the river finished the Great
Mountain sanctuary at Abu Simbel and
scattered colossi of himself throughout
the land commerce flourished under him
both across the Isthmus of Suez and on
the Mediterranean he built another canal
from the Nile to the Red Sea but the
shifting sands filled it up soon after
his death he yielded up his life in 1225
BC aged 90 after one of the most
remarkable rains of history only one
human power in Egypt had excelled his
and that was the clergy here as
everywhere in history ran the endless
struggle between church and state
throughout his reign and those of his
immediate successors the spoils of every
war and the lion's share of taxes from
the conquered provinces went in the
temples and the priests these reached
the zenith of their wealth under Rama
seized the third they possessed at that
time one hundred seven thousand slaves
one thirtieth of the population of Egypt
they held 750,000 acres one seventh of
all the arable land they owned five
hundred thousand head of cattle they
received the revenues from 169 towns in
Egypt and Syria and all this property
was exempt from taxation the generous or
timorous Rama seized the third showered
unparalleled gifts upon the priests of
Amman including thirty-two thousand
kilograms of gold and a million
kilograms of silver every year he gave
them one hundred eighty-five thousand
sacks of corn when the time came to pay
the workmen employed by the state he
found his Treasury empty more and more
the people starved in order that the
gods might eat under such a policy it
was only a matter of time before the
Kings would become the servants of the
priests in the reign of the last Rama
seed King the high priest of Amman
usurped the throne and ruled as openly
supreme the Empire became a stagnant
theocracy in which architecture and
superstition flourished and every other
element in the national life decayed
omens were manipulated to
divine sanction to every decision of the
clergy the most vital forces of Egypt
were sucked dry by the thirst of the
gods at the very time when foreign
invaders were preparing to sweep down
upon all this concentrated wealth for
meanwhile on every frontier trouble
brewed the prosperity of the country had
come in part from its strategic place on
the main line of Mediterranean trade its
metals and wealth had given it mastery
over Libya on the west and over
Phoenicia Syria and Palestine on the
north and east but now at the other end
of this trade route in Assyria Babylon
and Persia new nations were growing to
maturity and power were strengthening
themselves with invention and enterprise
and were daring to compete in commerce
and industry with the self-satisfied in
pious Egyptians the Phoenicians were
perfecting the trireme galley and with
it were gradually resting from Egypt the
control of the sea the Dorian's and
Achaeans had conquered Crete and the
Aegean circa 1400 BC and were
establishing a commercial empire of
their own trade moved less and less in
slow caravans over the difficult and
robber infested mountains and deserts of
the Near East it moved more and more at
less expense and with less laws in ships
that passed through the Black Sea and
the Aegean to Troy Crete and Greece at
last to Carthage Italy and Spain the
nations along the northern shores of the
Mediterranean ripened and blossomed the
nations on the southern shores faded and
rotted away
Egypt lost her trade her gold her power
her art at last even her pride one by
one her rivals crept down upon her soil
harassed and conquered her and laid her
waste in 954 BC the Libyans came in from
the western hills and laid about them
with fury in 722 the Ethiopians entered
from the south and avenged their ancient
slavery in 674 the Assyrians swept down
from the north and subjected priests
ridden Egypt a tribute for a time
Bassam tich Prince of Cius repelled the
invaders and brought Egypt together
again under his leadership during his
long reign and those of his successors
came the say it-- revival of egyptian
art the architects and sculptors poets
and scientists of egypt gathered up the
technical and aesthetic traditions of
their schools and prepared to lay them
at the feet of the greeks but in 525 BC
the Persians under
Kampai sees crossed sewers and again put
an end to egyptian independence in 332
BC Alexander sallied out of Asia and
made Egypt a province of Macedon in 48
BC Caesar arrived to capture Egypt's new
capital Alexandria and to give to
Cleopatra the son and heir whom they
vainly hoped to crown as the unifying
monarch of the greatest empires of
antiquity in 30 BC Egypt became a
province of Rome and disappeared from
history for a time it flourished again
when saints peopled the desert and Cyril
dragged a patient to her death in the
streets 415 ad and again when the
Muslims conquered it circa 8650 built
Cairo with the ruins of Memphis and
filled it with bright domed mosques and
Citadel's but these were alien cultures
not really Egypt's own and they too
passed away today there is a place
called Egypt but the Egyptian people are
not masters there long since they have
been broken by conquest and merged in
language and marriage with their Arab
conquerors their cities know only the
authority of Muslims and Englishmen and
the feet of weary pilgrims who travel
thousands of miles to find that the
pyramids are merely heaps of stones
perhaps greatness could grow there again
if Asia should once more become rich and
make Egypt a halfway house of the
planets trade but of the morrow as
Lorenzo sang there is no certainty today
the only certainty is decay on all sides
gigantic ruins monuments and tombs
memorials of a savage and titanic energy
on all sides poverty and desolation and
the exhaustion of an ancient blood and
on all sides the hostile engulfing sands
blown about forever by hot winds and
grimly resolved to cover everything in
the end nevertheless the sands have
destroyed only the body of ancient Egypt
it's spirit survives in the lore and
memory of our race the improvement of
agriculture metallurgy industry and
engineering the apparent invention of
glass and linen of paper and ink of the
calendar and the clock of geometry and
the alphabet the refinement of dress and
ornament of furniture and dwellings of
society and life the remarkable
development of orderly and peaceful
government of census and post of primary
and secondary education even of
technical training for office and
administration the advancement of right
in literature of science and medicine
the first clear formulation known to us
of individual and public conscience the
first cry for social justice the first
widespread monogamy
the first monotheism the first essays in
moral philosophy the elevation of
architecture sculpture and the minor
arts to a degree of excellence and power
never so far as we know reached before
and seldom equaled since these
contributions were not lost even when
their finest exemplars were buried under
the desert or overthrown by some
convulsion of the globe through the
Phoenicians the Syrians and the Jews
through the Cretans the Greeks and the
Romans the civilization of Egypt passed
down to become part of the cultural
heritage of mankind the effect or
remembrance of what Egypt accomplished
at the very dawn of history has
influenced in every nation and every age
it is even possible as for has said that
Egypt through the Solidarity the unity
and the disciplined variety of its
artistic products through the enormous
duration and the sustained power of its
effort offers the spectacle of the
greatest civilization that has yet
appeared on the earth we shall do well
to equal it
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