Full Transcript

·YouTLDR

فلسفة الشر عند (بول ريكور) وسوسيولوجيا الشر في فيلم The Irishman - مترجم

6:51EnglishTranscribed Jun 24, 2026
0:00

the irishman is a 2019 movie about an

0:02

irish-american mafia hitman

0:04

and union official frank the irishman

0:07

sheeran

0:08

in the beginning of the movie we see the

0:11

aging frank shearer himself

0:12

who tells his life story from his own

0:14

perspective he tells us how he began to

0:17

work as a house painter

0:18

or a contract killer to be more exact

0:21

for the buffalino crime family

0:24

the movie does a great job of presenting

0:25

the life story of a cold-blooded

0:27

murderer

0:28

in an extremely intimate way we the

0:31

viewer

0:31

enter sharon's early care home to hear a

0:34

confession

0:34

from the evil person himself but what

0:37

exactly makes the irishman so

0:39

evil in his 1967 book the symbolism of

0:43

evil french philosopher paul recur

0:45

explores the mythical symbolism of

0:47

evil ricker claims that myth seek to

0:49

account for the crisis in the bond

0:51

between

0:51

the man and the sacred we can see that

0:54

the arsenal is a kind of a myth

0:56

first person narration by the irishman

0:59

gives us a consolidated story

1:00

there's a clear beginning where sher is

1:02

still young and then

1:04

the end where he is about to die after

1:06

his confession

1:07

most importantly the irishman presents

1:08

us with crisis

1:10

the bond between a man and the sacred

1:13

the pure

1:13

good is in crisis the argument is a

1:16

narrated myth

1:18

about a person who is confessing his

1:19

crisis the crisis of moving away

1:23

from the sacred full recover claims

1:26

that myths about evil are different from

1:28

symbols about evil and that myths

1:30

are narrations given in time and space

1:32

like the irishman's confession

1:34

whereas symbols are demythologized myths

1:37

which represent a culturally significant

1:39

manifestation of evil

1:41

for example recur claims that the story

1:43

about adam and eve's expulsion from

1:45

paradise is a myth

1:47

whereas exile is a standalone symbol

1:50

which represents

1:51

this particular myth in the case of the

1:53

irishman

1:54

the story is filled with clear symbols

1:56

of evil which generate the overall

1:58

tension between evil and the sacred

2:02

paul recur distinguishes three types of

2:05

symbols of

2:05

evil the first type is defilement which

2:08

require defines as an

2:09

unclean contact caused by the material

2:12

environment

2:13

that is to say defilement is a stain

2:16

that arouses

2:17

terror in the person's eyes we can see a

2:19

clear example of defilement to the

2:21

irishman's inability to

2:23

understand why would soldiers during the

2:25

war dig their own

2:26

graves let's see the movie it's crazy

2:29

but i never understood how

2:31

they would just keep digging their own

2:34

graves you know i mean stop

2:41

i mean maybe they thought if they did a

2:43

good job but

2:45

the guy with the gun would change his

2:48

mind

2:54

we can consider this to be a symbol of

2:56

defilement because

2:57

the soldiers are doing something that is

2:59

absolutely irrational

3:01

it feels as though the world has gone

3:03

mad the ethical rules are stained by the

3:05

evil

3:06

irrationality of war the second type of

3:09

symbol of evil according to recur

3:11

is sin the main category here is the

3:14

relationship with god

3:15

in other words sin always occurs before

3:18

god

3:19

paul recur writes sin is not a

3:21

transgression of an abstract rule but a

3:23

violation of a personal bond

3:26

therefore the deeper the relationship is

3:28

with the spiritual force

3:29

the deeper the meaning of sin will be in

3:32

the case of the irishman

3:33

the most significant sin in the movie is

3:36

the murder of jimmy hoffa

3:38

we the viewer can see clearly that hafey

3:41

is a particularly

3:42

important person for shiren in addition

3:45

jimmy hoffa is also a very important

3:46

person for sheeran's daughter

3:48

by killing khafa sheeran breaks the

3:50

personal bond with hoffa

3:52

hoffa's family and his own daughter even

3:54

though sheeran is indeed a cold-blooded

3:56

murderer

3:57

the guy painted houses for a living he

3:59

nevertheless has the capacity to regret

4:01

violating the bond with people who are

4:03

closest to him

4:04

we know that after killing rafa sheeran

4:07

talked to hoffa's wife

4:08

tried to console her and lied about not

4:10

knowing what happened to him

4:12

this action symbolizes the bond that is

4:14

violated crushed

4:16

sharon is for this reason ashamed of it

4:19

he deeply regrets

4:20

his sin

4:23

[Music]

4:24

what kind of a man

4:28

makes a phone call like that

4:36

what do you mean what what what phone

4:38

call the last symbol of

4:39

evil according to paul recur is guilt

4:42

this is quite obvious guilt is

4:45

internalization

4:46

and personalization of sin

4:49

recur rights to be guilty is only to be

4:52

ready to undergo the chastisement and to

4:54

make oneself the subject of

4:56

chastisement guilt should therefore be

4:59

interpreted as a very

5:00

personal emotion a guilty person is

5:02

afraid of a deadly

5:04

punishment for the evil use of liberty

5:07

guilt is different from the confession

5:08

of sin because

5:09

one has to live privately with his own

5:12

sense of guilt in the movie

5:15

the symbol of guilt manifests insurance

5:17

inability to come to terms with his own

5:19

death

5:20

his own finitude he confesses his sense

5:23

to the priest

5:24

he shares his story with the

5:25

investigators he tries to

5:27

apologize to his daughters for

5:29

mistreating them but the consequences of

5:31

his crimes are still with him

5:33

the punishment for the evil use of his

5:35

liberty is not death

5:37

the punishment is the inability to die

5:39

without guilt that is

5:40

to die in peace last shot of the movie

5:44

shows a person who is stuck in his own

5:46

sense of guilt

5:47

guilt unlike sin is extremely personal

5:50

it can no longer be shared with anyone

5:54

in this book paul recur shows us that

5:57

symbols of evil have an origin

5:59

in the ancient judeo-christian and greek

6:01

literature these ancient stories make up

6:03

the bedrock of our understanding of

6:05

good and bad when we say that a person

6:08

or an action is

6:09

evil we inevitably refer to the canon

6:12

the history

6:13

of thoughts that describes in detail the

6:16

nature

6:16

of evil as paul recurred says the symbol

6:20

gives rise to thoughts which means that

6:23

our stories never just

6:24

hang in a cultural vacuum they refer to

6:26

our history

6:27

for this reason we should be more

6:29

attentive to the symbols that are being

6:31

used today in

6:32

pop culture and how they refer to our

6:34

shared historical

6:35

enigmas this would make us better

6:38

interpreters

6:39

thank you so much for watching see you

6:40

next time

6:48

[Music]

6:48

you

More transcripts

Explore other videos transcribed with YouTLDR.

Get the TLDR of any YouTube video

Transcribe, summarize, and repurpose videos in 125+ languages — free, no signup required.

Try YouTLDR Free