Full Transcript

·YouTLDR

Vince Staples On Hating Gifts & Talks 'Ramona Park Broke My Heart' | 360 With Speedy Morman

32:04785 summary words · ~4 min readEnglishBy ComplexTranscribed Jul 16, 2026
Analyze another video with Pro30-day money-back guarantee
Summary

Vince Staples discusses his album 'Ramona Park Broke My Heart,' his disdain for gifts, and his perspective on success as a business rather than a vanity-driven pursuit.

The interview reveals Vince Staples' authentic, self-aware approach to artistry and community, offering insights into redefining success beyond traditional metrics like awards or fame.

Section summaries

0:00-0:35

Intro and Album Title Discussion

watch

Speedy Morman introduces Vince Staples and asks about the album title 'Ramona Park Broke My Heart.' Vince explains it as a metaphor for personal growth and community, using Ramona Park as a focal point for his reflections on life experiences in Long Beach.

  • Album title symbolizes growth and community evolution
  • Ramona Park represents a shared cultural touchstone for Long Beach residents

Sets the thematic foundation for the album and Vince's perspective on place and identity.

0:35-2:17

Self-Awareness and Music Industry Perspective

watch

Vince discusses his reluctance to label himself a 'music guy,' viewing music as a creative tool rather than a career. He emphasizes professionalism in opening for major acts like Tyler, The Creator, framing it as a business collaboration rather than ego-driven competition.

  • Rejects traditional musician identity, sees music as a creative outlet
  • Prioritizes role clarity and business collaboration over vanity

Reveals Vince's unique approach to the music industry and professional conduct.

2:17-6:40

Touring Realities and Gym Habits

watch

Vince discusses the logistical challenges of touring, including the impersonal nature of life on the road. He also shares his gym routine, emphasizing respect for shared spaces and a preference for early/late workouts to avoid crowds.

  • Touring is temporary and impersonal, requiring focus on the show
  • Gym etiquette reflects his values of respect and simplicity

Provides insight into Vince's daily life and priorities during touring.

6:40-12:30

Gift Cards and Vanity Rejection

watch

Vince explains his preference for gift cards over physical gifts, arguing that gifts often reflect the giver's need for validation. He dismisses awards like Grammys as irrelevant, valuing financial freedom and community support instead.

  • Gift cards align with his minimalist, practical lifestyle
  • Rejects vanity-driven recognition in favor of community impact

Highlights his authentic values and critique of celebrity culture.

12:30-16:41

Financial Freedom and Success Redefined

watch

Vince elaborates on financial independence as his true measure of success, dismissing net worth estimates and emphasizing the ability to support his community. He humorously suggests monetizing his music through a Raising Cane's partnership.

  • Financial freedom enables community upliftment
  • Rejects vanity metrics in favor of tangible impact

Offers a compelling redefinition of success beyond traditional industry standards.

16:41-23:19

Gift Preferences and Holiday Views

watch

Vince reiterates his dislike for gifts, explaining they often serve the giver's need for validation. He prefers selfless gestures like gift cards and describes his ideal Christmas as a quiet, solitary day.

  • Gifts should prioritize the recipient's needs over the giver's ego
  • Values simplicity and solitude over social obligations

Reinforces his authentic, non-conformist approach to relationships and celebrations.

23:19-28:19

New York City Observations and Touring Experiences

watch

Vince contrasts New York's urban challenges (e.g., lack of trash cans) with California's lifestyle, expressing no interest in living elsewhere. He discusses the impersonal nature of touring, forgetting cities due to brief stays.

  • Prefers California's lifestyle and infrastructure
  • Touring limits meaningful connection with cities or fans

Provides cultural commentary and insight into touring's logistical challenges.

28:19-32:00

Album Expectations and Closing Remarks

watch

Vince encourages listeners to approach the album with open minds, emphasizing its subjectivity. He concludes by thanking Speedy and reiterating his satisfaction with the project.

  • Album invites personal interpretation and reflection
  • Expresses pride in the collaborative effort

Closes the interview with a call to engage with the album on its own terms.

Key points

  • Album Significance: Ramona Park as Metaphor — The album title symbolizes growth and community, with Ramona Park serving as a focal point for Vince's reflections on life experiences and personal evolution in Long Beach.
  • Self-Awareness in the Music Industry — Vince rejects being labeled a 'music guy,' viewing music as a creative tool rather than a career, and emphasizes professionalism in opening for major acts like Tyler, The Creator.
  • Disdain for Gifts and Vanity — Vince dislikes gifts because they often reflect the giver's desire for validation, preferring selfless gestures like gift cards that align with his simple lifestyle.
  • Financial Freedom as True Success — Vince values financial independence and the ability to uplift his community over awards or vanity metrics, dismissing Grammy-style recognition as irrelevant to his goals.
  • Touring Realities and Humility — Vince describes touring as a temporary, impersonal experience, emphasizing the need to focus on the show rather than city-specific preferences or fame.
Ramona Park broke my heart and what is the significance of that park to you and your story Speedy Morman
I don't like gifts because gifts aren't selfless like if somebody give you a gift right they want you to like it because it's really about them Vince Staples

AI-generated from the transcript. May contain errors.

0:00

[Music]

0:07

what up y'all it's 360 with speedy

0:09

mormon i'm him and we have a very

0:11

special guest in the building long

0:13

beach's very own vince staples is here

0:15

how you feeling vince what's up how are

0:17

you i'm good man can't complain can't

0:19

complain i'm happy to see you not only

0:22

because we're here uh doing this

0:24

interview but we're also in california

0:26

california is also home to ramona park

0:29

and the name of the next album is ramona

0:31

park broke my heart what does that mean

0:33

ramona park broke my heart and what is

0:35

the significance of that park to you and

0:37

your story

0:38

uh the

0:40

name is kind of more so

0:42

metaphorical that is anything else um

0:45

you try to find connectivity points with

0:47

your audience when you

0:48

make things and it kind of gives them a

0:50

point of reference you know everybody

0:52

has a home so that being my home is

0:54

where that reference point comes from

0:56

and the latter comes from

0:59

i guess more so parable for growth you

1:01

know you think about what happens as

1:03

time goes by and you learn and trials

1:05

and tribulations and overcoming certain

1:07

things and having realizations that come

1:09

with you know

1:10

learning about the things that you care

1:12

about it i guess that is where the title

1:14

comes from it just sounds cool but

1:17

it also has a kind of is more of a

1:20

signifier for what the subject matter is

1:22

on the project you know um life is

1:24

pretty similar for a lot of people just

1:26

growing up in the area sharing

1:27

experiences you know walking to and from

1:29

walking to school passing it every day

1:31

it didn't really mean much to me when i

1:33

was younger to be honest it's a part but

1:35

as you get older you know you realize

1:36

symbolism

1:37

and the symbolism of that is something

1:39

that i draw to because it's a focal

1:41

point in the community as a lot of them

1:43

are in southern california los angeles

1:45

county and long beach specifically so

1:47

it's it's kind of more of a focal point

1:49

it's not really about spending a lot of

1:50

time you know i think we spend a lot of

1:52

time in the parks a lot of spot around

1:53

the corner but it's the focal point so

1:55

you know we think about music and

1:56

creativity and the things that you draw

1:58

your reference points from you know you

2:00

need a focal point you need you know an

2:02

antagonist or protagonist you need a

2:04

scenery so i guess that's just where

2:05

that come from yeah you were just

2:07

telling rosenberg that you don't

2:08

consider yourself to be the music guy

2:11

and that you're still looking for other

2:12

creative mediums kind of to express

2:14

yourself

2:14

why don't you see yourself as the music

2:17

guy

2:17

i mean if i knew the answer to that then

2:19

i could probably you know consider

2:20

myself as such but it's just not what i

2:22

look at you know i don't

2:23

i don't have a lot of aspirations like i

2:26

don't have any accolades music is just a

2:27

means of creativity you know i mean so i

2:30

don't limit myself to just that you know

2:31

i didn't i didn't

2:33

grow up wanting to be a musician or

2:35

anything like that but i appreciate

2:37

music of course is afforded me a lot of

2:39

space to figure things out you know a

2:40

canvas to kind of figure stuff out but

2:43

i'm not when you see the people who you

2:45

know live and breathe music you know i

2:47

got a lot of friends that you know wake

2:49

up and go to sleep and thinking about

2:51

music right i'm just not that person so

2:53

i can't say that i am if i'm not

2:54

especially when i know people that you

2:56

know really live and breathe it and

2:57

that's not that's not my day to day so

2:59

then what are those things that you're

3:00

you know going to sleep waking up

3:02

thinking about you know living and

3:04

breathing

3:04

i haven't figured that out yet i'm

3:06

really just not that type of person you

3:08

know i'm kind of all over the place but

3:10

i'm not i'm just not that kind of person

3:12

okay that's fair enough right now you're

3:14

on tour with tyler the creator and kelly

3:16

wuchus there's an inherent

3:17

self-awareness that comes with being an

3:20

opener

3:21

on a tour and you've been vocal about

3:23

you know what it is that your role is on

3:24

the show

3:25

and you embrace it you enjoy it i

3:27

actually caught the show at the staples

3:28

or the crypto arena now but what is it

3:30

like for you being able to open the show

3:33

yeah i mean like i said as a business at

3:35

the end of the day you kind of got to

3:36

know where you stand and what your job

3:37

is and do it you know um

3:40

going on tour with cali and tyler t is

3:41

our touchdown as well

3:43

it's a good experience you know a lot of

3:45

big arenas a lot of big

3:47

a lot of big cities and just having an

3:49

opportunity you know like i said to try

3:50

to

3:51

grow your fan base and try to get

3:54

i guess

3:55

take steps towards you know being

3:57

further accomplished is always you know

3:59

the thing that you have to be grateful

4:00

for but

4:02

yeah man opening it up you know it's not

4:03

about you you know you got to sit get in

4:05

there and try to

4:06

warm up the crowd for you know like a

4:08

better words and just know it's a sweet

4:10

spot when it comes to opening you know

4:12

yeah can't do too much can't do too

4:14

little so you know after doing it a

4:15

couple times you figure it out but you

4:17

don't feel like in that 40 45 minute it

4:19

it is about you

4:21

well it's not

4:22

you can say that but it's not

4:24

why though because you get paid to open

4:26

up the show and it says tyler creator if

4:28

you go to a a booker and say hey i'm

4:31

trying to advance a tour for me to open

4:33

up they're going to look at you like you

4:34

crazy it's not it's not tyler to call me

4:36

if you get lost to her because the album

4:37

came out and it's a direct support act

4:38

so you just was there to support the

4:40

main act you know in music it's a lot of

4:42

ego and people want to feel like they're

4:43

the biggest and best stuff and things of

4:45

that nature that's just not it's not

4:47

reality so that's what i was just about

4:49

to ask you so it seems like you know i

4:50

and again i sit down with a bunch of

4:52

rappers and there's like this

4:54

very common bravado that a lot of

4:56

rappers have and

4:58

self-awareness is few and far between in

5:00

hip-hop and it seems like you're just

5:02

like

5:02

a very self-aware and humble person to

5:04

know or what at least what you feel is

5:07

your place in this game

5:08

and how are you able to like kind of

5:10

find that mentally because it's not a

5:12

game like what's the game

5:13

you know you basketball you dribble you

5:15

shoot you score you win the expression

5:17

you know the music game but it's but why

5:19

why is that expression so what should

5:21

the express reason is an expression

5:23

because somebody has to lose so that way

5:25

when it ends up and you do it and it

5:26

takes everything from you then you just

5:28

lost the game but that's not what it's

5:30

supposed to be this is a business

5:31

people's have good business good morals

5:32

they pay you

5:33

and you know oh well this is an

5:35

opportunity so you don't deserve

5:36

ownership of your project this is

5:38

opportunity you don't deserve this you

5:39

don't deserve that so we end up being

5:41

able you know they don't call any other

5:43

genre of the game they call the rap game

5:45

the rap game because there's a bunch of

5:46

[ __ ] running around and they don't

5:47

want to give black people [ __ ] so that's

5:49

just the reason i never thought about

5:50

that we don't call it like the country

5:52

game or no no it does it doesn't rock

5:54

game it doesn't exist so at that you

5:55

know i look at it like this is a

5:56

business and it is a job you know what i

5:59

mean you look at coca-cola and all the

6:00

things that they own and you know you

6:02

look at the pepsi corporate on things

6:04

that they own you know the job of

6:07

xyz isn't to knock off pepsi isn't to

6:09

knock off coke is to do things in tandem

6:11

to help grow the brand right so as an

6:13

opener on

6:14

a show it's your job to do something in

6:16

tandem with tyler with cali which are

6:19

the bigger names on the brand they help

6:21

grow that that way you can get into

6:22

these venues where you're playing for 20

6:24

30 000 people then you can hopefully go

6:26

to a stadium that's done with knowing

6:28

everybody's obligations because if you

6:30

have four open incest and the show is

6:32

you know a headline mosquito before

6:34

headlining sets and that's four hour and

6:36

a half sets and nobody wants that you

6:38

just got to know how you sit and where

6:40

it all goes you know it's it's a certain

6:42

professionalism that should come with

6:43

this

6:44

i've heard you've been in the gym you

6:45

said you've been in the gym for the last

6:46

couple years just

6:48

lately we've been on this tour a while

6:49

and so so the gym yeah the tour is a

6:52

disgusting place

6:54

it's all uh

6:55

raising canes

6:57

chick-fil-a i'm sick of chick-fil-a

7:00

hot chick-fil-a if y'all got any

7:01

opportunities we're here

7:03

but um yeah man tour is tours disgusting

7:06

have you just been reversing all of the

7:08

progress that you made over the course

7:09

of the last two years yeah probably you

7:11

know i'll go back later the gym is not

7:13

it's just you know something to do to

7:14

pass the time you know yeah that's why i

7:15

look at it we was on lockdown for a

7:17

little bit so and what is vince staples

7:19

like in the gym are you throwing the

7:21

plates around are you like a nah that's

7:22

for people that's like some low

7:23

self-esteem [ __ ] i'm just like i'm doing

7:25

what i'm doing man and i get up out of

7:27

here i put everything back you know what

7:28

i mean i'll wipe stuff down you know i

7:30

mean that was my next question so like i

7:32

think there's a certain code of conduct

7:35

that needs to take place in the gym what

7:36

is vince staples rules that need to be

7:39

implemented you think like putting your

7:40

weights back for me or just for people

7:42

for you yeah man it's like don't be like

7:45

nasty like don't be nasty and freaky

7:47

like people be in the gym just being

7:48

nasty and freaky no steroids you know

7:50

what i mean

7:52

don't like i don't know it'd be a bunch

7:53

of old dudes in my gym too because i

7:54

kind of live in the middle of nowhere so

7:56

they'd be being there talking about like

7:58

how they be getting a little money or

7:59

whatever so i'll be trying to pay a

8:01

little bit of attention you feel me see

8:02

how they feel

8:03

yeah because you see the cars just

8:05

parked in front that thing you know and

8:06

you're gonna be like what do you do yeah

8:08

but yeah i mean

8:09

just you know respect people's space and

8:11

you know people's property that's just

8:13

like regular life and and then what

8:15

rules do you think should be just

8:17

in in gyms in general like

8:20

the reason i'm asking because you know

8:21

there's certainties you go to you know

8:24

every gym i feel like has like the same

8:26

characters like the guy with the gallon

8:28

of water who has like that big belt and

8:30

then there's also the girl who or or

8:32

even the guy works out who has the phone

8:33

recording everything that they do

8:36

what is the vid statement see at my gym

8:38

if you pull that phone out you might get

8:40

kicked out like they taking it like you

8:42

know you can't be really recording like

8:43

that in the gym okay so my thing is like

8:45

yeah man i ain't gonna know planet

8:46

fitness like planet fitness you might

8:48

get shot in there so like i stay at the

8:50

nice little you know a little cold when

8:51

i go early in the morning i go late when

8:53

ain't nobody in there

8:55

you know so i really gotta deal with

8:56

that many people but yeah man i mean

8:59

they just you know people just getting

9:00

their program man you got to let them do

9:01

what they do uh vince i'm wondering how

9:03

many sprites have you drank that have

9:05

your face on the can no zero i've never

9:08

had one

9:09

why not

9:10

that wasn't a moment of celebration

9:12

crack open the spread with your face on

9:13

it oh

9:15

why would it be

9:16

that's not for me that's what if you

9:18

happy about being on the spray can you

9:19

don't need to be on a spray can because

9:21

your job is to sell it market a product

9:23

it's about the product it's not about

9:24

you

9:25

so you know sure we were signing sprite

9:27

cams we did a couple commercials you

9:29

know we did some philanthropic things

9:32

but it wasn't like a vanity thing like

9:34

corey got a lot of the sprite stuff but

9:36

i've never had any of it none of it no i

9:38

mean obviously the job is to market and

9:40

sell the product but you know that's a

9:42

major accomplishment or is it not how

9:45

it sold it bro

9:47

well you know they're they're across the

9:49

country they're maybe across the world

9:51

you know i don't like i'm not into like

9:53

vanity bro like i don't

9:55

i don't got no plaques

9:57

i don't got no awards i don't all that

9:59

my mama or cory got everything i don't

10:00

have nothing i don't have no merch

10:03

i don't have nothing

10:04

well then if you're not in a vanity you

10:06

won't like where i'm going with this

10:07

next one but you've got a billboard in

10:09

times square uh calvin klein you had a

10:12

big campaign there oh yeah we missed it

10:14

i wasn't there when um

10:16

what happened but yeah that was a really

10:18

really unique experience shout out

10:19

molina and everybody involved that was a

10:22

you know a good opportunity so you know

10:24

and then she just just wanted me in it

10:25

so you know thank you for her for that

10:27

she always looked out for me from that

10:28

to queen and slim and stuff like that so

10:30

had you been in new york at that time

10:33

when the the billboard was there would

10:34

you have gone to see it or would you

10:37

knock it yeah they would have yeah they

10:38

would have made me go look at it but you

10:40

no interest

10:41

like on a person no i was there

10:44

you know what i mean like i was there

10:45

what happened like

10:46

yeah but you know to see yourself you

10:48

know it's that big and you know center

10:51

of new york you got to understand you

10:52

got to listen how crazy that sound

10:54

tell me

10:55

i want to see me big on the wall that

10:57

sound crazy to me bro in the literal

10:59

sense yes but it is like this you see an

11:01

american cycle

11:02

okay but think about it this way you

11:04

know all of the hard work that you put

11:05

in in your life kind of

11:07

you know all of these moments that

11:09

you've done kind of all contribute to

11:10

these successes let me ask you a

11:11

question right so if the if the dp

11:14

if the grip if the stylus

11:17

if the person that handed out the waters

11:19

if any of those people

11:21

took a picture next to that billboard

11:24

would you look at them weirdly would you

11:25

be like oh this is a culmination of all

11:27

your hard work i would say that it's a

11:29

combination of all that hard work

11:30

exactly so what i'm saying is it's not

11:32

just about me because i just stood there

11:34

they did a lot more hard work there was

11:35

there all day i was there for like 15

11:37

minutes as far as for that specific

11:38

picture you know what i mean so it's

11:39

like i'm just not that kind of it was a

11:42

bunch of other people in that billboard

11:43

as well you know i mean it's not just

11:44

about

11:45

me i think it was a really good campaign

11:47

i think everybody you know who worked on

11:48

it really did a good thing from the

11:50

close to the short film that she made to

11:53

the photographs it was a you know a good

11:56

thing but now it's not just like me you

11:58

know my name and calvin klein that's

12:00

anything i'm a smaller part of it you

12:01

know that's fair okay so under that same

12:03

logic then when and if you know you

12:06

receive a major award of some sort

12:09

would you go and make the speech or do

12:11

you not i mean yeah you got to say thank

12:13

you you know what i mean but i'm not i

12:14

don't have any aspirations i got a bt

12:16

award that was cool that made my mom

12:17

happy bt hip hop awards excuse me

12:20

yeah but i'm not really like a trophy

12:23

dude bro like i had them in football in

12:24

like the fourth grade like and i don't

12:26

know what i did with them so it's just

12:27

never been my thing you know personally

12:30

no i respect it it's an interesting

12:31

perspective do you think that's a maybe

12:33

a testament to kind of the society that

12:35

we live in that like people enjoy or get

12:38

off to seeing themselves and seeing you

12:40

know

12:41

nah i mean when it comes to everybody

12:42

likes you know just have their hard work

12:44

recognized

12:46

um but it's just by who you know i mean

12:48

is it a

12:49

naacp awards an oscar is it a grammy is

12:52

it a bt award is it a vma all these

12:54

other things it's kind of the same thing

12:56

but you know my people is cool and my

12:58

people is happy that me more than me

13:00

than those things only because i just

13:02

don't know those people so i can't base

13:04

my happiness off of things that i don't

13:05

know you know i mean i don't know these

13:06

people i don't know what their intention

13:08

i don't know any morals they value so i

13:09

can't sit here and like have some people

13:11

i don't know give me something and i

13:12

value that more than like you know say

13:14

my family the people that i came up with

13:16

telling me that they proud of me every

13:17

day like that just kind of means more

13:19

than nah that's real you know i mean so

13:21

is there something maybe it's not an

13:22

award or but what is something rather

13:25

that that does do it for you that is

13:27

like okay like that's something having

13:29

financial freedom and security and like

13:31

in the knowledge that isn't afforded to

13:33

people where i come from and being able

13:34

to share that with the people around me

13:36

that way

13:37

you know our pitfalls don't happen again

13:38

that's what i care about that's my

13:40

grammy and [ __ ] yeah cause you had you

13:42

can add a trophy and then have to take

13:44

it to the pawn shop because you got

13:45

[ __ ] off so yeah i don't really value

13:48

that that much so financial freedom and

13:50

helping out the people from your

13:51

community and the people closer yeah you

13:52

know you know if your homies say hey man

13:54

i'm hungry you can't hand that [ __ ]

13:56

grammy so

13:57

i don't think about it like that that's

13:59

not any slight to them but it's just

14:00

that's the musical award of the highest

14:02

prestige but you know it only goes so

14:04

far yeah

14:06

well you speak about financial freedom

14:08

and financial independence a quick

14:09

google search shows that uh your net

14:11

worth is five million dollars

14:15

listen

14:16

where do those answers come from

14:18

that's what i was gonna ask you so like

14:20

you know all the time i speak to people

14:22

and they're it seems to be never right

14:24

that [ __ ] is hilarious bro but it's a

14:27

really good idea it just shows like the

14:28

vanity and like i don't know that's

14:30

crazy but

14:31

look man

14:32

that's cool if we have five million

14:34

dollars i would not be here right now

14:36

i promise you i would not be here right

14:38

now where would you be not here you

14:39

would i wouldn't give me give me a place

14:41

no interviews no press no nothing no

14:43

hip-hop

14:44

i'll go give me a raisin canes probably

14:46

two of them

14:47

in and out

14:48

chill make my money

14:50

for me

14:51

i have like a uh

14:53

like a hyundai honda genesis g70

14:57

gv70 that's what it's called i think

14:59

that would be me i don't even know that

15:00

car model but that's because you don't

15:02

know you you don't be at the gym i'll be

15:04

out bro with the people with the real

15:05

money they got the honda truck with the

15:06

fridge in the middle

15:08

wow so the real people who don't even

15:10

got the

15:11

the cullinan or the wraith they just got

15:13

the hyundai there's probably a couple

15:14

but the ones i know that's really

15:15

getting it you know the ones that live

15:17

over there by copying them

15:18

they got that hyundai genesis yeah the

15:21

hyundai genesis so i see the green one a

15:23

lot before they got the

15:25

a pickup truck i see that with a lot now

15:27

too

15:28

so one day

15:29

when and if you know vince staples does

15:31

get that five mil

15:32

is it the raising kings and and you know

15:35

these things and music is is a goner or

15:37

that's all i'm saying bro i'll play

15:39

music in my raisin canes

15:41

and you can come to my raisin canes and

15:43

right before closing or every weekend

15:45

we're going to be playing unreleased

15:46

rinse staples music if you get a box

15:48

combo

15:49

and then that's going to drive people to

15:50

the restaurant and then we're going to

15:51

be doubling up you know what i mean get

15:53

you a box combo you get like a little

15:55

piece of a verse you know i mean it's

15:57

gonna be a thing like you remember how

15:59

back in the day mcdonald's do the

16:00

monopoly game you got to kind of collect

16:02

the pieces and get the whole board maybe

16:04

you could do something similar with

16:05

verses like a couple bars for with each

16:07

combo that's too much and the monopoly

16:09

did that thing because they had to

16:10

monopoly play like i'm gonna need a

16:11

sponsorship dollar if i'm gonna be

16:13

giving my restaurant to other people you

16:15

know i mean mcdonald's had a partnership

16:17

with disney they had a partner in disney

16:19

flip-flop to burger king but it's cool

16:21

we don't even need to talk about how

16:21

they did that because i was kind of weak

16:23

but whatever but they had that

16:25

partnership with mcdonald i mean with

16:27

monopoly and that's really where that

16:28

came about so if hasbro want to throw me

16:30

some dollars we can make a game if

16:32

hasbro gonna throw me some dollars right

16:33

now we got ideas and opportunities so

16:35

you know shout out to hasbro mattel all

16:38

them people like they can call us

16:41

okay for sure vince uh you know i was

16:43

watching your um

16:45

gq video you know all the things you

16:47

can't live without and you went through

16:48

your wallet and what i noticed you had a

16:50

bunch of gift cards after my system

16:52

people be giving me gift cards and stuff

16:53

is a gift card a good gift

16:56

yeah i think so

16:57

um it's selfless you know it's like i

16:59

don't know

17:00

it's it's it's something about being

17:01

honest and truthful like we were talking

17:03

about like it's lying like you're

17:05

omitting the truth by thinking that i

17:06

want like some stupid [ __ ] so give me a

17:08

nice little gift card you know i mean

17:10

people know where i go i live a simple

17:11

life so

17:12

my sisters my sisters really be looking

17:14

out for me on the gift cards like they

17:16

come they really come in handy my lawyer

17:18

and his wife be looking out on the gift

17:19

cards too they give me gift cards to

17:20

like furniture stores and stuff okay how

17:22

about is this really like a frequent

17:24

thing do you get gift cards often

17:26

because you had like three on deck just

17:28

yeah

17:29

yeah

17:30

that was all i never it's funny i use

17:32

those after i've seen that because i

17:33

forgot those on my wallet i don't think

17:35

i got no right now see that's the thing

17:36

about gift cards that i feel like

17:38

sometimes they're a bad gift because

17:39

half the time the store just get the

17:41

bread because the people buy the gift

17:42

card and the other people never use it i

17:44

mean that's stay far though let them

17:45

hustle like i'm

17:47

i don't like gifts so like i feel you

17:49

you don't like gifts nah how come

17:52

because gifts aren't selfless like if

17:54

somebody give you a gift right they want

17:55

you to like it because it's really about

17:57

them it's not about you they want to

17:59

feel they want to feel like they did

18:00

something right for you if you if

18:01

somebody gave you a gift and then you

18:03

was like all right for sure thanks

18:04

they're going to be mad

18:06

so you might be the first person ever

18:08

heard to say they don't like gifts i've

18:10

never seen a look at somebody's face

18:11

when they give you a gift

18:13

they waiting for you to get in

18:14

reassurance that they did the right

18:15

thing

18:16

i'll be doing that yeah people selfish

18:18

as hell bro [ __ ] gonna hang some

18:19

[ __ ] and stare in your eyes bro that

18:20

[ __ ] is crazy i would just be like look

18:22

i got this for you and i'll be excited

18:24

because i like to give gifts high i like

18:26

to give people what you like to give

18:28

gifts right i love to give gifts but i

18:29

love to give gifts to people who love to

18:32

receive gifts because then they're happy

18:33

and it makes me happy to see them happy

18:35

but it's still about you being happy

18:37

it's more so uh maybe maybe it is cool

18:40

bro don't worry about it like at school

18:42

don't worry about it

18:43

last thing on this gift tip just because

18:44

i'm curious let's say in a hypothetical

18:47

world you know i overhear you saying you

18:49

know that you want something or that you

18:51

really like something

18:53

is it still well people only do that

18:54

because they want somebody else to like

18:56

acknowledge it and get it for them

18:58

not necessarily not necessarily because

19:00

i've i've been in a situation where

19:02

somebody's like man i just wish this was

19:05

because it would just make things easier

19:06

but they were just kind of saying that

19:08

like thinking aloud like why don't

19:11

why were they saying you fell for that

19:13

you got it too huh

19:14

it's cool don't worry about it bro i

19:16

gotta shot it all right i got swindled

19:18

you bought it all right i did oh that's

19:20

cool

19:20

they got me yeah they got you school so

19:22

like let's say

19:24

so you don't even like to give gifts

19:27

i mean look no but i'll do it see that's

19:28

a pure gift because it's it annoys me

19:31

that you want some [ __ ] but i'ma do it

19:32

anyway because it's not about me you

19:34

know i mean

19:35

christmas is not that i go crazy bro for

19:37

others i be getting gifts i get these

19:38

gifts all the time i got this [ __ ] cory

19:41

like a [ __ ]

19:42

it was high as hell

19:43

some gucci [ __ ] that i wouldn't even

19:45

want it and it said new york on it hated

19:48

it knew we would have loved it bought it

19:49

thousands of

19:50

dollars my stomach hurt buying that [ __ ]

19:53

but so your ideal christmas though cory

19:55

my lion

19:57

i don't know if his stunt was hurt

20:00

so your ideal picture is like it was

20:03

like some old like like you know you

20:04

seem painful of course it was some [ __ ]

20:06

like that like i'm from california bro

20:08

we don't live like that

20:10

so your ideal christmas though is giving

20:11

gifts to others an opening night of

20:13

christmas is being at home by myself and

20:15

nobody call me

20:17

just slowly doing what watching maybe

20:20

watching something listening or

20:21

something look bro i don't know but just

20:23

no christmas i don't want no tree i want

20:25

no gifts cause bro i got money i don't

20:27

don't buy me nothing because you not i

20:29

don't want it

20:30

you know what i mean i would have got it

20:31

if i wanted it

20:32

like what you gonna give me okay is

20:34

there nothing that you want that you

20:36

don't yet have

20:38

if i if i want it and i don't yet got it

20:40

that mean i can't afford it which mean

20:42

can't nobody else afford it if i know so

20:44

with that being said you know let's just

20:46

keep this christmas [ __ ] under wraps

20:47

i'll see you at thanksgiving christmas

20:49

is off day

20:50

but thanksgiving though it's a holiday i

20:52

already eat that [ __ ] but like i kick it

20:54

though is there any holiday that you

20:55

[ __ ] with

20:57

uh

21:02

president's day

21:03

really president why president's day

21:05

because [ __ ] got away with it they was

21:07

doing some [ __ ]

21:09

they got a day what other day court what

21:11

day you like

21:14

what holiday you like shayshay

21:18

halloween is fire [ __ ] halloween i

21:20

never had no halloween costume but like

21:22

i [ __ ] with halloween but you not enough

21:24

to participate uh my mama wasn't with

21:26

that that's demonic my household yeah

21:28

sam you ain't wearing no no devil [ __ ]

21:30

[ __ ]

21:31

no how about if somebody dressed up as

21:33

you for halloween that's weird not a fan

21:35

weird as [ __ ] bro has it ever happened i

21:37

hope not

21:38

i hope not that scares me there's so

21:40

much other things you can do besides

21:42

like a hip hop like

21:44

jason and freddie you know i mean star

21:46

trek star wars right

21:50

that's weird bro like why don't that's

21:52

weird bro so you could have been slick

21:54

rick it's so much better [ __ ] that you

21:56

could be doing you could be like

21:58

me

21:59

nwa you gonna be me like you just you're

22:01

just trying to get a retweet man

22:03

i ain't even work for that hello cool j

22:05

it's like you could be really go crazy

22:07

but they're if they were just trying to

22:09

get the retweet did they earn it or not

22:11

i'm muting you

22:13

i'm gonna meet you that's weird that's

22:15

weird not even a like or no

22:16

acknowledgement whatsoever bro

22:18

it's over

22:20

come on

22:21

come on

22:23

what's the weirdest thing that you've

22:24

ever seen on your vivint home security

22:27

system

22:30

nothing

22:31

i live in a nice place now what's going

22:33

on you don't have a tab fire maybe like

22:35

a fire that's it

22:37

like a wildfire

22:39

that's it yeah ain't nothing happening

22:40

you've never seen like maybe one of your

22:41

homies is in one of the rooms like doing

22:43

something you think i land [ __ ] come

22:44

to my house

22:46

i like you bro you funny

22:48

you're a good dude

22:49

no homies come to the crib

22:51

cory you hear this thing no friends come

22:54

to the crib

22:56

what nobody no do they even know where

22:59

you live no

23:00

who doesn't know where you live my mama

23:02

only and corey and court and no one else

23:05

so we're talking and my sister four yeah

23:08

no more than five people know either why

23:10

would they know where i live at i am not

23:12

puff daddy we're not throwing no parties

23:14

maybe to come by for the holidays holla

23:16

at the gift store i just told you all

23:17

the holidays all right no we're not

23:19

doing none of that so nobody ever has

23:22

been to your house before i don't know

23:24

for what

23:26

what are we going to do spend some time

23:28

i don't want to spend no time

23:30

cook maybe

23:31

you think i'm cooking for [ __ ]

23:34

you have a good heart

23:36

you'll be doing that no no no no no not

23:39

me

23:40

no no i swear i don't be doing it no but

23:42

like you know maybe you have a how about

23:44

how about a female friend maybe they

23:46

come by the house what happened when you

23:48

don't talk to them no more then they got

23:49

your address and i was found [ __ ] in

23:50

the prius sitting in the alley

23:54

see we lived a different life i'm trying

23:56

to let you know no no

23:58

no that just don't change

24:02

i see you at the no boo

24:04

okay so it's it's a

24:06

the links are only elsewhere for it not

24:08

even just for fema just in general like

24:10

friends family anybody oh look man

24:14

[ __ ] wanna come to my house when i was

24:15

broke

24:16

i live right on the corner

24:18

front unit you can knock on my window

24:22

hey come to the hood so you know what

24:24

i'm gonna do now i'm gonna go to the

24:25

[ __ ] you talking about i'm not with

24:27

all that ain't nobody come to my house

24:29

bro

24:30

all right so no

24:31

i'm assuming you live alone

24:33

my whole family live with me oh your

24:34

whole family is somebody okay now that

24:37

makes sense if somebody come to my house

24:39

and i'm not there it's not gonna be safe

24:41

for her okay if i'm there it's cool if

24:43

it's just my mama and my sister in there

24:45

you seen die hard yes all right

24:48

that makes more sense you live with the

24:49

whole family yeah now you don't want to

24:51

know i come no if i when i live by

24:53

myself [ __ ] can't come out still no no

24:55

no no no

24:57

no bro how about if you no

25:00

hey come drop something off no uber eats

25:04

brock got a car

25:06

so you go pick it up

25:08

yes

25:10

all right i respect it i mean maybe from

25:11

the convenience factor i prefer yeah

25:13

look bro convenience is not worth it

25:16

you ever you ever been outside i don't

25:18

got overeats before you ever kind of

25:20

been outside when they pulled up

25:22

you ever looked in that car window you

25:24

seen how they living

25:26

you want them to have your address how

25:28

are they living in them cars

25:31

oh man you got a lot to learn my friend

25:33

you ain't never you ain't never had an

25:35

uber east delivery and there's four

25:36

people in the car

25:38

not even one time

25:40

you from california no i'm from new york

25:42

awesome y'all look better out there

25:43

y'all got more common sense look bro you

25:45

go you get an uber east out here from

25:47

danielle it's gonna be seven jeremiah's

25:50

in the car

25:52

okay it's different in new york they

25:54

might pull up on a bike yeah i don't

25:55

like that though but y'all don't have

25:56

dumpsters so like y'all living weird out

25:58

there

25:59

y'all moving different cause i get why

26:00

batman was running around like beating

26:02

everybody ass because we don't have

26:03

dumpsters that's weird bro

26:06

why what's weird about that was weird

26:07

about setting your trash on the sidewalk

26:09

yeah then they come scoop it up

26:12

no say that out loud what's weird about

26:13

sitting your trash on the sidewalk i

26:14

want you to say it

26:16

how do they take garbage away here out

26:18

of the receptacle see where i'm staying

26:21

at out here we still got to put the

26:22

garbage out on the thing but it's in the

26:24

garbage can like a like a receptacle

26:27

yeah but it's not a big it's just like a

26:29

little journey throw it in close it let

26:31

me ask you a question right how long

26:32

you've been out here

26:34

about

26:35

11 days

26:37

how many rats you've seen

26:39

zero

26:41

in an 11 day period in new york city how

26:43

many rascals you have seen be honest

26:48

11.

26:50

that's all i'm saying bro it's one big

26:52

difference and that's that receptacle

26:53

you got to close that lid bro

26:56

you got that lid is that your biggest

26:58

gripe with new york is the garbage on

26:59

the sidewalk or what else is it about

27:00

new york that maybe is different or

27:02

weird to you

27:04

it's just really the garbage new york is

27:05

a beautiful place man i'm not mad at it

27:07

you know what i mean but that's just

27:09

y'all work too hard for that yeah city

27:11

that never sleeps ain't that what they

27:12

call y'all yeah y'all don't got trash

27:14

cans

27:15

no parking

27:17

it's crazy parking in all that here

27:20

sometimes depending on where you're now

27:21

that's because y'all don't be in the

27:22

real places y'all be in times square

27:25

oh you're saying that yeah yeah yeah

27:27

y'all be like it's weird i get it though

27:29

but like

27:31

it's hella parking could you see

27:32

yourself living anywhere but california

27:33

no no no no no nobody can if you from

27:35

here really never

27:37

where she's gonna go new york

27:39

go to san francisco

27:41

still california though still never like

27:43

a new york east coast maybe i know

27:44

you're a big fan of boston perhaps

27:46

boston i would never live in boston how

27:47

come why not bobby brown

27:52

bobby brown is the reason why you

27:53

wouldn't live in boston he's from boston

27:54

right

27:55

but what so bobby brown

27:59

i'm not connecting that's your problem

28:02

help me connect it bobby brown

28:06

bobby brown is the reason why i've been

28:07

stapled oh man

28:09

did i'm wrong

28:11

i am hey cory would you live in boston

28:14

no new york

28:16

miami no no no no no chicago you look

28:19

like chicago

28:22

beautiful city

28:23

have you seen this why would i like what

28:25

are you talking about have you seen the

28:26

bean what are you talking about bro you

28:28

know the bean what are you talking about

28:30

you wouldn't live out there in the cold

28:31

after colleek coming here you want to

28:32

live in chicago no but she keeps don't

28:34

live in chicago where does she live out

28:37

here exactly so what i'm saying bro for

28:39

you all right it's just too cold i'm not

28:41

with that

28:42

maybe not to live but are there cities

28:44

throughout the tour that you're like oh

28:46

i'm excited to go to this place for 24

28:49

hours

28:50

hmm

28:51

i mean yeah it's cool touring's cool a

28:53

lot of cool people interesting people

28:55

interesting you know

28:56

environments but after what place is on

28:58

that tour list are you like oh yeah this

29:00

place loves this place

29:01

when i'm like do you want me to be

29:03

completely honest yeah i don't ever know

29:04

a city be going to a tour

29:07

when they start i don't want to start

29:08

and i don't want to stop i don't get too

29:10

much into it you don't even know where

29:11

you're at no you just absolutely get off

29:14

the bus yeah get on the bus if i get on

29:15

stage i asked him where we at

29:17

before you get on stage

29:19

i forget sometimes is it an intentional

29:21

thing or i just don't want to think

29:23

about it tour takes him on two or three

29:25

months that's like jail i'm not gonna

29:28

wow so you don't even know

29:30

where you're at and well you get there

29:32

five six hours before you gotta play so

29:34

it's like it's not like you're just

29:35

sitting in the city for three or four

29:36

days right like hanging out like you do

29:38

the show and then you get off stage and

29:41

then you go to the hotel or and wake up

29:43

in the morning and drive 10 hours you

29:44

get off stage take a shower and then

29:46

drive for 10 hours so it's like it's you

29:48

not really

29:49

acclimated to a city you know you're not

29:51

in the city for more than 48 hours ever

29:54

yeah and that's including off days you

29:56

know off day is going to be in like a

29:57

middle city because of overdrive fees so

29:59

you might end up in topeka kansas before

30:02

you go to

30:03

denver colorado that's pretty much what

30:05

touring is have you had a moment where

30:06

you're out on stage and you forget the

30:08

city that you're in

30:10

yeah all the time i just don't see it if

30:11

i forget

30:12

have you ever said the wrong city yeah

30:14

probably

30:16

no it's only a piece of paper on the

30:17

bottom of the stage so you just won't

30:18

mess it up just in case yeah but yeah

30:20

but something i think i probably have a

30:22

couple times probably mispronunciation

30:24

i've done too many shows it's just you

30:25

know the variables on it is pretty high

30:27

any city stick out um

30:30

in your mind of like cities that love

30:31

men's stables that show you a little

30:33

extra love amen anybody that's in that

30:35

crowd i appreciate you know because it

30:37

costs money and you know we coming off a

30:39

really really tough time so anybody that

30:40

comes to that show you know i appreciate

30:42

it because

30:43

you know a lot of people don't got it

30:44

right now so i appreciate them period

30:46

like it's not really a preference once

30:48

you go through that door however you

30:49

enjoy your show is how you enjoy your

30:50

show you know they hear the people are

30:52

here so you can't really get too caught

30:53

up in

30:54

looking for a specific kind of reaction

30:56

yeah

30:57

you're on tour now for those out there

30:59

maybe watching who you know maybe are

31:01

thinking about coming to a show and to

31:03

catch you and tyler and kelly and

31:05

what what what would you say that

31:07

experience is like and maybe why should

31:08

they pull up it's a really interesting

31:10

tour a lot of diverse um acts and you

31:13

know tyler's you know one of the best

31:14

performers we done like ever had so it's

31:17

i wouldn't miss it if i was into you

31:19

know into hip-hop music and

31:21

touring and things of that nature i like

31:23

live shows like it's not really a better

31:24

show than tyler's show so i would

31:25

definitely pull up lastly let's talk

31:27

about the album what do you want people

31:29

to expect from this album i'm hearing

31:31

some good rumblings but what do you want

31:33

people to expect i mean i'll just listen

31:34

to it you know

31:36

open ears and optimism man

31:38

you know if you enjoy it thank you if

31:39

not you know thanks listening nice music

31:41

it's all subjective you get to

31:43

take whatever you want from it but you

31:45

know we worked hard on it and i really

31:46

like it i think it's you know one of my

31:48

better um showings so yeah i'm i'm real

31:52

happy with it where all right vince i

31:54

appreciate you taking the time thank you

32:00

[Music]

32:02

you

Continue with YouTLDR

Analyze another video with Pro

Process a new video, search every timestamp, compare sources, and keep the result in your library.

Get Pro — $12/month30-day money-back guarantee

More transcripts

Explore other videos transcribed with YouTLDR.