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Ester Expósito se encuentra con Froilán de fiesta | #LaRevuelta 23.10.2024

15:04EnglishTranscribed Jul 29, 2026
0:00

But you have to have

0:01

plenty of those watch brands give you, or

0:02

something for me, or necklaces, watches, something.

0:04

You have to have watches, I have few,

0:06

some they'll give you, those things.

0:07

Not those materialistic ones, this is much more

0:10

symbolic, this is going to touch your

0:12

heart, I'm going to like it more than a

0:14

10,000 watch. Yes, yes, I

0:16

hope so, let's see, you're going to be blown away, huh?

0:21

What is it? You're going to be blown away. I want to send a

0:23

big kiss to the Caballo team, the

0:25

production company,

0:27

because they've worked so hard on it.

0:32

Seriously, you'll see, I'll help you. Come on, those guys

0:36

from Príncipe Pío, you guys are amazing,

0:37

the Caballo team. Huh?

0:40

You're going to be blown away, huh? Yes, that's what the

0:42

production company is called. Yes, yes, yes, me too. There are also those who come

0:44

in from Casa de Campo, they're also

0:46

producers, right? Let's see, let's see, I'll show you, of

0:49

course, what do

0:52

you think? But you're seeing it. Yes, yes, yes, look, it's

0:56

quite cool, isn't it?

1:00

You have one, show it. Uf, I like it a lot, huh? It's

1:02

a vertical version, it's a

1:05

version of the poster for the film you're here

1:06

to promote today. But, ha, look at

1:08

the protagonists, huh? Look at this and look at the

1:13

[Music]

1:13

[Applause]

1:16

[Music]

1:20

detail upside down,

1:23

it's well done graphically, huh? It seems, it seems, I look

1:25

like a real actor, huh? They've done a great job, they've done a great job.

1:28

I

1:30

have acting qualities. That character, the one

1:33

in that spot in the

1:34

original poster, symbolizes some pretty

1:37

dodgy and ugly things, so, but don't take it

1:39

personally, huh? Don't take it personally. This was just because, it wasn't necessary to

1:43

put you in the fourth spot. Here we are, the three of us, well,

1:44

put you... but, but who's in

1:46

the original poster? Well, an

1:48

entity from the film. I mean, you've put me

1:50

in a place that symbolizes horrible things,

1:52

but I don't want to explain. The film

1:54

gives a couple of details, well, huh? Don't

1:57

tell yet.

1:58

Violence, patriarchy. But why are you

2:01

telling me that? But not you, not the one

2:05

in that spot, but we could put you somewhere

2:06

else. We weren't going to put you before me.

2:08

Violence. Of course, but you

2:16

always told me in the elevator,

2:18

David, machine,

2:20

such and such, many years ago, and now this,

2:22

putting me here in this position, patriarch, of

2:25

course. Damn, it's cool. This is good. You have

2:28

a movie poster, you have more

2:29

posters, I mean, a movie has come out

2:31

of things I've done. I did the most... let's

2:33

see, I'm a good actor, more like, [ __ ], they should have given you a

2:35

radio award for that.

2:36

But

2:37

that was an advertisement, it was an advertisement, and it says

2:41

the closest thing to a movie I did is a dubbing.

2:43

Sure, but you don't have any

2:45

movie posters with your face. I have

2:46

a dubbing of the Muppets or

2:49

something like that in the film world, and it only had one line. How cool. Well,

2:51

look, a line, what was it? I

2:54

think it's... uh, put it on your

2:56

tombstone, the

3:00

dubbing line and stuff. You've done dubbing

3:01

of things, I mean, I've dubbed my own things, like,

3:03

but I've never

3:04

dubbed yourself. Uh, yeah, you always have to

3:06

dub something because the

3:07

sound is bad, because... And you take the opportunity to

3:10

introduce, like suddenly, a

3:11

crazy gesture, something. Sometimes you can improve

3:14

your voice in a scene, a word you did

3:15

n't like, how it came out.

3:16

Sorry, put it, put it. Look at my only line

3:18

in the history of my participation in

3:22

film... 50 cents I'll suck your dick

3:32

is something to be proud of, very good, very nice, don't

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put it, don't put it on the

3:40

tombstone,

3:41

David. I was hired, they took me to a

3:45

dubbing studio, I was paid money

3:47

to say for 50 cents I'll suck your

3:49

dick. But how long ago was this? This must have been

3:50

6 years ago, so it

3:53

was already known, it wasn't like an

3:54

amateur thing. Wow, the only line, really, the

3:57

only line I've said in the

3:58

history of cinema, 50 cents I'll suck your dick.

4:02

Well,

4:05

Bravo,

4:08

you, let's see, and now for 14 million, huh, how has it turned out? It's changed, it's changed, it's changed,

4:22

but of course everyone. Of course,

4:24

you, your first things like that. Well, I've seen

4:26

before, I've seen before, looking at

4:28

your filmography, that the first thing on TV you did was... It was

4:30

here on Spanish television,

4:31

maybe, I don't remember what the

4:32

first thing on TV was, they say, a

4:34

series, I've seen it before, yes, the one from an

4:36

advertisement, maybe I'm alive. Ah, maybe it was, maybe it was one

4:39

of the first things I did,

4:41

maybe it hasn't happened, what, how long

4:43

has happened, six or 7 years, it was before

4:45

Elite, I would have I was 16 when I

4:48

joined Elite. What? At 18 or so? Okay, Elite,

4:51

I saw there have been spinoffs and

4:55

continuations and stuff. Have you been

4:56

in any of them? I was in season three, well, I did one,

4:58

or rather, I finished the

5:00

third season, and then we did some

5:01

short episodes about one of my characters and

5:04

another. And what

5:08

happened? What's going to happen in Elite? The

5:11

sex, of course. It was a pure

5:14

sex episode. There were three mini-episodes about

5:15

the love story of my character,

5:17

Carla, and Samuel, which had been left

5:20

a bit unfinished. And it was like,

5:21

yeah, the

5:23

whole episode is almost one [ __ ], no joke, not the

5:26

whole thing, but damn, well, let's see,

5:28

a second attempt. He comes to

5:30

pick me up, it's very romantic. He comes to pick me up

5:31

at the airport so I don't leave. He

5:33

asks me to come back. I say, okay, but

5:35

only because the plane is delayed. So he says, okay, I'll be back for

5:36

a bit, I'll be back for a bit, and so on.

5:38

And in the end, things go terribly wrong and I leave again. I

5:41

like that you're telling it

5:42

a bit more romantically now. The first thing you... The

5:43

thing is, what was it about, [ __ ], let's

5:46

see, it's an important part of it.

5:48

Have you had this thing that

5:49

always happens at airports and stuff? Have

5:50

you had things like that in real life, like at the last minute,

5:53

saying no, no, don't

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go, a guy who's going off somewhere, going

5:57

to Peru or Japan,

5:58

at the airport, no, stay in Spain, no, I don't

6:02

think I haven't had a moment like that. Has someone ever

6:05

done something like that to you at the last

6:06

minute, where you thought the relationship

6:07

was already bad? And yes, that's true. And how is it

6:10

received? Well, there are people who

6:11

like the romantic gesture, like a

6:13

gentleman, like, "I'm going to look for you

6:16

at the last minute," and so on. That happens to you, that's happened to me,

6:17

but then no,

6:20

because it never works out. That's the epic, it doesn't work

6:45

out. No, no, no. Less nonsense and more healthy relationships, taking care of each other when you have a relationship. No, no, then when it's already... well said, of course, do you want to sit down or do you want more questions, standing up? [Applause]

6:46

[Music]

6:47

[Applause] You

6:51

already have a positive one full of gifts and

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stuff, everything, uh, what It's full of

6:56

things, do you want to get something? Do you want a

6:57

water jug? No, thank you. Look, the king,

7:00

King Juan Carlos and Queen Sofia, huh?

7:03

Well, you know, for a while, I mean, they

7:04

also got along

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well at first, then at the

7:08

beginning they were seeing each other, he discovered he

7:09

could call whoever he

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wanted and said, "Clo," and vent, not like that.

7:13

Of course, but well, in an

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airport, let it be Abu Dhabi, don't, don't go there,

7:17

man, you might have some. Do you have any

7:20

dealings with the Infantas? No,

7:22

the truth is I don't have any, they're

7:24

more or less the same generation, they're a

7:25

little younger, but... Well, the truth is they won't know you, they'll know you, of course,

7:28

now the Infantas are Infantas or

7:30

they're Princesses, now that they're Princesses, a

7:32

Princess, they're Princesses. Yes, of course, both of them, both of them.

7:35

No, the heir. Is there anyone who

7:38

knows about the Royal House, for me, right?

7:40

Yes, a Princess and

7:43

a... of course, those people who are very,

7:45

very noble, very aristocratic, very, of course, the

7:47

monarchy, but they're 20 years old, of course, they

7:49

'll be fans of this, I've thought about it. Well, I do

7:51

n't know. I hope so. I've been thinking about whether he's going out

7:53

partying, hooking up. You've

7:56

never run into him around, and Frean, well, maybe you have at some point, I

7:58

think.

8:00

[Applause]

8:08

You've run into him around, huh? In

8:10

nightclubs, everyone, huh? Someday,

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everyone's seen him at some point. What kind of

8:13

attitude did he have? Anarchic? Monarchist? A

8:16

monarchist attitude? No, I don't know, no, no, I don't know.

8:20

Something. We're in a common group, normal.

8:22

Ah, in a common group. Uh, yeah, I don't know when.

8:25

Elite, of course, it's that he watched the series

8:27

and stuff years ago. I don't know, he liked it, but that's it, there are

8:30

no more

8:33

memories of that. No, no, no, no, no, of course.

8:34

But it's true that more is known about freelancers,

8:36

but about The Princess and the

8:37

Infanta, that's why, man, it's not

8:39

the same. You don't know what he likes. It intrigues me

8:40

and it makes me sad to think. I don't know. I hope they're going out

8:43

partying and hooking up.

8:44

Although, despite the responsibilities they

8:46

have, yes, man, they'll have to have

8:48

fun. This girl has a life too, of course.

8:50

I think they'll have TikTok or

8:53

Instagram or something like that. Let's see, of course,

8:55

fake accounts, maybe to flirt and stuff.

8:57

@sofi 19 they might

9:00

use a different name to make it sound

9:02

better, but they can disguise it by using a

9:04

photo like this. Well, well, I don't know if they ever send you a

9:06

message, tell us, tell us, we should

9:08

invite them, eh Ricardo,

9:11

both of them, of course. Now

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I'll knock on their door as they

9:14

leave, go to Zarzuela, okay? Hey,

9:18

the princesses are there, they should come down, there's a gentleman, there's a

9:19

gentleman with a bell, and he

9:21

moves his arm. So, okay, uh,

9:22

okay, the interview, I've

9:25

told you about Spanish television, of

9:28

course, time, you come back here, have you seen this

9:30

program from a month and a half ago, have you

9:32

seen any episodes? Yes, a while,

9:35

adjusting this because the mic is a bit loose, it's

9:37

moving.

9:38

Okay, help me adjust the mic, no, no, it's fine, okay, I'll adjust the

9:41

mic. He

9:42

repositions it, he repositions the

9:45

mic, I've repositioned it, he repositions the

9:47

mic, no, the good thing is, reposition it, it's gotten in your ear, be

9:54

careful, it's touching your

9:57

ear. Well, I don't know, I think he's

10:00

trying to keep it from getting in your ear. There in the

10:01

hole, okay, okay, thanks, he was saying,

10:06

well,

10:09

thanks, uh, we were talking about the school, what was the

10:12

name of your school, Fortuni?

10:15

Well, I went to two, I went

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to a cousin who came with me,

10:21

Yaiza, some people have come, who you brought,

10:23

but they're going to kill you if you show them, but

10:25

sorry, I brought a crew, you brought a crew, like I

10:27

'm a rapper,

10:30

but you brought like when Nicki came, oh my god, who are those

10:34

people, who are those cousins, my parents are there,

10:37

but they're not going to let you take them out. Oh

10:39

look, and there are the ones from the movie,

10:42

Matilda and Malena from the movie, but, but, but, they can, of course, they'll come down now, now, in

10:47

a little while, do you want to come down at the end,

10:49

now in a little bit, well, man, since, since you

10:51

've come, they're my

10:53

Cartel colleagues, not your

10:55

Cartel colleagues, now we'll tell you how you get a

11:02

free guest here, uh, yes, how, of

11:05

course, I'm going with a dragnet, a

11:07

guest I see going inside, very good,

11:10

Miguel is looking for

11:11

opinions of the school, if

11:12

you find any good opinions of

11:14

Fortuni school, take them out of Miguel's, okay, okay,

11:17

this is regarding adolescence This is about

11:20

how you handle honey, I

11:25

mean, it's not silly, you have to

11:27

put honey on something, not the

11:31

honey, not me, G, that also helps me a little, I'm sorry, I've

11:34

never liked honey, but pretend you like it,

11:36

that you're an

11:38

actress, come on, let's go, go ahead with the

11:41

honey, take it up again,

11:43

this is what I'm telling you, it's said, I'm telling you how you do it,

11:46

the honey, how you handle the honey, and you

11:48

say, honey is what I like most in the

11:50

world, okay, okay, okay, uh, okay. This is about

11:53

adolescence, uh, how, how do you

11:55

handle honey, and that, honey, I love

11:58

honey, Porto. You love that you

11:59

ask me because it's my passion, honey, my passion.

12:02

Uh, yes. What's the question? How do you put it? I put it

12:04

with this, which is like, I do

12:07

n't know what this wooden thing is called, which is

12:08

like the honey pot. Well, the honey pot, of

12:11

course, what else is it going to be called? Come on, how silly of me,

12:13

uh. Because you like honey,

12:15

what I like is honey. Well, the

12:16

honey pot, I do it like this, and I make zigzags on

12:20

the

12:21

toast, well.

12:24

[Applause] I'm telling you,

12:30

even if you don't like it, it's

12:31

not easy. It happened to me this

12:33

morning, you know. And it's not easy because

12:35

everything gets sticky, because, of course, it gets on you. It

12:36

stays on your hand, then it

12:37

sticks to your notebooks if you're going to

12:40

write something down in a notebook. Anyway, okay, do

12:42

you want to do some promo now? Oh, sorry, I

12:44

had something else I haven't asked you about. I

12:46

thought about it a few months ago, and since you hadn't

12:48

come around, you wouldn't happen, would you? You know, you're the one who was in

12:51

Dana Paola's song.

12:53

You know, I haven't

12:56

asked her about this story. You know, this

12:58

story: Dana Paola, the

12:59

Mexican singer and actress, said she

13:02

made a song dedicated to someone she

13:04

likes, a girl she really liked

13:05

from Elite, and we thought it was you. She

13:08

said it was from Elite. I haven't

13:10

seen that, I don't know about that, and we thought it was

13:12

you, you think it's me, that

13:14

Dana Paola liked you. I hope it's just a

13:17

fantasy, but no, she hasn't told me,

13:19

and I didn't know that she said it was a

13:22

girl from Elite. It's a great song, huh? I

13:25

've heard it. The song could be

13:26

for you, well, I'd love it because it's a great

13:29

song. How many songs do

13:31

you think have been written about you in the

13:33

last year? In the last year, I think only one, the one

13:36

by Dani Martín. Well, of

13:37

course, this year, one, the one

13:42

by Dani. It's really cool. That one. Of course,

13:45

you knew about it before. He

13:47

showed it to you before, I suppose. Of course, he showed it to me

13:49

before. He sent me the lyrics first, then he

13:51

sent me a recording, recorded by himself,

13:53

like on my phone, singing it. No, not from a

13:55

studio. Imagine, Dani a cappella, sending

13:57

WhatsApp audio.

13:59

[Music]

14:00

Nothing. It would have been

14:03

[Applause].

14:07

Cool. Dani at home, sad.

14:10

This Expósito was more or less like that, wasn't he? He

14:13

was beautiful. It's like I saw you

14:16

at a beach bar or something, and you

14:17

ignored him. I mean, you ignored him, okay? Have

14:19

you been offered any? Of course, if they

14:21

write a song about you, they have to

14:22

ask your permission, not in theory. Or maybe not,

14:25

because they've put my name in

14:26

songs sometimes and they haven't asked me. There have been

14:28

more, yes. Whose is it? There's one that says

14:31

one of J Balvin, Jay Balvin, eh. What does Jay Balvin say? He says

14:35

Jal says, go looking for her.

14:40

Miguel says something good or bad. No, man, how can he

14:43

say something bad? Well, I don't know

14:45

how to say something bad. He says,

14:48

how was it, eh? Tell me what your

14:51

purpose is, that I see your videos, like I am.

14:53

Expósito, you have me going crazy. What are

14:56

your rhymes, this Expósito, with a purpose? Yes, thank you, thank you,

14:59

sing us my stuff, but

15:01

well.

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